Karteikarten
Art 3
Karten in diesem Stapel (29)
- 1—Baroque
St. Teresa of Avila in Ecstasy
By: Gian Lorenzo Bernini,
In Cornaro Chapel, Rome
1642-52
The encounter with the angle and Theresa
Theatrical scene
Stain glass windows
Raises of sunlight
Statues of men looking at it
One is looking at you to bring you into the scene (baroque theme)
Features members of the cornaro family
Viewer engagement
Amazing technical ability for instance with the hair
Full of implied movement
Very dynamic in comparison to Renaissance stuff we have seen
Works of art remind people of God’s goodness
At the time Puritans were saying that you do not need art but the Catholics are saying that you do, it teaches you, it engages you so feel apart of it (it being religion) - 2—Baroque
David
By: Gian Lorenzo Bernini
1623
Symbolizes Baroque style in Italy
He is preparing the sling
The point is to be able to view the sculpture all around
Dynamic movement - you have to walk all the way around it to get the full effect. Brings into your work - You feel like you have to duck
Novelty
Idea of Novelty - throwing figure. Rare
Viewer engagement- he is stepping into our space
They want you apart of it
Emotional level: variety of mental states
His Face: Laser focus - he is showing you he is focusing real hard. Looks angry - he wants to get this guy
God is on his side rather than he himself is godlike
Reflection on how the Church is feeling right now - fighting against the Protestants
- 3—Baroque
The Calling of St. Matthew
By: Caravaggio
1599-1600
Process of reform with the Catholic Church
Trying to make it that you are on of the common people
Spotlight effect = Caravaggio
Jesus Christ and Peter: Roman togas
Guys sitting on table: dressed like Italians at that certain time, everyday clothes
Moment when JC comes into - pointing his hand and saying u come with me
High Moment: (the drama) he is showing us the moment in the story but we do not know who he calling
Guy at the end of the table, I won’t look so it wouldn’t be me
The guy pointing at himself is like “who me?”
That’s Matthew
Power: sensation of action, the light pointing (spotlight - drama- theatrical feeling)
- 4—Baroque
The Anatomy Lesson of Doctor Nicolaes Tulp
By: Rembrandt
1632
Group portrait
A guy is holding a list with all the men’s name on it
Dr. Tulp: we should be studying human body
He is Pulling on tendon that makes your arm flex (showing how tendons work)
16th of Jan 1632 (how we know this.. b/c..)
Only one public a year
Only an excused victim is used
Tenebrism
Light next to the dark next to the light next to the dark
More mixed (no spotlight)
Dramatic illusion
Diagonal composition (Baroque)
- 5—Baroque
Woman Holding a Balance
By: Jan Vermeer
c. 1664
Painter is well known for his use of light
Servant girl (not pregnant) who is holding a balance in her hand
In the table in front is an open jewelry point. Velvet/Satin/Pearsall
Look simple, just a women who is looking in her jewelry box (but wait there's more)
Moral message: divine truth or justice/ or to live a balance and thoughtful life/ you cannot have all the possessions when you die
The women is taking St. Michael’s role
Jesus is the background: The Last Judgment picture
- 6—Rococo
Pilgrimage to the Island of Cythera
By: Jean-Antoine Watteau
1717
Oil on canvas
Fete Galante- grand parties
Celebration of aristocracy of France. Celebrating love (Little cupids)
Love:
Island of Cythera- Island of Aphrodite.
Don't know if on the way their or back
3 couples (Mix of rich and poor. Idea is love for all of us)
A couple cuddling
Heart is on the man’s sleeve
A couple finishing out
A couple who is done but she wants more
Statue of Aphrodite - roses of love
Cupids in a circle
Heart of guys sleeves
No bright colors, no verticals
Mood is melanocytic
Overall scene - is free and playful
- 7—Neoclassicism
Oath of the Horatii
By: Jacques-Louis David
1784-1785
Painter has switched back and forth with sides
David’s first royal commission
Story of Horatii
Romans and Albans are fighting, chose people to go fight for them, the Romans send the triples, Albans would send their triples out (all the families are inner-relative. Three horatii triplets forming oath to father to fight roman. One of the heart is married to sister of corratit. One of harriati is engaged to woman of corrati. Youngest triple dies, wife of brother is so upset she kills him)
Subject matter is equivalent to hamlet?
Formal aspects- very shallow they look like on stage, they are close to you
Back to vertical diagonal and horizontal lines-strong
Men powerful straight and stiff. Women weak bc slumped
Correvio light coming back-spotlight on oath
Rejection of rococo colors- back to strong colors no baby blues (strong red especially)
Uses geometric precision along with roman arches and greek columns
Emphasis on“No matter the cost” - foreshadow the French Revolution
History painting. Patriotic theme.
- 8—Neoclassicism
Death of Marat
By: Jacques-Louis David
1793
During the Reign of Terror
The name of the author, man in the tub, and date are in the painting
Guy in bathtub is Marat
He was journalist, he was held partly responsible for riots (a fire-breathing writer)
Wrote a list of pro-royalist, then they are killed
He was assassinated in his bathtub- skin disease?
Only place he could find relief in his bathtub- he was busy writing lists of pro royalists.
A woman is sick of him writing down names then those people die so she is allowed into bathroom and stabs him in the heart she lied and said she had list of pro royalists
This looks like martyr
He is taking the arm of Jesus Christ and putting it on him
Tiny wound with blood - he is saying he is equivalent to JC
He is rich but he is in a wooden box
Blank background - more dramatic (reminds us of caravaggio)
Giving money to poor
- 9—Romanticism
Napoleon Crossing the St. Bernard Pass
By: Jacques-Louis David
1800-1801
Napoleon: he is leading his troops against the Austrians
not what we usually picture - coward bc he left his men
Hannibal: Crossed alps with elephants to defeat Romans
Charlemagne
Showing himself as great as these great rulers
Act of propaganda- function
A white horse
Red coat
Diagonal /swirls
- 10—Romanticism
The Raft of the Medusa
By: Théodore Géricault
1818-19
Ship crash off the coast of Africa (bc captain was drunk) and not enough lifeboats
Got saved by accident (15 people lived)
He went to the morgue and studied dead bodies and shark attack victims to paint them
So big when u stand in front of it they are life size
Political scandal of mass proportion
Thought the king had appointed the naval guy
- 11—Impressionism
Le Dejeuner Sur L’Herbe (The Luncheon on the Grass)
By: Edouard Manet
1863
The world's first modern painting
His work helped to bring the bap between impressionism and realism
Juxta position
Subject matter
Two naked women and two clothed men (Pastroal Concert, Titan)
The women do don’t look like muses, they look realists
They are prostitutes
This park during the night was known for having prostitutes
Frog (in the bottom left corner) = French term for prostitutes (she hops from bed to bed)
She is sitting on her clothes
They brought a picnic with them
Women bathing in the stream in the back
Stylization
Scaling is off
The lady in the background is way to big
The row boat is way to small (and it is right next to her)
No shadows or modeling
No atmospheric perspective (it's just a blob in the back)
Looks unfinished in some parts
Breaks all the academic traditions of time - that is why it is modern
- 12—Impressionism
Impression: Sunrise
By: Claude Monet
1872
Fog, morning light, sunrise
The impression that the light is giving
Ships moving out
Light, small, and short brush strokes
Taking light and putting in into the photo
If you took it with a camera, it would take what you see at that second
The idea of what you see at the moment
- 13—Impressionism
Moulin de la Galette
By: Pierre-Auguste Renoir
1876
Another thing the impression are known for are their subject matter: capturing what is around them in their free time
Much bigger middle class you wants to spend money
A Sunday night, at an outdoor café
Don’t have to capture Greek and Roman ideas or inside things
Capturing the light that comes out form the trees
The painter wants to portray happy things and likes to capture women (main focus of scene)
Impression
It is painted outdoors
Play of the light
Small brush strokes
- 14—Impressionism
Summer’s Day
By: Berthe Morisot
1879
Don’t have to capture Greek and Roman ideas or inside things, you can go outside, and you do not need to pay people to paint = more women artist
She is painting in the park
A scene of pleasure
Two middle class ladies in a boat
All about light and brush strokes
How many ducks are there?3?4?
The subject matter of impression
- 15—Post-impressionism
The Night Cafe
By: Vincent van Gogh
1888
Van gogh breaks with tradition
Cafe de gal
No bar would actually look like this
Garishly vibrate, its gloomy
We would not look good under that yellow light
Central element of modern art-interest in greater expressionism
Guys do not look happy they are slumped over “i'm still here”
He wants to get away from academic norm
Not about an accurate way of portraying it but incorporates artist’s emotional
“Devil furnace”
- 16—Post-impressionism
Manao Tupapau (Spirit of the Dead Watching)
By: Paul Gauguin
1892
He is giving away from the West
This is his gf and she is afraid of the lady ghost in the back
He has flattened up picture
The emotion scares you
Title meaning: Either the young girl is thinking of ghost or other way around
He found her fear made her beautiful bc spiritual
Also feeling of claustrophobia - like everything is pushed up
No sense of time or space
Looks like everything is coming down around you, like a nightmare
Feeling like u cant wake yourself up in a dream
- 17—Post-impressionism
Mont Sainte-Victoire
By: Paul Cezanne
1885-1887
South France
Referring historical painting techniques
But have blobs in the background (flat depth- blocks of colors)
Uses artistic color to capture the tree
They do not look the same but are the same
Allows him to experiment
- 18—Post-impressionism
Mountains at Collioure
By: Andre Derain
1905
Links to Van Gogh and neo-impressionism
Not so much just dots
High horizon lines - flats the picture
Commentary colors - does it on purpose
The opposite colors of the color wheel
Purposely creating disharmony to flatten out his space
- 19—Cubism
Les Demoiselles D’Avignon (The Young Ladies of Avignon)
By: Pablo Picasso
1907
Ladies of avignon
Originally called the brothel of avignon
5 prostitutes
Look menacing
Some looks like they have masks for faces.
Rendered with angular and disjoint body shapes
If u see front back side body- multiple viewpoints
Referencing art history with the women but putting it in new ways
Work is influenced by african art (by tribal masks)
He has abandoned the idea of perspective in favor of flat 2d dimensional
Big move away from European painting
Avignon
Catholic History: who should be Pope?
Great Schism: (have 2 Popes - then elect a new pope - 3 Popes at one time)
So “new: that it pushed Picasso forward
Classical sculpture poses and posing down- referencing art history but changing it completely
- 20—Cubism
Violin and Palette
By: Georges Braque
1909-1910
Analytical Cubism
Analyzing the piece
Take each piece look at it from different angles and put them together.
Not abstract - You can see object (Sheet music violin palette)
They took out color no bright colors
felt color was a distraction from seeing all the different sides
No sense of 3D
Broken up with geometric shapes
You have to actually look at it to see where the violin, sheet music, and pallet are
Composition is set into movement seeking to differentiate the form.
Color palette is radically restricted.
Makes a little joke
He wants u to understand he knows what 3d is but he is purposely breaking away from them
With the palette up at top- it is on a nail. The nail looks 3d bc it has a shadow.
He is also emphasizing between traditional academic art and the art he is creating now
- 21—Expressionism
Street, Berlin
By: Ernst Ludwig Kirchner
1913
Divorce of color from reality
Females and males - separation?(Ladies almost like they want to be seen)
Ladies are prostitutes - looking for the men (One man gives side eye to them)
Them looking at the men is the uncomfortable feeling
1911 Berlin- most modern and sophisticated city in Germany
It’s the weekend!!
Not celebrating but ambivalent about the city.
It’s dangerous
Everything is for sale
Perspective is off bc it is tilted -- it's uncomfortable (Fun house effect)
Faces look almost like masks not quite human
Women seem threatening
Colors are not natural - Not usual colors we put it together to emphasize how our eye is not reading it right
There is glamour and danger
intimacy and alienation
Anxious atmosphere the women’s effects on the men. That the fact that the guys won't look at them or the side eye making u feel uncomfortable as well.
Number 15 in the back was the bus that took people there Red Light District
Red light district: where people go out at night to have a good time
The prostitutes used red lights
- 22—Dada
Fountain
By: Marcel Duchamp
1917
Urinal- Wrong way. Turned on its side
3 men met up went down to plumbing supplier. Our mutt. Entitled it fountain.
He submitted to it exhibition of art society- they rejected it and it was indecent.
He CHOSE it. No importance of the fact he did not make it
Fundamental shift in meaning of art- something not made with their hands but rather than their thoughts
Not handmade
This work is about the idea it generates rather than the physical object
Works conceptually rather than visually
We can read this in 2 ways
Anti-art
Commentary on the changings in the art world (self- identification) - something used in everyday life and use it for art
- 23—Abstract Expressionism
Autumn Rhythm (Number 30)
By: Jackson Pollock
1950
Focus here: application of the paint itself
No strokes here. He puts canvas at bottom it takes skill to do this so it doesn't look like mess
He introduces latex. He uses house paint to create fine art
It looks random - but it is not random.
Because he is controlling which direction it goes
He chooses where to move
He likes being immersed in the entire painting bc it made him feel like he was part of that painting
He chooses colors and how much to put it in. mix between deliberate choice and design
The idea: it give him access to his subconscious but he controls the overall structure
Opened up this idea of randomist and you can use anything to create art
Feel like you are instead it
Access to subconscious but he controls entire structure. He says there is no accident. He opened up idea of putting randomness and also the idea what constitutes to what can be considered art.
- 24—Abstract Expressionism
Lavender and Mulberry
By: Mark Rothko
1959
Very big
Colors evoke emotion
Plays around with this concept
Wanted to rid art of rhetoric
Painted with psychological use of color
No imagery no where's waldo. Literally just colors
But very emotional esp in an entire room of these.
Large flat areas of color
Considered to be visual nature of color abstractionism
You are suppose to get really up close to this
Feel like you are enveloped in purple
More about how you feel about this
- 25—Art since 1960
The Dinner Party
By: Judy Chicago
1974-1979
Installation - uses the whole room for art
This is a full on installation using 5 years of collaborative table
Equilateral triangle is a symbol of femininity
48 feet per side
Each spot is a setting for an important women in history
1: Greek and Roman world
2: Classical world
3: 17th century - Georgia O'Keefe
Motifs and stitching on the running are appropriate to which each person lived.
Celebration of mediums traditionally practiced by women. Trying to break down hierarchy of media.
The dinner party is also the feminine domestic sphere
Sacred conversation between women in the world.
We make the dinner, we serve the dinner, we clean the dinner
All plates are a piece of certain anatomy body part the vagina
Reason is bc these women who were overlooked in history, the only thing they have in common is that they are women. Their sex is the only thing they have in common. Have walked different paths, different races
Brand new idea in the 70s
- 26—Art Since 1960
The Liberation of Aunt Jemima
By: Betye Saar
1972
Aunt jemima - syrup pancakes
Labels are in the background
This is a box
In the center is black powerfist
The female figure in the center is
Notepad and pen- telephone messenger
A rifle in one hand and a pistol and another- they symbolize militarization of black power, violence.
The white stuff is cotton - referencing slavery
Kente cloth- tartan worn by queen and king of an african tribe- a sign of black pride
Commercial and popular culture
Offers simultaneous to racial and motherhood comment.
Gender stereotype as well. - 27—Art Since 1960
Mother and Child Divided
By: Damien Hirst
1993
Real cows. Cow and its calf.
We can see the inside of it
Subverting idea of mary and jesus bc we usually see them together. Here he has split them together purposely. Instead of joyful unity but severivity.
Something that burns u- looks like calm water but still with hurt u. Associated with memory
He wanted to communicate the idea that life is like this but it stops.
Eventually we will all disintegrate and die.
- 28—Art since 1960
The Homeless Project Vehicle
By: Krzysztof Wodiczko
1988-1989
Best example of art freedom
Made in conjunction with homeless people in NY
This is art as social action. No complaining. He has seen the problem and is doing he something.
There is a shopping cart bottom of it works like a cart. Top stretches out and becomes sleeping place
The nose of it looks like a cone. Reminds us of a rocket bomb. It folds down and can be sink
Becomes fantastic thing for homeless people to have a home of their own
Reaction to it - no attention. Try not to look at it. The women in the trench coat.
Doorman is just standing there
Problem that we are all aware of but try not to pay attention to
NY authorities felt that they made the homeless to visible and took it away
Trump tower famous for money. Juxtaposition of that money to the homeless.
- 29—Art since 1960
The Sun
By: Dale Chihuly
Phoenix
2008
Informationen
- Beschreibung
- Karteikarten am Art 3, erstellt von Joe Ricca am 30/11/2018.
- Erstellt von
- Joe Ricca
- Aufrufe
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