45431
Description
Mind Map by haytham96_whitear, updated more than 1 year ago
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Created by haytham96_whitear
almost 12 years ago
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John Dowland
- Lute song genre typically plays within the renaissance
period along with a counter tenor.
- Instrumentation: the
use of the viola da
gamba adds to the
texture, while the
melody is sung by a
counter tenor.
- Tierce de Picardie- the use of
the raised 3rd at a cadence in
a minor key.
- Consonant style, where most of
the chords are played in root
position.
- Carefully placed dissonances to coincide with the
expression found through suspensions, conssant
4th and imperfect cadences
- False relations are used to
highlight how the music of this
period is constructed linearly.
- Interweaving counterpoint; imitation is a structural
form used to reflect the period, within bar 12 on the
words “teares.”
- Stepwise contours to highlight the lack of
melodic flexibility the counter tenor has as
the music wasn’t composed vertically.
- Flexible rhythm to present a
variation within the piece- e.g. in
bar 19 in strain 3 there is a
change in time signature 3/2
- resulting
in modal
harmonics
and slight
relantando.
- resulting
in modal
harmonics
and slight
relantando.
- Musica Ficta whereby the music is notated without a
key signature but occasional accidentals are added to
make the harmony appear correct
- cadences, for example the
use of a Tierce de Picardie is
used for this affect.
- cadences, for example the
use of a Tierce de Picardie is
used for this affect.
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