95675
Description
EMOTION & COGNITION
- COGNITION = MENTAL PROCESSES
- EMOTION = THEORIES
- JAMES LANGE
- INTERPRETATIONS OF PHYSICAL
STATES LIKE AROUSAL
- INTERPRETATIONS OF PHYSICAL
STATES LIKE AROUSAL
- LAZARUS
- RESULTS FROM CONSCIOUS/UNCONSCIOUS EVALUATIONS OF EVENTS
- RESULTS FROM CONSCIOUS/UNCONSCIOUS EVALUATIONS OF EVENTS
- DARWIN
- DIFFERENT EMOTIONS ARE BASIC EVOLUTIONARY
MODULES FOR DIFFERENT TYPES OF BEHAVIOUR
- DIFFERENT EMOTIONS ARE BASIC EVOLUTIONARY
MODULES FOR DIFFERENT TYPES OF BEHAVIOUR
- JAMES LANGE
- BASIC EMOTIONS: 6 ACROSS CULTURES (EKMAN ET AL 1987)
- GAZZANIGA ET AL (2009) - DIFFERENT EMOTION MODULES IN BRAIN
- SM: AMYGDALA IMPORTANT FOR FEAR
- KENNEDY ET AL (2009) SM STANDS TOO CLOSE TO STRANGERS. FMRI AMYGDALA ACTIVE
WHEN STRANGERS STAND TOO CLOSE = REGULATES INTERPERSONAL SPACE
- KENNEDY ET AL (2009) SM STANDS TOO CLOSE TO STRANGERS. FMRI AMYGDALA ACTIVE
WHEN STRANGERS STAND TOO CLOSE = REGULATES INTERPERSONAL SPACE
- SM: AMYGDALA IMPORTANT FOR FEAR
- GAZZANIGA ET AL (2009) - DIFFERENT EMOTION MODULES IN BRAIN
- STRUCTURAL REGIONS
- EMOTION
- SUBCORTICAL/AUTOMATIC
- SUBCORTICAL/AUTOMATIC
- COGNITION
- CORTICAL
- CORTICAL
- BUT! CAN'T CATEGORISE EMOTIONS: MANY NOT STRONGLY
ASSOCIATED WITH UNIQUE REGIONS
- SO FOCUS ON HOW EMOTIONS OCCUR ALONG CONTINUUM (FELMANN-BARRETT & RUSSELL 2009)
- EMOTIONAL REACTIONS: 2 FACTORS
- VALENCE: = OR -
- AROUSAL: INTENSITY OF RESPONSE
- VALENCE: = OR -
- LINDQUIST ET AL (2012): SET OF REGIONS CONSISTENTLY ACTIVE
ACROSS STUDIES ASSESSING EXPERIENCE OF SADNESS, HAPPINESS,
FEAR, ANGER
- EG. AMYGDALA ACTIVE DURING HAPPINESS IF YOU'RE AROUSED
- EG. AMYGDALA ACTIVE DURING HAPPINESS IF YOU'RE AROUSED
- EMOTIONAL REACTIONS: 2 FACTORS
- SO FOCUS ON HOW EMOTIONS OCCUR ALONG CONTINUUM (FELMANN-BARRETT & RUSSELL 2009)
- EMOTION
- COGNITION INFLUENCES EMOTION
- PEOPLE REACT DIFFERENTLY TO
SIMILAR SITUATIONS
- LAZARUS APPRAISAL THEORY: EMOTIONAL EXPERIENCE
DEPENDS ON CONSCIOUS/UNCONSCIOUS COGNITIVE EVALUATION
OF SITUATIONS
- SUPPORT: MANIPULATING PERCEPTIONS OF SITUATIONS IN FILMS (VARYING
SOUNDTRACK/BACKGROUND STORY) CHANGES PEOPLES EMOTIONS
- BUT EVEN WHEN WE KNOW SITUATION IS SAFE, STILL CAUSE STRONG EMOTIONAL REACTIONS EG SCARY FILMS
- BUT EVEN WHEN WE KNOW SITUATION IS SAFE, STILL CAUSE STRONG EMOTIONAL REACTIONS EG SCARY FILMS
- SUPPORT: MANIPULATING PERCEPTIONS OF SITUATIONS IN FILMS (VARYING
SOUNDTRACK/BACKGROUND STORY) CHANGES PEOPLES EMOTIONS
- PEOPLE REACT DIFFERENTLY TO
SIMILAR SITUATIONS
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