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Mindmap

Freaks

Dan Bates Note Consolidation Englisch

Inhalt der Mindmap

Freaks

  1. What Makes it Shocking?

    • Unexpected powerful film given MGM reputation
    • Unbroken succession of contextually disturbing imagery
    • Likely never seen before at the time
    • Intimidating scenes of apparant cultism or generalised aggression
    • Cruel, real treatment of 'freaks'
    • Film was a new media, not yet developed niche audiences
    • Uncomfortable with being unable to categorise cast into binary 'boxes' i.e. gender, age
  2. Against release

    • Shocking
    • Exploited to disabled cast
    • Some viewers my come for "unworthy reasons"- BBFC
  3. Owned by Metro Goldwyn Mayer

    • By 1952 it was owned by Adelphi Films
      • Arthur Dent
    • Known for light-hearted mainstream films
  4. A 1932 Tod Browning Film

    • Grew up influenced by circus 'freaks'
  5. Not released in Britain until 30 years later

    • The H (horror) rating released also in 1932
      • This was for Frankenstein, but did not help 'Freaks'' release.
    • Released with an X rating 1963
    • First released in America, then London
      • Released in an art house for a niche audience, complete with a warning of the content
  6. For release

    • Had fairly positive reviews when finally released
      • Message understood
    • Arthur Dent- the sympathetic portrayal should eliminate feelings of horror
      • "deserves to be seen by the adult public"
      • Positive message
  7. 1930s context

    • Patriarchal
      • Men are providers
      • Women have a domestic role
    • Shrinking rich/poor divide
      • Masses to advertise to
      • Living standards improving
      • More money to be spent on luxury
    • Religion
      • Family role
      • Decency
    • Inequality
      • Freaks not seen as people
      • Minorities looked down upon
      • Working class and disabled
  8. Essay saved on laptop for more detail

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Beschreibung
Note Consolidation Mindmap am Freaks, erstellt von Dan Bates am 20/10/2016.
Erstellt von
Dan Bates
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