Fichas
American Art History
Fichas del conjunto (28)
- 1—Winslow Homer, Prisoners from the Front, 1866
- 2—Eastman Johnson, A Ride for Liberty: The Fugitive Slaves, 1862-1863
- 3—Timothy O'Sullivan, A Harvest of Death, Gettysburg, PA, 1863
- 4—Edmonia Lewis, Forever Free, 1867
- 5—Lilly Martin Spencer, Shake Hands, 1854
- 6—John Neagle, Pat Lyon at the Forge, 1826-1827
- 7—Winslow Homer, The Old Mill (The Morning Bell), 1871
- 8—Thomas Anshutz, Ironworker's Noontime, 1880-1881
- 9—Thomas Eakins, The Gross Clinic, 1875
- 10—Thomas Eakins, Max Schmidt, 1871
- 11—Winslow Homer, Inside the Bar, 1883
- 12—Winslow Homer, Northeaster, 1895
- 13—James Abbot McNeil Whistler, Arrangement in Grey and Black (the Artist's Mother), 1871
- 14—William Merritt Chase, In the Studio, 1880
- 15—Kenyon Cox: Eclogue, 1890
- 16—John Singer Sargent, Repose, 1911
- 17—John Singer Sargent, Isabella Stewart Gardner, 1888
- 18—Cecilia Beaux, Sita and Sarita, 1893
- 19—William Harnett, After the Hunt, 1885
- 20—Henry Ossawa Tanner, The Annunciation, 1898
- 21—Mary Cassatt, The Caress, 1891
- 22—Mary Cassatt, At the Opera, 1879
- 23—Mary Cassatt, The Boating Party, 1893-1894
- 24—Robert Henri, Laughing Child, 1907
- 25—John Sloan: A Woman's Work, 1912
- 26Aestheticism*focused on decoration
*Women (nudes) became a symbol of beauty (replacing male masculinity often represented in paintings)
*women were the focus, but not in any meaningful way (often seen as part of the scenery, something ornate). - 27representation of women*Changed throughout the years
*scenery, then to people, then to someone proud and confident - 28—