Joanna van Dyk
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GCSE Music (Mine) Quiz on Something's Coming, created by Joanna van Dyk on 09/01/2016.

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Joanna van Dyk
Created by Joanna van Dyk over 8 years ago
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Something's Coming

Question 1 of 7

1

Repeating /riffs in lots of parts – e.g. opening 3 crotchets in bass part and an accented pattern (bar )
between some parts
Uses motif – e.g. on ‘soon as it shows’
Appoggiaturas – accented dissonances
Accompanying are ‘unifying force’ in piece.
Combination of short snappy phrases and long sustained notes
Melody is mostly

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    ostinati
    quaver
    crotchet
    Imitation
    Tritone
    riffs
    syllabic

Explanation

Question 2 of 7

1

Opening time signature is – but sometimes make it feel like . Later changes to – regularly swapping between the two
Syncopated/pushed entries such as ‘could be’ give a sense of anticipation
Fast song – crotchet =
Feel of in a bar
See also Ostinato ideas above
Triplets – e.g. bar 76
Rhythms give a dance feel
Cross rhythms can be heard in the accompaniment at the start.

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    3 -4
    6-8
    2 4
    176
    200
    one
    two
    Latin American
    cross rhythms

Explanation

Question 3 of 7

1

Nearly all dominated – no counterpoint to distract from the vocal line.
That said, the is made from lots of ‘’ (ostinati/riffs)

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    melody
    homophony
    layers
    accompaniment

Explanation

Question 4 of 7

1

Tonality

Clearly , despite
major – reflects the
Modulates to major in bar 31 – (although with s in bass creates a effect – or they could be considered notes) – this is a distant key
Bar 70 back to D
Back to major in 97-98
Does finish on a – could be regarded as a blue note - or a deliberate sense of

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    tonal
    atonal
    dissonances
    D
    C
    F#
    bitonal
    blues
    major
    C/G
    C natural
    in-completion
    happy emotion

Explanation

Question 5 of 7

1

Harmony

Uses – e.g. in opening chord – makes music sound unpredictable
based harmony (conventional chords have added and ) – e.g. in bar 1 and 2
Frequent chords
Neapolitan 6th chord – bar 90
cadence in 97-98

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    Tritone
    Jazz
    Rock
    blue notes
    dissonances
    7th
    9th
    suspended
    Perfect
    Imperfect
    Plagal

Explanation

Question 6 of 7

1

Structure

Early in show ( number) – solo for – he’s imagining a better future for himself.

Solo/Aria






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    3rd
    1st
    4th
    Tony
    Romeo
    Intro
    Alap
    Section A
    Section B
    Section B1
    Section A2
    Section A1
    Section B2
    Section A3
    Outro

Explanation

Question 7 of 7

1

Instrumentation/Word setting/Timbre

for Tony (Tenor) – sounds than written
Clnt and sax, horns, trmpts, 2 , violins, 4 , 2 double basses, drum kit + 2 other , piano and guitar (electric and acoustic) – approx players.
Word setting is
Accompaniment in bars 1 – 15 are (inc bass clnt) and pizz strings, supported by a busy part
trumpets in 17 – 28
added in 52 for louder section
In 2nd bridge, nigh violins illustrate the words ‘the air is ’ – with and harmonics.
on drums, mutes for trumpets so not to overpower the singer
Tony has strongly contrasting
e.g. on ‘Cannon balling down through the sky’
Some sections require a very quiet tone.

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    Solo
    Duet
    8ve
    lower
    Higher
    2
    3
    trmbones
    7
    celllos
    percussionists
    30
    syllabic
    clarinets
    drum
    Muted
    Brass
    humming
    tremolo
    Wire brushes
    dynamics
    Word painting
    whispered

Explanation