Mapa mental
Swansong Revision
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Swansong Revision
Choreographer: Christopher Bruce
Composer: Philip Chambon
Design: Christopher Bruce
Lighting: David Mohr
Three Dancers
- 2 Guards
- A Prisoner
Choreography
- Ballet
- Arabesque
- Leaps
- Pirouettes
- Leaps
- Arabesque
- Contemporary
- Low Centre of Gravity
- On'Off Balance
- Low Centre of Gravity
- Jazz
- Slides
- Drags
- Spins
- Drags
- Slides
- Tap
- Percussion with Feet
- Music Hall/Vaudeville
- Comedy Aspect
- Section 3
- Prisoner
- Actions
- Contractions
- Reaches
- Turns
- Slides
- Dynamics
- Dramatic
- Helpless
- Dramatic
- Space
- General
- Personal
- Depending on the emotion being portrayed
- Relationship
- Solo
- Actions
- Prisoner
- Section 6
- Relationship
- Duet
- Space
- General
- Go into prisoners personal space
- Actions
- Tap Dance
- Large Exaggerated
- Show authority
- Dynamics
- Mocking
- Smug
- Relationship
- Ballet
Theme: Interrogation of a political prisoner by two brutal guards
There are seven sections
- Questions & Answers
- Tea for Two
- First Solo
- Slow Solo
- Second Solo
- Cane Dance
- Third Solo
Set Design and Prop
- Set Scene and Atmosphere
- Chair
- Scene and Prop
- First used as a seat
- Become psychological prop for victim
- Safe Haven
- Trap
- Very significant to prisoner
- represents his ever changing relationship
- Reflect state of mind
- represents his ever changing relationship
- Protection for prisoner
- Weapon
- Guards
- Prisoner
- Black backdrop
- Bareness of stage = emptiness of prison cell
- Add lighting
- Dark, claustrophobic room with a high up window
- Add lighting
Costume
- Prisoner
- Pink/Red T-Shirt
- Blue Jeans
- Casual Look
- Black Shoes
- Later Red Nose
- Pink/Red T-Shirt
- Guards
- Khaki Trousers
- Uniform
- Khaki Shirt
- Uniform
- Formal Attire
- Military
- Uniform
- Later Use Caps
- Black Shoes
- Khaki Trousers
- Prisoner
Lighting
- Dim
- Intense atmosphere
- White Spotlight on Prisoner
- DSR to begin
- White light over stage
- Guards enter
- Section 1
- Esacpe Route for Prisoner
- Section 3
- Window in cell or Light to Heaven
- White Shaft
- Coming from USL
- Section 6
- White light
- Covers stage
- White light
- Dim
Accompaniment
- Connections between Choreography and Music
- Strong rhythm and pulse
- Silence creates intense mood
- Found Sound reflect conversations
- What you make e.g tap/percussion
- Music = Reference point
- Two loud crashes = repitition of material in trio
- Reflects atmosphere
- Show the prisoners emotional state
- Creates imagery
- Show the prisoners emotional state
- Connections between Choreography and Music
Informações
- Descrição
- Mapa Mental sobre Swansong Revision, criado por kaitlinfalconer em 02-04-2015.
- Criado por
- kaitlinfalconer
- Visualizações
- 1
- Avaliação