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Karteikarten

Northern Ren Midterm

savanna gorman art history Englisch 62 Karten

Northern Ren Midterm

Karten in diesem Stapel (62)

  1. 1—Jean Bondel, Jean de Vaudetar Presents his Gift of the Bible Historiale to King Charles V, 1372Jean Bondel, Jean de Vaudetar Presents his Gift of the Bible Historiale to King Charles V, 1372
  2. 2—Jean d'Orleans, Parement de Narbonne, 1375Jean d'Orleans, Parement de Narbonne, 1375
  3. 3—Andre Beaunevue, Tomb of Charles V and Jeanne de Bourbon, 1370s
    Abbey Church of st. Denis    Andre Beaunevue, Tomb of Charles V and Jeanne de Bourbon, 1370s Abbey Church of st. Denis
  4. 4—Charles V and Jeanne de Bourbon,
    (c. 1365-1380)    Charles V and Jeanne de Bourbon, (c. 1365-1380)
  5. 5—Banquet of Charles V and the Holy Roman Emperor, Grandes Chroniques de France, c. 1380Banquet of Charles V and the Holy Roman Emperor, Grandes Chroniques de France, c. 1380
  6. 6—Etienne Porcher at Prayer, (c. 1370-75)Etienne Porcher at Prayer, (c. 1370-75)
  7. 7Naturalismthe depiction of realistic objects in a natural setting. The Realist movement of the 19th century advocated naturalism in reaction to the stylized and idealized depictions of subjects in Romanticism, but many painters have used a similar approach over the centuries.
  8. 8Valois DynastyThe royal house of France from 1328 to 1589.
  9. 9Manuscripta book, document, or piece of music written by hand rather than typed or printed.
  10. 10illuminationThe art or act of decorating a text, page, or initial letter with ornamental designs, images, or lettering.
  11. 11hundred years' warA war between France and England that lasted from the middle of the fourteenth century to the middle of the fifteenth.
  12. 12fleur-de-lisa stylized lily composed of three petals bound together near their bases. It is especially known from the former royal arms of France, in which it appears in gold on a blue field.
  13. 13effigya sculpture or model of a person.
  14. 14polychromepainted, printed, or decorated in several colors.
  15. 15gildingthe process of applying gold leaf or gold paint.
  16. 16chroniclea factual written account of important or historical events in the order of their occurrence.
  17. 17—Limbourg Brothers, "January," Les Tres Riches Heures du Duc de Berry,
    c. 1412-1416    Limbourg Brothers, "January," Les Tres Riches Heures du Duc de Berry, c. 1412-1416
  18. 18—Jean Bondol (designer), "Second Trumpet," Apocalypse Tapestries, 1377-82Jean Bondol (designer), "Second Trumpet," Apocalypse Tapestries, 1377-82
  19. 19—Ring of John the Fearless, c. 1410Ring of John the Fearless, c. 1410
  20. 20—Goldenes Rossl, 1405Goldenes Rossl, 1405
  21. 21—Tower of John the Fearless, 1409-12Tower of John the Fearless, 1409-12
  22. 22—"Charles VI Talking to Pierre Salmon," Dialogues, 1412"Charles VI Talking to Pierre Salmon," Dialogues, 1412
  23. 23—Boucicaut Master, "Marechal de Boucicaut and his Wife Praying," Boucicaut Hours, 1405-08Boucicaut Master, "Marechal de Boucicaut and his Wife Praying," Boucicaut Hours, 1405-08
  24. 24—"Christine de Pizan Offers her book to Queen Isabeau de Baviere," la cite des dames, c. 1405"Christine de Pizan Offers her book to Queen Isabeau de Baviere," la cite des dames, c. 1405
  25. 25—Limbourg Brothers, "February," Les Tres Riches Heures de Duc de Berry, c. 1412-16Limbourg Brothers, "February," Les Tres Riches Heures de Duc de Berry, c. 1412-16
  26. 26—"Reason, Virtue, and Justice Visit Christine de Pizan," La Cite des dames, 1407-1409"Reason, Virtue, and Justice Visit Christine de Pizan," La Cite des dames, 1407-1409
  27. 27—Limbourg Brothers, "August," Les Tres Riches Heures de Duc de Berry, c. 1412-16Limbourg Brothers, "August," Les Tres Riches Heures de Duc de Berry, c. 1412-16
  28. 28vellum (parchment)fine parchment made originally from the skin of a calf.
  29. 29cartoondefine
  30. 30the 3 estates1 clergy, 2 nobility, 3 working
  31. 31sumptuary lawslaws that attempt to regulate consumption; "Laws made for the purpose of restraining luxury or extravagance, particularly against inordinate expenditures in the matter of apparel, food, furniture, etc.
  32. 32azuritea blue mineral consisting of copper hydroxyl carbonate. It occurs as blue prisms or crystal masses, often with malachite.
  33. 33brocadea rich fabric, usually silk, woven with a raised pattern, typically with gold or silver thread.
  34. 34—Jean de Marville and Claus Sluter, Tomb of Philip the Bold, 1384-1410 from the Chartreuse de Champmol, DijonJean de Marville and Claus Sluter, Tomb of Philip the Bold, 1384-1410 from the Chartreuse de Champmol, Dijon
  35. 35—Claus Sluter, detail of a a pleurant (mourner) from the Tomb of Philip the Bold, 1384,1410 from the Chartreuse de Champmol, DijonClaus Sluter, detail of a a pleurant (mourner) from the Tomb of Philip the Bold, 1384,1410 from the Chartreuse de Champmol, Dijon
  36. 36—Jean de Marville and Claus Sluter, chapel portal, began 1389, Chartreuse de Champmol, DijonJean de Marville and Claus Sluter, chapel portal, began 1389, Chartreuse de Champmol, Dijon
  37. 37—Claus Sluter and Jean Malouel, Well of Moses, 1395-1404, Chartreuse de Champmol, DijonClaus Sluter and Jean Malouel, Well of Moses, 1395-1404, Chartreuse de Champmol, Dijon
  38. 38—Jacques de Baerze and Melchior Broederlam, Dijon Altarpiece, c. 1390-99, from the Chartreuse de Champmol, Dijon (Closed View)Jacques de Baerze and Melchior Broederlam, Dijon Altarpiece, c. 1390-99, from the Chartreuse de Champmol, Dijon (Closed View)
  39. 39—Jean de Beaumetz and workshop, Calvary with a Carthusian Monk, c. 1389-95, from the Chartreuse de Champmol, DijonJean de Beaumetz and workshop, Calvary with a Carthusian Monk, c. 1389-95, from the Chartreuse de Champmol, Dijon
  40. 40—Jean Malouel and Henri Bellechose, The Last Communion and Martrydom of Saint Denis, 1415-16Jean Malouel and Henri Bellechose, The Last Communion and Martrydom of Saint Denis, 1415-16
  41. 41—Jacques de Baerze and Melchior Broederlam, Dijon Altarpiece, c. 1390-99, from the Chartreuse de Champmol, Dijon (open view)Jacques de Baerze and Melchior Broederlam, Dijon Altarpiece, c. 1390-99, from the Chartreuse de Champmol, Dijon (open view)
  42. 42International Gothic Styleart during the late 14th and early 15th centuries characterized by elegant stylization of illuminated manuscripts, mosaics, stained glass, etc, and by increased interest in secular themes.
  43. 43Carthusiana monk or nun of an austere contemplative order founded by St. Bruno in 1084.
  44. 44Book of Hoursa book containing the prayers or offices to be said at the canonical hours of the day, particularly popular in the Middle Ages
  45. 45anecdotal realismdefine
  46. 46jamb sculpturea figure carved on the jambs of a doorway or window.
  47. 47cloistera covered walk in a convent, monastery, college, or cathedral, typically with a wall on one side and a colonnade open to a quadrangle on the other.
  48. 48pleurantA weeping figure used as an ornament on a tomb.
  49. 49simultaneous narrativemultiple parts of the same story that appear to be happening at the same time because they are in the same scene or view
  50. 50—Jacques Daret, Altarpiece of the Virgin (fragments), 1433-35Jacques Daret, Altarpiece of the Virgin (fragments), 1433-35
  51. 51—Robert Campin, Annunciation, c. 1420-40Robert Campin, Annunciation, c. 1420-40
  52. 52—Robert Campin, Werl Triptych, 1438Robert Campin, Werl Triptych, 1438
  53. 53—Robert Campin, Mercode Altarpiece,
    c. 1425-30    Robert Campin, Mercode Altarpiece, c. 1425-30
  54. 54—Robert Campin? Entombment Triptych, c. 1425? Courtauld Gallery, LondonRobert Campin? Entombment Triptych, c. 1425? Courtauld Gallery, London
  55. 55—Robert Campin, fragments of the so-called Flemalle Altarpiece: Virgin and Child, St. Veronica, Holy Trinity, c. 1430-34Robert Campin, fragments of the so-called Flemalle Altarpiece: Virgin and Child, St. Veronica, Holy Trinity, c. 1430-34
  56. 56—Robert Campin, Marriage of the Virgin,
    c. 1420-30    Robert Campin, Marriage of the Virgin, c. 1420-30
  57. 57diptycha painting, especially an altarpiece, on two hinged wooden panels that may be closed like a book.
  58. 58triptycha picture or relief carving on three panels, typically hinged together side by side and used as an altarpiece.
  59. 59disguised symbolismA Northern Renaissance technique of giving a spiritual meaning to ordinary objects in the painting, so these detail can carry the spiritual message.
  60. 60oeuvreThe works of a painter, composer, or author regarded collectively.
  61. 61—Hubert and Jan can Eyck, Ghent Altarpiece, 1432, St. Bavo's Cathedral, GhentHubert and Jan can Eyck, Ghent Altarpiece, 1432, St. Bavo's Cathedral, Ghent
  62. 62—Hubert and Jan van Eyck, Ghent Altarpiece, 1432, St. Bavo's Cathedral, GhentHubert and Jan van Eyck, Ghent Altarpiece, 1432, St. Bavo's Cathedral, Ghent

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Beschreibung
art history Karteikarten am Northern Ren Midterm, erstellt von savanna gorman am 14/10/2018.
Erstellt von
savanna gorman
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