Themes of sonnet 29:I think of thee!
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Romantic love
Destructive love
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Structural features of sonnet 29:I think of thee!
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Uneven rhyme scheme
Written in sonnet form
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Themes of sonnet 29:I think of thee!
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Distance
Longing
Nature
Fulfillment
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Language features of sonnet 29:I think of thee!
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Repetition of "thee"=ambiguous, lack of name could mean distance or perfection unable to be described in words
Innuendos throughout hint at narrators lust towards lover
Verb "struggling"-vines inferior to tree as words are inferior to reality of lover
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Singh Song! Can be compared with:
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Mother any distance
Before you were mine
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Themes of Singh Song!
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Romantic love
Family
Rebellion
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Structural features of Singh Song!
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Irregular rhyme scheme and stanza length make occasional rhymes feel light hearted
Phonetic spellings throughout make poem feel song-like
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Language features of Singh Song!
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Childish language suggests control of father over narrator
"brightey moon"-illiterate English portrays different cultures merging
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Before you were mine can be compared with:
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Mother any distance
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Themes of Before you were mine:
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Family love
Parent-child relationships
Looking back
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Structural features of Before you were mine:
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Even stanzas=strong bond between the pair
Cyclical structure as story of the past comes full circle,no more to be discovered
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Mood of Before you were mine:
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Positive
Loving
Reminiscent
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Language features of Before you were mine:
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"Marilyn.",comparison to Marilyn Monroe=dangerous and exciting youth, idolises mothers past
"stamping stars"-alliteration of soft syllables shows kindness of mother but juxtaposes aggressive action of "stamping",highlights energy and spirit of the past
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Neutral tones can be compared with:
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When we two parted
Winter Swans
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Themes of Neutral tones:
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Death (consistent)
Destructive/dying love
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Structural features of Neutral tones:
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Even stanzas create a sombre, unchanging atmosphere, suggest this is nothing new
Depression conveyed through semantic field of a white/grey colour palette, all has become dull and is starting to die
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Language features of Neutral tones:
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Superlative "deadest" portrays narrator's broken heart due to death of the relationship
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Walking away can be compared with:
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Mother any distance
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Themes of Walking away:
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Family love
Parent-child relationships
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Structural features of Walking away:
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ABACA rhyme scheme reflects steadiness of father's parental love
Rhythm=natural speech, personal feelings
Even stanzas=ongoing pain of narrator, doesn't get easier for him
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Language features of Walking away:
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"New-ruled", new boundaries for father and son, independence
Last line highlights that parent understands this is for the best
"Like a satellite"-similie, father feelsforced away from child, unnatural change, wants life of child centred around him
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Porphyria's lover can be compared with:
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When we two parted
Winter Swans
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Themes of Porphyria's lover:
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Destructive love
Violence
Obsession
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Structural features of Porphyria's lover:
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Dramatic monologue-tense and disturbing
First person viewpoint, direct insight into obsessive mind of the narrator
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Language features of Porphyria's lover:
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Detailed description=shocking to the reader, causes questions in unexpected twist
"God has not said a word"-religious imagery, no punishment from God, believed not to be a sin
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Eden rock can be compared with:
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When we two parted
Mother any distance
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Themes of Eden rock:
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Family relationships
Memory
Love
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Structural features of Eden rock:
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Half rhymes create a subtle, natural rhythm
Final line=sudden separation
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Language features of Eden rock:
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"slowly","leisurely", creates a tranquil atmosphere as narrator tries to make peace with this death
Childhood memories create a vivid scene,detail reflects importance of parents and childhood to narrator
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Themes of Love's Philosophy:
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Longing
Desire
Nature
Romantic love
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Moods of Love's philosophy:
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Longing
Frustration
(narrator longs for love and is frustrated that his love isn't returned in seeing the bonds within nature)
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Structural features of Love's philosophy:
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Regular ABAB rhyme scheme symbolises narrators continous love for this person
Each stanza ends with a rhetorical question, stands out to increase impact of the question, questions highlight conflict within narrators thoughts
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