Elesin: relishes earthly desires/full
of self-confidence/ attachment to
material pleasures/corruption of will
and endangers society
Iyaloja: "mother" of the
market/traditionalist/
does anything for Elesin
that does not transgress
her world/ upholder of
the Yoruba values
Olunde: Mouthpiece
of the play - brings
the truth and
light/understands
both culture/ dressed
in European suit-
immediate visual
impression as a
hybrid
Simon: Utterly
certain that British
values are superior
to anything else the
world has to offer/
shallow/ little
understanding and
appreciation for his
own culture (mocks
christianity)/prime
concern in the
entire play is to
impress the prince
Jane: curbs her
husbands's wilder
excesses of
insensitivity/
sensible but bound
by a set of narrow
values/
understands her
culture through
secondary
information
Amusa: "Amuser"/
inhabits neither the
Yoruba nor western
world/ sold his
manhood to
colonialists/ accorded
little respect by either
side
Settings
1st/3rd scene: market,
2nd/4th scene: white man's
house, 5th scene: prison cell
improvised in Residency
Audience compare
different social
experiences
Improvised jail as an tragic irony:
former room for slaves used to
keep Elesin (reduced to being a
slave from being a dignified King's
Horseman)
No intervals
Audience have to be fully
engaged or try to keep up with
the play, treats audience as
outsider
Language
English prose vs Yoruba's verses
Exception of Olunde: only local
image is calling his father "eater
of white left overs", a slip of the
local idiom, subconscious
behaviour shows that he realizes
his roots
Market girls: used
English language to
ridicule english ways