Quiz
The Sisters by Joyce: symbolism and paralysis
Dieses Quiz enthält Fragetypen, die sich im gewohnten Player öffnen.
Fragen in diesem Quiz (16)
1"Big discoloured teeth" are presumably [blank_start]yellow and brown[blank_end] which are the colours symbolic of [blank_start]decay and paralysis[blank_end] throughout Joyce's work. The [blank_start]descriptive method[blank_end] is highly realistic and is one of [blank_start]verisimilitude[blank_end].
- Averisimilitude
- Bdescriptive method
- Cyellow and brown
- Ddecay and paralysis
2Fr Flynn's death on the [blank_start]1st of July[blank_end] is a historical illusion to the [blank_start]anglo-Irish confrontation[blank_end] at the [blank_start]Battle of the Boyne[blank_end]. This implies Joyce's depsondent recognition of the [blank_start]internalised oppression[blank_end] - yet another [blank_start]dimension[blank_end] contributing to Irish misery.
- A1st of July
- Banglo-Irish confrontation
- CBattle of the Boyne
- Dinternalised oppression
- Edimension
3The lexical chain of [blank_start]accumulative carnal imagery[blank_end] "The heavy grey face of the paralytic", "[blank_start]lips moist with spittle[blank_end]" and "big discoloured teeth" conveys the [blank_start]literal and spiritual paralysis[blank_end] which is representative of the [blank_start]church's moreal incapacities[blank_end] in betraying the Irish to [blank_start]fulfill the instituion's needs[blank_end].
- Aaccumulative carnal imagery
- Blips moist with spittle
- Cliteral and spiritual paralysis
- Dchurch's moral incapacities
- Efulfill the instituion's needs
4The [blank_start]characterisation[blank_end] surrounding Father Flynn dying "[blank_start]of paralysis[blank_end]" allows Joyce to elaborate on the idea of [blank_start]stagnation[blank_end] and [blank_start]corruption[blank_end]. He showcases the [blank_start]paralysis inflicted[blank_end] by the [blank_start]Catholic Church[blank_end] - the teachings of which most dubliners adhered to - and England, which had conquered Ireland in the [blank_start]17th century[blank_end]. He represents the paralysed Catholic Church as well as its [blank_start]ability to paralyse others[blank_end].
- Acharacterisation
- Bof paralysis
- Cstagnation
- Dcorruption
- ECatholic Church
- F17th century
- Gability to paralyse others
- Hparalysis inflicted
5The [blank_start]inference[blank_end] of Father Flynn needing to "[blank_start]confess something[blank_end]" allows Joyce to elaborate on the idea of [blank_start]religious corruption[blank_end] - a form of corruption that [blank_start]prevents progress[blank_end] and ultimately leads to a [blank_start]stagnant society[blank_end] aspects in which [blank_start]complexify Ireland's history[blank_end].
- Astagnant society,
- Binference
- Cconfess something
- Dprevents progress
- Ecomplexify Ireland's history
- Freligious corruption
6Heaney's "Blackberry picking" is a [blank_start]metaphor[blank_end] for the [blank_start]loss of innocence[blank_end] and the [blank_start]transeince of experience[blank_end].
- Atranseince of experience
- Bmetaphor
- Closs of innocence
7The [blank_start]extended metaphor[blank_end] "Each year I'd hoped they'd keep, [blank_start]knew they would not[blank_end]" reveals Heaney's understanding of the [blank_start]importance of hope[blank_end] despite harsh realities. It also compares the [blank_start]impermenance of the berries[blank_end] to the [blank_start]transcendence of human life[blank_end] and sees the dualities of the [blank_start]human condition[blank_end] positioned within a [blank_start]complex Irish context[blank_end].
- Aextended metaphor
- Bknew they would not
- Cimportance of hope
- Dimpermenance of the berries
- Etranscendence of human life
- Fcomplex Irish context
- Ghuman condition
8A fierce desire is expressed by the speaker within the [blank_start]sensory language[blank_end] "You ate the first one and [blank_start]its flesh was sweet[blank_end]" which [blank_start]metaphorically alludes[blank_end] to how the Irish nation has the ability to [blank_start]captivate a sense of freedom[blank_end]. This is heavily [blank_start]juxtaposed[blank_end] in "the fruit fermented, the sweet flesh [blank_start]would turn sour[blank_end]". This comparison showcases that this sense of freedom is lost as [blank_start]Irish citizens are unable to break away[blank_end] from the [blank_start]complex nature[blank_end] of Irish existence.
- Aits flesh was sweet
- Bmetaphorically alludes
- Ccaptivate a sense of freedom
- Djuxtaposed
- Ewould turn sour
- FIrish citizens are unable to break away
- Gcomplex nature
- Hsensory language
9The acknowledgement of [blank_start]Irish complexities[blank_end] explored by both writers elaborates on the [blank_start]multifaceted reasons[blank_end] for why [blank_start]ineescapability[blank_end] is apparent within Ireland's history.
- AIrish complexities
- Bmultifaceted reasons
- Cinescapability
10Joyce exposes the irish normality of [blank_start]cultural comfort[blank_end] in the depiction of familiarity "[blank_start]objects from which Eveline had never[blank_end] dreamed of being divided" which is used to create an [blank_start]overhanging sense of doubt[blank_end].
- Acultural comfort
- Bobjects from which Eveline had never
- Coverhanging sense of doubt
11Joyce uses the [blank_start]epiphany[blank_end] "[blank_start]Why should I be unhappy?[blank_end]" to question the [blank_start]social norms[blank_end] in Ireland. This is also a [blank_start]metaphor[blank_end] for the controversy surrounding the right for [blank_start]unionist and nationalist controversies[blank_end] to impact upon an individual's [blank_start]personal[blank_end] life.
- Aepiphany
- BWhy should I be unhappy?
- Csocial norms
- Dmetaphor
- Eunionist and nationalist controversies
- Fpersonal
12"[blank_start]Only for her dead mother's[blank_end] sake" and "[blank_start]Earnest was dead[blank_end]" - JOyce presents [blank_start]underlying themes of death[blank_end] which is representative of Ireland.
- AEarnest was dead
- BOnly for her dead mother's
- Cunderlying themes of death
13The [blank_start]colloquial phrase[blank_end] in Counterparts "[blank_start]He had spent his last penny for the g.p[blank_end]" represents that Farrington is trapped in a [blank_start]disappointing cycle[blank_end] mimicking the [blank_start]mundane routine[blank_end] of his daily occupation.
- Acolloquial phrase
- BHe had spent his last penny for the g.p
- Cdisappointing cycle
- Dmundane routine
14Heaney's "Casualty" -the [blank_start]innocuous imagery[blank_end] conveyed when the fisherman raises a "[blank_start]weathered thumb[blank_end]" for another drink depicts Ireland's social norm of familiarity and [blank_start]exhaustion[blank_end]. The familiarity seen in the simple act of the thumb movement is like the [blank_start]nationalist society's awareness[blank_end] of the IRA bomings occuring in [blank_start]targeted unionst areas[blank_end].
- Ainnocuous imagery
- Bweathered thumb
- Cexhaustion
- Dnationalist society's awareness
- Etargeted unionst areas
15The [blank_start]historical allusion[blank_end] "[blank_start]PARAS THIRTEEN... BOGSIDE NIL[blank_end]" is represntative of the [blank_start]1972 bloody sunday massacre[blank_end] in northern ireland when British soldiers shot [blank_start]28 unarmed civilinans[blank_end]. Body counts indivate a [blank_start]moral justification[blank_end] to 'settle the score' with Britain.
- APARAS THIRTEEN... BOGSIDE NIL
- B1972 bloody sunday massacre
- C28 unarmed civilians
- Dmoral justification
- Ehistorical allusion
16The [blank_start]imagery[blank_end] "[blank_start]coffin after coffin[blank_end]" shifts the [blank_start]stigma[blank_end] of familiarity to represent the consequences of [blank_start]sustaining a sense of repitition[blank_end] - this was shown through the consequences of the IRA bombings despite warning nationalists to take refuge in safer, [blank_start]non-unionist grounds[blank_end].
- Aimagery
- Bcoffin after coffin
- Cstigma
- Dsustaining a sense of repitition
- Enon-unionist grounds
Informationen
- Beschreibung
- Quiz am Ohne Titel, erstellt von Georgina Coddington am 13/08/2018.
- Autor
- Georgina Coddington
- Sprache
- English
- Aufrufe
- 0
- Schlagwörter
- Bewertung
- Noch keine Bewertungen Bewerte dieses Quiz