Stylistic devices: Apply your knowledge to Salman Rushdie's /In the South/

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Stylistic devices: Apply your knowledge to Salman Rushdie's /In the South/lite
Paul Oehme
Test por Paul Oehme, actualizado hace más de 1 año
Paul Oehme
Creado por Paul Oehme hace más de 4 años
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Resumen del Recurso

Pregunta 1

Pregunta
(Note: This is the first paragraph of Rushdie's short story. Just read it and enter a single dot (".") as answer.) Salman Rushdie – In the South The day that Junior fell down began like any other day: the explosion of heat rippling the air, the trumpeting sunlight, the traffic’s tidal surges, the prayer chants in the distance, the cheap film music rising from the floor below, the loud pelvic thrusts of an “item number” dancing across a neighbor’s TV, a child’s cry, a mother’s rebuke, unexplained laughter, scarlet expectorations, bicycles, the newly plaited hair of schoolgirls, the smell of strong sweet coffee, a green wing flashing in a tree. Senior and Junior, two very old men, opened their eyes in their bedrooms on the fourth floor of a sea-green building on a leafy lane, just out of sight of Elliot’s Beach, where, that evening, the young would congregate, as they always did, to perform the rites of youth, not far from the village of the fisherfolk, who had no time for such frivolity. The poor were puritans by night and day. As for the old, they had rites of their own and did not need to wait for evening. With the sun stabbing at them through their window blinds, the two old men struggled to their feet and lurched out onto their adjacent verandas, emerging at almost the same moment, like characters in an ancient tale, trapped in fateful coincidences, unable to escape the consequences of chance. […] https://www.newyorker.com/magazine/2009/05/18/in-the-south
Respuesta
  • .

Pregunta 2

Pregunta
the *explosion* of heat rippling the air
Respuesta
  • metaphor
  • personification
  • idiom
  • irony

Pregunta 3

Pregunta
the explosion of heat *rippling* the air
Respuesta
  • metaphor
  • personification
  • idiom
  • irony

Pregunta 4

Pregunta
the *trumpeting* sunlight
Respuesta
  • metaphor
  • exagegration
  • idiom
  • diction/choice of words

Pregunta 5

Pregunta
the traffic’s *tidal* surges
Respuesta
  • idiom
  • pars pro toto
  • metaphor
  • personification

Pregunta 6

Pregunta
the cheap film music *rising* from the floor below
Respuesta
  • idiom
  • personification
  • simile
  • metaphor

Pregunta 7

Pregunta
the *loud pelvic thrusts* of an “item number” dancing across a neighbor’s TV
Respuesta
  • personification
  • irony
  • synecdoche/pars pro toto
  • metaphor

Pregunta 8

Pregunta
the *newly plaited hair* of schoolgirls
Respuesta
  • personification
  • synecdoche/pars pro toto
  • metaphor
  • simile

Pregunta 9

Pregunta
*a green wing* flashing in a tree
Respuesta
  • synecdoche/pars pro toto
  • metaphor
  • simile
  • irony

Pregunta 10

Pregunta
a green wing *flashing* in a tree
Respuesta
  • synecdoche
  • metaphor
  • diction/choice of words
  • simile

Pregunta 11

Pregunta
Senior and *Junior*, two very old men
Respuesta
  • synecdoche
  • diction/choice of words
  • irony
  • metaphor

Pregunta 12

Pregunta
a sea-green building on a *leafy* lane
Respuesta
  • synecdoche/pars pro toto
  • metaphor
  • idiom
  • simile

Pregunta 13

Pregunta
*a sea-green building on a leafy lane*
Respuesta
  • imagery
  • metaphor
  • simile
  • synecdoche

Pregunta 14

Pregunta
the young would *congregate*
Respuesta
  • pars pro toto
  • idiom
  • metaphor
  • simile

Pregunta 15

Pregunta
who had no time for such *frivolity*
Respuesta
  • irony
  • idiom
  • diction/choice of words
  • metaphor

Pregunta 16

Pregunta
The poor were *puritans* by night and day.
Respuesta
  • simile
  • personification
  • exaggeration
  • irony

Pregunta 17

Pregunta
As for the old, they had *rites of their own* and did not need to wait for evening.
Respuesta
  • irony
  • metaphor
  • simile
  • pars pro toto

Pregunta 18

Pregunta
As for the old, they had rites of their own and *did not need to wait for evening*.
Respuesta
  • metaphor
  • irony
  • idiom
  • personification

Pregunta 19

Pregunta
With *the sun* stabbing at them
Respuesta
  • personification
  • synecdoche/pars pro toto
  • idiom
  • metaphor

Pregunta 20

Pregunta
With the sun *stabbing* at them
Respuesta
  • personification
  • idiom
  • irony
  • metaphor

Pregunta 21

Pregunta
the two old men *struggled* to their feet and *lurched* out onto their adjacent verandas
Respuesta
  • metaphor
  • simile
  • diction/ choice of words
  • irony

Pregunta 22

Pregunta
*emerging at almost the same moment*, like characters in an ancient tale
Respuesta
  • metaphor
  • simile
  • synecdoche
  • irony

Pregunta 23

Pregunta
emerging at almost the same moment, *like characters in an ancient tale*
Respuesta
  • metaphor
  • description
  • simile
  • irony

Pregunta 24

Pregunta
*trapped* in *fateful* coincidences
Respuesta
  • diction/choice of words
  • metaphor
  • idiom
  • understatement

Pregunta 25

Pregunta
*unable to escape the consequences of chance*
Respuesta
  • metaphor
  • simile
  • idiom
  • irony

Pregunta 26

Pregunta
Which king of narrator does Rushie use?
Respuesta
  • first-person reliable narrator
  • third person omniscient narrator
  • first-person unreliable narrator
  • third-person limited narrator

Pregunta 27

Pregunta
Which sentence would be the best thesis statement for a paragraph in an analysis?
Respuesta
  • 1. The author uses many metaphors and other stylistic devices.
  • 2. The author uses many stylistic devices like metaphors, similies and irony.
  • 3. The author uses the setting to create a dense, colourful atmosphere.
  • 4. The author wants to confuse the reader by providing a deluge of details.

Pregunta 28

Pregunta
Which sentence would be the best thesis statement for a paragraph in an analysis?
Respuesta
  • The author creates a benevolent distance to the protagonists.
  • The author intends to put the protagonists through a series of cruel events.
  • The author dislikes his protagonist, especially their age.
  • The author is completely neutral about his main characters.
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