2443135
Beschreibung
Karteikarten von Reuben Veysey-Smith, aktualisiert more than 1 year ago
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Erstellt von Reuben Veysey-Smith
vor etwa 9 Jahre
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| Frage | Antworten |
| Structure | All indented lines rhyme to show there is room for everything under God |
| GLORY be to God for dappled things— For skies of couple-colour as a brinded cow; | Starts off like a prayer and dappled connotes towards needed contrast for beauty. This is shown because the sky needs clouds for depth |
| For rose-moles all in stipple upon trout that swim; Fresh-firecoal chestnut-falls; finches’ wings; | Stippling is a metaphor because it is an art technique connoting that God is an artist euphony of F shows melody and how God is like a poet Finches wing is very specific and rhymes with all things showing contrast |
| Landscape plotted and pieced—fold, fallow, and plough; And áll trádes, their gear and tackle and trim. | visual imagery showing how craft is align with Gods work, the land is a dappled thing! |
| All things counter, original, spare, strange; Whatever is fickle, freckled (who knows how?) | euphony of S showing different in sight but united in sound rhetoric shows awe and wonder at the mystery of beauty |
| With swift, slow; sweet, sour; adazzle, dim; He fathers-forth whose beauty is past change: Praise him | repeated contrast with euphonic sounds showing that all things are united in sound Ends like a prayer showing humbleness |
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