Karteikarten
Northern Renaissance
Karten in diesem Stapel (20)
- 1Author/Title/Date/PeriodMatthais Grunewald
Isenheim Altarpiece
1510
Northern Renaissance
- 2—-Christ blatant suffering is in start contrast to the high Renaissance style
-Emphasis on suffering of Christ and St. Anthony represent enduring intense suffering for your faith, something people at this hospital were doing
-St. Anthony also representative of the idea of pain and illness with hope and salvation - 3Author/Title/Date/PeriodHieronymous Bosch
Garden of Earthly Delights
1510 - 4—-Oversize fruits in the middle panel symbolize fertility and celebrates procreation
-Themes of sex and procreation may have meant this piece was celebrating a wedding
-Piece may have served as a warning for sinful people & what would happen to them - 5Author/Title/Date/PeriodAlbrecht Durer
Fall of Man
1504
Northern Renaissance
- 6—-Attention to detail in bark and leaves still shows interest in naturalism and study of renaissance ideals
-Cat, rabbit, ox, & elk are symbolic of Hippocrates "four humours"
-Tension between the cat and mouse symbolize the relationship between Adam and Eve at the fall man - 7Author/Title/Date/PeriodAlbrecht Durer
Four Apostles
1526
Northern Renaissance
- 8—-Can see the Renaissance training he received through the individualized faces of the prophets (renaissance ideal of individualism)
-Peter and John reading the bible shows Durer's support for the protestant ideal of the Bible as authoritative
-Peter behind John is a dig at the Catholic church and authority - 9Author/Title/Date/PeriodHans Holbein the Younger
The French Ambassadors
1533
Northern Renaissance
- 10—-Distorted skull is symbolic of the fact we're all going to die no matter how much knowledge we gain
-Broken string on the lute is symbolic of the religious strife between Catholicism & Protestantism
-Secular and Sacred figures at opposite ends are representative of the tension between the secular and religious world - 11Author/Title/Date/PeriodPierre Lescot
West Wing of the Square Court of Louvre
1546
Northern Renaissance
- 12—-Slightly projected stringcourses show the Renaissance influence
-Still can see strong N. Renaissance elements like a central pavilion and slanted roof
-Arcading on the ground floor reflects the ancient Roman uses of arches - 13Author/Title/Date/PeriodQuinten Massys
Money-Changer and His Wife
1514
Northern Renaissance
- 14—-Depiction of a money changer is symbolic of the Netherlandish value of financial transactions
-Woman ignoring the Bible to look at money could symbolize the Dutch were becoming too interested in money & ignoring religion
-Text on the outside of the mirror speaks of balance and could represent the need for balance between these two - 15Author/Title/Date/PeriodPieter Aertsen
Butcher's Stall
1551
Northern Renaissance
- 16—-Wine and pretzels are symbolic of the sacraments (blood & body of Jesus)
-People lined up for church represent Netherlandish values of the importance of going to church
-Fish in a cross symbol are symbolic of Christ and the importance of Christianity - 17Author/Title/Date/PeriodCaterina van Hemessen
Self Portrait
1548
Northern Renaissance
- 18—-First known self-portrait of a Northern Renaissance female artist
-Rich fabric is representative of her place in society
-Artistic tools emphasize that although she is richer and a lady, she is still an artist - 19Author/Title/Date/PeriodPieter Bruegel the Elder
Hunters in Snow
1565
Northern Renaissance
- 20—-Accurate depiction of landscape shows there is still an interest in observation
-Series of paintings came from a tradition of depicting seasons
-Representative of the severe winter of 1565, when Bruegel made the work
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- FNAR Exam 2 Karteikarten am Northern Renaissance, erstellt von Ryan Schmitz am 27/10/2017.
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- Ryan Schmitz
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