The lament at the end is used at funerals
The dummies are 'dead'
Khan convulses at the end- personifies the metaphor of his struggle to deal with that death
Between Cultures
First section or two
Nota:
The lighting means there's one strip of light across the stage which represents this
Identity
Nota:
Sidi solo pointing 'that's me'
Neutral costume
culture reference from Khan's skirt
Passport
Dual nationality of choreographers
Dummies
Inner Conflict
Nota:
Attack and block section
Khan convulses
Duality
Mutation
Shadow section
Khan sitting on Larbi
Nota:
They are two but then Khan breaks off and they aren't a mutation anymore
Starting Points
Death of a passenger
Section 1
Nota:
Explains the situation going into the dance- like a prologue
Journey
On a train section
Nota:
Box step with swinging arms
seen in Sacred Monsters (2006)
Working With Larbi (Collaboration)
Bouncy Ball
Attack and Block
Nota:
The speed is Khan and the martial arts is Larbi- moroever, the fluidity is more Larbi
The use of shadows
Nota:
Sufi turns
fluid rolls
Section 2 Hands/ gesture section near beginning
Nota:
fluid
Sidi Larbi
Stylistic features
Extreme
flexibility
Nota:
Larbi's solo- roles using hyperflexibility in spine keeping head in same place
End of Bouncy Ball section- flop in half split banging head on the floor
Attack and block- walkover (spine)
Fluidity
Nota:
Attack and block- continuous flow of movement arm gesture followed by rolls etc
Bouncy Ball- continuous movement-momentum
Second section- with arms
Solo- foward handstand into controtionist roll
Doesn't hit one movement- move through each other
Eclectic style of dance
hip hop
Nota:
the rebouding from off the floor and head stand
yoga
Nota:
head stand
martial arts
Nota:
attack and block
contemporary
Nota:
arms section
shadow section- post modern influence with contact improv
ballet
Nota:
goes on the tips of his jazz shoes- on pointe
Collaborations
Akram Khan
Nitin Sawhney
Antony Gormley
Eastman
Cedar Lake Ballet
Nota:
Orbo Novo
Patricia Bovi
Damien Jalet
Les Ballet C. de la B
Nota:
first ballet company he worked with also worked with him on zero degrees 2005
Osamu Tezuka
Nota:
Tezuka- based on Japanese Manga
Shantala Shivalingappa
Nota:
play
Shaolin monks
Experimental Choreogrpahy
Nota:
monks
Arms section in Zero Degrees
Orbo Novo- alphabet quote
Faun- the dancers contribute to the process
Improvisation
Nota:
Don Don- young monk playing with set
Faun- contact improv