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Directing Flashcards

Natasha Gidluck Drama Englisch 15 Karten

Karten in diesem Stapel (15)

  1. 1The 5 Approaches to Directing1. Play Analysis
    2. Communication
    3. Design
    4. Acting
    5. Critiquing
  2. 2CompositionThe arrangement of people n a stage group. There are 4 elements:
    EMPHASIS, SEQUENCE, STABILITY and BALANCE.
  3. 3EmphasisFactor of composition. The 8 methods to obtain emphasis are body position, area, plane, level, contrast, space, repetition, and focus.
  4. 4Direct FocusIncludes actual line (sweep to focal point), visual line (follows actor line of vision), and triangles which can be different sizes or forms.
  5. 5Counter FocusWhen some people are looking at the emphatic person and some are giving indirect focus. Not as strong.
  6. 6Kinds of EmphasisThere are 4 kinds of emphasis: direct (important person), duo-emphasis (2 important people), secondary (main character of scene) and diversified (characters alternate importance).
  7. 7StabilityFactor of composition. A factor that ties down the stage. Up stage has more weight than downstage. Triangles can add stability.
  8. 8SequenceFactor of composition. Tying together the units onstage by space. Can be equal distance or different distances apart--always has a pattern.
  9. 9BalanceFactor of composition. Equalizing weight on the stage with setting, furniture and lights. Can be symmetrical balance, asymmetrical balance, esthectic, or picturization.
  10. 10Symmetrical BalanceWhen the groups are an equal distance from the centre line.
  11. 11Asymmetrical BalanceWhen the groups are identical based on a point on either side of the stage. Not equal distance from the centre line.
  12. 12EsthecticA balancing of equal emphasis. Can do this through colour ( line, mass, and form.
  13. 13PicturizationEach moment in the play, the inner meaning or subtext, the authors concept. Steps are: analyze, determine mood, express mood, visualize background, blocking, composition, emotions.
  14. 14MovementLevels (low to high is strong), length (short distance is strong), stage areas (to DC is strongest), ground plan (entrance UC strong, exit DR strong), (stage L to R is strong), (parallel and perpendicular movement is strong).
  15. 15Kinds of MovementStory (necessary action), background (atmosphere), character (type of character), and technical (composition).

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Beschreibung
All about how to direct the actors.
Erstellt von
Natasha Gidluck
Aufrufe
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