Karteikarten
intro C E1 C2
Karten in diesem Stapel (14)
- 1What is aspect ratio? describe 4 types: ratio width to height ; choose composition possibilities; selectby cinemat & dir.
1. Classical Hollywood: ratio 1.37:1 (see head, background
2. Contemporary: 1.85:1
3. Widescreen: 2.35:1
4. European: 1.66: 1
5. Extreme Widescreen 2.78:1 - 2Describe widescreen formats.1. Anamorphic widescreen(50s-70s): squeeze at filming, stretch at show
2. Cinerama (1950s) emulate curvature of screen - 3Describe letterbox and hardmat.for viewing a widescreen, film is letterbox: film is hardmatted (fram bars will mas the top and bottom of image displayed on monitor)
Letterbox = proper screen ratio - 4Define realistic lighting design, practical, and burnout.Realistic: distributes light to an explicit source onscreen
practical: source in realistic
burnout overexposed portion of an image in which details are lost - 5Describe hard and soft light.Hard: high contrast (lots of shadows) and high fall-off (change b/t light and dark;)
** film noir = high contrast
soft light: highy diffused/scattered - 6Define high key, low key, fill light, back light.Hard & soft= high/low key
Key light = traditional 3 point light in Hollywood films
fill light: illuminates undesirable shadows from key and back light
back light: illuminates rear of set - 7What are 3 functions of olor1. symbolic meaning
2. narrative organization
3. psycholigc mood/tone - 8What is "the shot"?: single unedited strip of film
- interval on screen b/t edit points
director series of combined shots in particular order
- viewer: what you see b/t edit shots - 9What are the 3 most common edit points?1. cut: instant transition
2. dissolve: overlap outgoing/incoming shot
3. fade outgoing shot to black, pause, bring next shot in from back - 10what is rack focusing?: changing focal plane w/in shot
- 11What is digital grading.1. method of color processing/color correction
- requires conversion of film to digital audio
- now an industry standard process
- cinematographers supervise - 12Describe the cinematography of Blade runner?film noir (Citizen kane) and sci fi
- shot w/ panavision cseries anamorphic lenses - 13Describe the citizen kane references in blade runner?1. low key lighting
2. backlighting
3. black and white images
4. influenced look fo film noir (1941-58) - 14Describe the film noir in blade runner.1. venetian blinds
2. backlight smoke/actors
3. smoke/fog used to reveal shafts of light (mute color)
4. cigarettes as element of visual design
5. enormoussets
6. lighting criminals
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- Cinema Karteikarten am intro C E1 C2, erstellt von Ayanna Patterson am 02/10/2017.
- Erstellt von
- Ayanna Patterson
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