The Right Word is about language and identity: How we see and label other people. How those
people may see and label themselves. Dharker, growing up within the two contrasting cultures of
Scotland and Pakistan is particularly sensitive to these issues. After 9/11 the image of the 'terrorist'
was much talked about: For some people the person was a powerless fighter against oppression. For
others, simply a murderer
Form and Structure
The form of the poem mirrors the intention of the poem. It aims to describe a single event
accurately. It is therefore built around a single image (someone standing outside a house) broken
into three lines to give it clarity.
The poem, however, is structured around a conversation the poet is having with herself. So as the
aim of describing the event clearly fails, so the form begins to change. The three-line description
remains in the second stanza, is crushed to two lines in the third, returns in stanza four and is again
delivered in two lines in the following stanza.
The poet stops using words and uses her eyes. She "saw his face". The description now
changes. It loses its confusion and is clear and confident. The truth is out – the person is "a
child who looks like mine" and the reader's. The poem can then return to its clear,
confident three-line form for the final two stanzas.
Sound
The poem is about language and imagery - and how dangerous and
unhelpful it can be. The language is simple and straightforward.
This shows the poet's desire to be as simple and truthful as possible. She immediately finds this
impossible, however, since every word choice she makes, however small, brings with it a huge weight
of political and emotional connotations. Compare the words she uses for the person and what they
are doing: Terrorist – freedom-fighter – militant - guerrilla warrior – martyr – child Lurking – taking
shelter – waiting – watchful – defying – lost
Attitudes, Themes and Ideas
When she questions the power of words in lines 11 and 12, she is really questioning her own power
as a poet.
Comparison
At the Border, 1979 – Hardi's poem is also about divisions and how they are
created in the mind rather than in the 'real' world. In Dharker's work, the poet is
herself caught up in the war of words, and has to find a way through the
conflicting points of view around her. In At the Border, we see this world from a
child's perspective. So the world of different countries established by the adults is
made strange by the child who sees a chain rather than a national border, a single
chain of mountains rather than two completely separate countries.
Belfast Confetti – Ciaran Carson's work is based on a similar experience as Dharker's poem. It comes
from a world where soldiers and civilians are part of everyday life in a city divided by political and
religious conflict. Carson also sees the conflict from the point of view as a poet and similarly, the
poem dramatises the poet's difficulties in describing or expressing what he sees and feels. Words
seem powerless to make sense of the violence. They neither explain anything or offer a way out. At
the end of Carson's poem, though, the doubt and the struggle remain.