And The Glory Of The Lord

Tempo
1. Allegro- Fast, sounds joyful
2. Last few bars Adagio to create grand ending
Tonality
1. Begins A Major
2. Change to E Major (dominant of A Major) in bar 22
3. Changes back to A Major, E Major passed through then B Major introduced
Melody
1. Motif A ends with notes of ascending A Major scale
2. Motif B is smooth, there is a sequence
3. Motif C repeats notes within E and A
4. Motif D is one pitch (like a chant)
Rhythm
1. Motif A has simple rhythm
2. Motif B has dotted rhythm
3. Motif C has crotchet, quaver, quaver, crotchet rhythm
4. Motif D has long dotted crotchets to express seriousness
5. Hemiolas used bar 9-10 at cadence
6. Pause before last phrase for effectiveness
Texture
1. Motif A sang by Altos then whole choir (homophonic)
2. Contrast homophonic texture when tenors sing Motif A and others continue with Motif B
3. Different combination of voices used- Sopranos singing alone exposes highest note A
4. Ends homophonic- sounds grand
Dynamics
1. Instruments didn't have great range of dynamics at this time
2. Forte and Piano are used
Instruments
1. Voice
2. String Orchestra
3. Cello
4. Chamber Organ

Zusammenfassung der Ressource

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