Flashcards
Musical terms and notation: tempo and dynamics

Flashcards do conjunto (176)
- 1accelerando, accel.becoming quicker
- 2accenta stressed note
- 3adagioslow
- 4allegrofast
- 5allegrettofairly fast (slower than allegro)
- 6andantemoderately slow; walking pace
- 7andantinoa little faster than andante
- 8a temporeturn to the original tempo
- 9cantabilein a singing style
- 10crescendo, cresc.becoming louder
- 11da capo, D.C.from the beginning
- 12dal segno, D.S.from the sign
- 13D.C. al Finerepeat from the beginning and end at Fine
- 14decrescendo, decresc.becoming softer
- 15diminuendo, dim.becoming softer
- 16dolcesweet, gentle
- 17espressivo, espress.expressive, with expression
- 18finethe end
- 19forteloud
- 20fortissimovery loud
- 21graziosograceful
- 22larghettofairly slow, but not as slow as largo
- 23largovery slow
- 24legatosmooth
- 25leggierolight, nimble, quick
- 26lentoslow
- 27maestosomajestic
- 28mano destra, m.d.right hand
- 29mano sinistra, m.s.left hand
- 30marcatomarked or stressed
- 31mezzo fortemoderately loud
- 32mezzo pianomoderately soft
- 33moderatoat a moderate tempo
- 34moltomuch, very
- 35ottava, 8vathe interval of an octave
- 36pedale, ped.pedal
- 37pianissimovery soft
- 38pianosoft
- 39pocolittle
- 40prestissimoas fast as possible
- 41prestovery fast
- 42ritardando, rit.slowing down gradually
- 43rallentando, rall.slowing down
- 44rubatowith some freedom of tempo to enhance musical expression
- 45spiritosospirited
- 46staccatodetached style
- 47tempospeed at which music is performed
- 48tempo primo (tempo 1)return to the original tempo
- 49tranquilloquiet, tranquil
- 50vivacelively, brisk
- 51breath marktake a breath, or a slight pause/lift
- 52common time4/4
- 53cut time2/2
- 54double bar lineindicates end of the piece
- 55down bowon a bowed string instrument play the note while drawing the bow downward
- 56fermatahold the note or rest longer than its written value
- 57repeat signrepeat the music within the two signs/ between the sign and the beginning of the piece
- 58slurplay the notes legato
- 59tenutoheld/sustained
- 60tiehold for the combined value of the tied notes
- 61up bowplay the noted while drawing the bow upward on a bowed instrument
- 62the signgo back to there for D.S.
- 63capoplay until there then go back to the beginning (D.C.)
- 64—accent

- 65—the sign

- 66—coda

- 67—crescendo

- 68—descrescendo

- 69—forte

- 70—fortissim

- 71—mezzo forte

- 72—mezzo piano

- 73—ottava, 8va

- 74—pianissimo

- 75—piano

- 76—breath mark

- 77—common time, 4/4 time

- 78—cut time, 2/2 time

- 79—double bar line

- 80—down bow

- 81—fermata

- 82—pedal marking

- 83—pedal marking

- 84—repeat sign

- 85—slur

- 86—staccato

- 87—tenuto

- 88—tie

- 89—up bow

- 90—grand staff

- 91ledger linesextends the range of pitch on bass and treble clef staff

- 92half stepsmallest distance between two notes, also called semitones

- 93whole stepsmade up of two half steps

- 94accidentalraises or lowers the pitch of a note, effective until the end of a measure

- 95natural signcancels out the accidental
- 96chromatic half stephalf step written by using the same letter. Ex. F & F#

- 97diatonic half stepuses two different letter names for half step notes. Ex. C & Db

- 98enharmonic equivalentnotes different name but same sounds. Ex. Gb & F#

- 99stem directionbelow B, upwards ; B+ downwards
- 100—whole note (4 beats)

- 101—half note (2 beats)

- 102—quarter note (1 beat)

- 103—eighth note (1/2 beat)

- 104—sixteenth note (1/4 beats)

- 105—whole rest (4 beats)

- 106—half rest (2 beats)

- 107—quarter rest (1 beat)

- 108—eighth rest (1/2 beat)

- 109—sixteenth rest (1/4 beat)

- 110—dotted eighth note (1 1/2 eighth note)

- 111—dotted quarter note (1 1/2 quarter note)

- 112—dotted half note ( 3 beats)

- 113—dotted eighth rest (1 1/2 eighth notes)

- 114—dotted quarter rest (1 1/2 quarter note)

- 115—dotted half rest (3 beats)

- 116—quarter note triplet - half note

- 117—eighth note triple - quarter note

- 118—sixteenth note triplet - eighth note

- 119breve8 beats

- 120dotted whole notes6 beats

- 121dotted whole rest6 beats

- 122breve rest8 beats

- 1233/4 measure rests1+1+1=3
2+1=3
NOT 1+2=3 - 124order of sharpsfather charles goes down and ends battle
- 125order of flatsbattle ends and down goes father charles
- 126circle of fifthsused to show relationships of minor and major scale patterns

- 127C major A majornone
- 128G major E minorF#
- 129D major B minorF#, C#
- 130A major F# minorF#, C#, G#
- 131E major C# minorF#, C#, G#, D#
- 132F major D minorBb
- 133Bb major G minorBb, Eb
- 134Eb major C minorBb, Eb, Ab
- 135Ab major F minorBb, Eb, Ab, Db
- 136tonicfirst note

- 137subdominant subtonicfourth note
seventh degree of a natural minor
- 138dominantfifth note

- 139leading toneraised seventh note

- 140tetrachordset of four notes in a scale

- 141harmonic melodic naturalraised 7th up and down
raised 6th/7th up, natural down
no raised/lowered notes - 142parallel keysscales that start with the same tonic note ex. C major & C minor

- 143motivesshort rhythmic ideas used to build a piece
- 144phrasesmusical sentence
- 145melodic motionconsists of repeated notes, steps, skips, leaps

- 146stablephrase ends with a 1^/3^
- 147unstablephrase ends with 2^/7^
- 148periodstwo four measure phrases
- 149antecendentends with unstable scale degree
- 150consequentends with a stable scale degree
- 151perfect intervalsper 1, per 4, per 5, per 8
- 152major/minor2, 3, 6, 7
- 153—major 3rd,
minor 3rd
- 154messiah/Hallelujah Chorus (7)-george frideric handel
-hallelujah chorus
-oratorio
-ressurection of Jesus Christ
-SATB and orchestra
-drawn from New Testament of Bible
-majestic/expansive/lyrical/dramatic - 155george frideric handel (4)-baroque era
-german and british
-italian operas and english oratorios
-messiah written in 1742 - 156oratorio (4)-large scale of choral work
-based on biblical stories
-overture/arias/choruses/recitatives
-concert setting (no set) - 157chorus (2)-vocal composition
-Soprano (fem, high)
Alto (fem, low)
Tenor (masc. high)
Bass (masc. low) - 158The Magic Flute/Queen of the Night Aria (6)-Wolfgang Amadeus Mozart
-Queen of the Night Aria
-opera & aria
-princess, priest, queen, prince
-coloratura soprano (elaborate)
-dramatic, vengeful, expansive - 159opera (4)/aria (1)-play set to music
-soloists, chorus,orchestra
-scenery, costumes, lighting
-solo song in opera/oratorio - 160Harold Arlen-over the rainbow
-broadway/hollywood music - 161over the rainbow-solo song,
-chorus-verse,
-from wizard of oz
-innocent, lyrical, tranquil - 162triad formtop note is called fifth
middle note is third
bottom note is root
- 163major triad

- 164minor triad

- 165parallel triadsmajor and minor triads built on the same root

- 166primary triadstonic, subdominant, dominant
- 167tonic triadminor third and fifth above root

- 168subdominant triadminor third and fifth above the root

- 169dominant triadmajor third and fifth above root

- 170functional chord symbolsroman numerals to show scale degree
upper case-major triad
lowercase-minor triad
- 171root /quality chord symbolscapital letter is root of triad, followed by m indicated minor, written above staff ex. Gm (g minor) , G (g major)

- 172inversionsroot, first, second

- 173dominant 7th chordadd seventh above root to create four note triad

- 174dominant seventh formmajor third, perfect 5th, minor seventh, root
- 175dominant 7th accidentalparallel major and minor keys have same chord
minor keys accidental raises leading tone ( in c major dominant 7th b is the leading tone) - 176labeling of dominant seventh chord in music

Informações
- Descrição
- FlashCards sobre Sem título, criado por Rhienna Tannisha em 05-05-2018.
- Criado por
- Rhienna Tannisha
- Visualizações
- 0
- Avaliação