RENASAINCE AND REFORMATION

1. 1humanisim was the [blank_start]philosophical[blank_end] and cultural movement that spread though [blank_start]europe[blank_end] in the [blank_start]15[blank_end] century and [blank_start]early 16[blank_end] century.
   [blank_start]anthopocentric[blank_end] point of view that defend that the human being is the center of the [blank_start]universe[blank_end] an not [blank_start]god[blank_end] (theocentrisim) .
   Use of reason and experience to develop knowledge by observing [blank_start]nature[blank_end] and [blank_start]making experiments.[blank_end]
   important humanist ; [blank_start]erasmo de rotterdam[blank_end] and [blank_start]tomas moro[blank_end]

   1. Aphilosophical
   2. Beurope
   3. C15
   4. Dearly 16
   5. Eanthopocentric
   6. Funiverse
   7. Ggod
   8. Hnature
   9. Imaking experiments.
   10. Jerasmo de rotterdam
   11. Ktomas moro
2. 2nicolas copernico : [blank_start]heliocentrisim[blank_end]
   medicine; [blank_start]vesalius[blank_end]- anatomy and miguel servet [blank_start]circulation[blank_end].
   [blank_start]pysiscs[blank_end]: leonardo da vinci- hydroaulic and [blank_start]aereodinamic[blank_end]
   
   Concept of beuty was by the harmony and proportion and the influence on the ancient greece or rome
   
   There were two periods. quatrocento in the 15 century and the hight renasaince in the 16 century

   1. Aheliocentrisim
   2. Bvesalius
   3. Ccirculation
   4. Daereodinamic
   5. Epysiscs
3. 3patrons : [blank_start]pays for an artisan[blank_end], they belong to the [blank_start]bourguese[blank_end] and nobility. They spend a lot of money, specially in [blank_start]Italy[blank_end], [blank_start]in suporting the artist.[blank_end]
   [blank_start]Artist[blank_end]; were no longer anonymus they were proud of their work

   1. AArtist
   2. Bpays for an artisan
   3. Cbourguese
   4. DItaly
   5. Ein suporting the artist.
4. 4QUATROCENTO
   The architecture was infulenc by the [blank_start]classical greece[blank_end] and [blank_start]rome[blank_end], they had [blank_start]symetry[blank_end] and [blank_start]proportion[blank_end] and they were classical features like [blank_start]round arches[blank_end], [blank_start]barrel vault[blank_end], domes and colums, divided in [blank_start]doric[blank_end], [blank_start]ionic[blank_end], corinthian and [blank_start]tuscan[blank_end]
   Filipo brunenchi: cathedral of [blank_start]florence[blank_end] and santo [blank_start]spirit[blank_end] church
   Leon battista alberti : santa maria [blank_start]novella[blank_end] and sant [blank_start]andrea[blank_end] of montuo

   1. Aclassical greece
   2. Brome
   3. Csymetry
   4. Dproportion
   5. Eround arches
   6. Fbarrel vault
   7. Gdoric
   8. Htuscan
   9. Iionic
   10. Jflorence
   11. Kspirit
   12. Lnovella
   13. Mandrea
5. 5SCULPTURE.
   [blank_start]Religius[blank_end] and [blank_start]mythological[blank_end], human body naked, portraits and [blank_start]equestian sculptures.[blank_end]
   Important sculpture included [blank_start]Lorenzo Ghibeti[blank_end], who designed the [blank_start]doors[blank_end] of the batispery in florence cathedral and donatello, whose workss included [blank_start]david.[blank_end]
   PAINTING
   they used [blank_start]lineal perspective[blank_end] gave great deph to their paintins. [blank_start]Chiaroscuro[blank_end] giving volume by contract of [blank_start]dark[blank_end] and [blank_start]light.[blank_end]
   Masaccio, manteqna and [blank_start]botticeli[blank_end]

   1. AReligius
   2. Bmythological
   3. Cequestian sculptures.
   4. DLorenzo Ghibeti
   5. Edoors
   6. Fdavid.
   7. Glineal perspective
   8. HChiaroscuro
   9. Idark
   10. Jlight.
   11. Kbotticeli
6. 6THE HIGHT RENASAINCE
   development in [blank_start]16[blank_end] century- [blank_start]cinquecento.[blank_end]
   [blank_start]Rome[blank_end] became the center of influence - [blank_start]pope[blank_end]
   architecture; bramante, [blank_start]michelangelo[blank_end], pallaido
   painting: [blank_start]leonardo da vinci[blank_end], michelangelo, rapahel and [blank_start]titian[blank_end]
   sculpture; [blank_start]michelangelo[blank_end]
   

   1. A16
   2. Bcinquecento.
   3. CRome
   4. Dpope
   5. Emichelangelo
   6. Fleonardo da vinci
   7. Gtitian
   8. Hmichelangelo
7. 7THE CAUSES OF REFORMATION
   Protest; [blank_start]high clergy[blank_end] live a life of luxury, panish priest lack of [blank_start]education,[blank_end] pardover sins, widespread and local lenguages in the [blank_start]bible[blank_end]
   THE LUTHERAN
   [blank_start]Martin luther[blank_end] started in [blank_start]1517[blank_end] , the pope [blank_start]excomunicate[blank_end] him
   prayer: bible, only two saeraments - baptist, eucharist.
   spread of the reformation: germany- nobles against [blank_start]carlos v[blank_end]. genevez- [blank_start]John calving[blank_end]. England- [blank_start]Henry VIII[blank_end] broke up with rome.
   The counter of the reformation: council of treut. Confirmation of the traditional doctrine. Creation of s[blank_start]eminaries[blank_end]. Creation of the society of jesus.
   Religiis division in europe: two bolcks- catholic and protestants. Confroction in wasr- thirty years war. Inquisition - [blank_start]prosecution of disidents[blank_end]

   1. Ahigh clergy
   2. Beducation,
   3. Cbible
   4. D1517
   5. EMartin luther
   6. Fexcomunicate
   7. Gcarlos v
   8. HJohn calving
   9. IHenry VIII
   10. Jeminaries
   11. Kprosecution of disidents
8. 8THE SPREAD OF RENASAINCE
   Architecture: thre were [blank_start]three[blank_end] types.
   [blank_start]Platesque[blank_end]. style [blank_start]abundant[blank_end] of decoration like the [blank_start]university of salamanca.[blank_end]
   Clasicist: harmony of buildings is more important than [blank_start]decoration[blank_end] like the palace of carlos v in granada.
   Herrerian: influential in second half of 16 century sobriety and almost [blank_start]lack of decoration[blank_end] like the monstery of the escorial
   

   1. Athree
   2. BPlatesque
   3. Cabundant
   4. Duniversity of salamanca.
   5. Edecoration
   6. Flack of decoration
9. 9SCULPTURE
   The italian renasaince had only influence on [blank_start]spain[blank_end]. Spain no attempt to [blank_start]portrait[blank_end] ideal beuty. [blank_start]Alonso[blank_end] de berrugete expresed feelins about [blank_start]religion[blank_end]
   PAINTING
   el [blank_start]greco[blank_end] created religius scenes full of drama and full of [blank_start]movement[blank_end] spirialy like the burial of the [blank_start]count[blank_end] of orgaz

   1. Aspain
   2. Bportrait
   3. CAlonso
   4. Dreligion
   5. Egreco
   6. Fmovement
   7. Gcount

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3º de ESO Historia Quiz am RENASAINCE AND REFORMATION, erstellt von patricia gomez am 24/10/2021.

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patricia gomez

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