Rhythm

Subject 2 has syncopation

Subject 1 has syncopation

4/4

3/4

12/8

Some continuous quaver movement

Continuous quaver movement in Subject 1

Continuous quaver movement subject 2

Rests used for breathing

Rests using for articulation

Pavane in 3/2 Galliard in 2/4

Pavane in 2/4 Galliard in 3/2

Pavane has rare dotted notes

Galliard has rare dotted notes

Galliard has lots of dotted notes

Pavane occasional hemiolas

Galliard occasional hemiolas

Galliard has shorter note lengths than Pavane

Galliard has longer note lengths than Pavane

Pavane is more staccato than Galliard

In 6/8 and 2/4

In 6/8 and 9/8

Syncopation In 1st Theme

Augmentation In 22-25 of 12-15

March Rhythm Theme 2

Continuous quaver movement in 1st Theme

Rests used for articulation

monophony used e.g. b 2

Syncopation in 2nd Themes

3/4 In Sarabane 9/8 in Gigue

Emphasis on beat 2 in Sarabande

Continuous quavers in places in Sarabande, Continuous semiquavers in Gigue all the way

Syncopation in Sarabande

Syncopation in gigue

Continuous quavers in places in Sarabande, Continuous quavers in Gigue all the way

Emphasis on second beat in the gigue

Lots of dotted rhythms

9/8 in Sarabande 3/4 in gigue

Prelude in 12/8 and Fugue 2/2

Prelude has hardly any syncopation

Main theme in Fugue has syncopation

Counter Subject 1 is very syncopated in Fugue

Fugue continuous quaver movement

Prelude continuous quaver movement

Some triplets in Prelude

Prelude in 4/4 Fugue in 6/8

March rhythms in the Prelude

Lots of dotted rhythms in the Fugue

4/4

Sax has triplets

Sax has syncopation

Trumpet has triplets and long upbeats

Trumpet has syncopation

Some swing but straight in coda

Straight in coda and intro and swung everywhere else

Continuous quaver movement in the piano solo

3/4

12/8

4/4

12/8

Continuous quavers main rhythms

Occasional triplets

Swung slightly

Head is very syncopated

Pentuplets in second chorus

March rhythms in theme 2

Rests for swapping themes

lots of dotted notes