'Severe style' -
similar to classical
stone sculpture, had
naturalistic bodies
and blank
expressions
Created a
balance between
naturalism and
idealism
CONTENT
Two separate sculptures, exhibitioned
together. Both nude athletic males,
suggested to be more mature by
beards but clearly in prime of life
Hands curled as if made
holding weapons (originally held shield and spear)
COMPOSITION
Pose
Contraposto: hips and shoulders
twist in opposite directions, head
tilted
Weight placed on right leg;
free leg bent
Divided into quarters: left
arm and leg bent, right
arm and leg crooked
Limbs articulated
(allowed for by strength
of bronze)
STYLE
Possesses elements of
realism and clearly
observed. Evident in...
Detailed hair
Realistically
tensed muscles of
right calf
Slightly idealised. Muscles on
chest and abdomen perfectly
sculpted yet slightly exaggerated
For example, crest of muscle
over hips is impossibly
pronounced
Sculptor takes human figure and
exaggerates it subtly, perfects it.
Exemplifies Greek obsession with art
being a representation of the Gods in
human form
TECHNIQUES
Lost Wax Technique
Hollow. Allowed piece to achieve greater
naturalism as shapes could be moulded out
of the soft clay, giving a smoother effect
Original sculpture moulded from clay
or plaster - then used to create a wax
mold, from which the hollow bronze
figure can be cast
MATERIALS
Bronze - strong so
allows articulation of
limbs and greater detail
of anatomy