Karteikarten
unit 3
Karten in diesem Stapel (25)
- 1what is the name of this art piececatacomb of priscilla
- 2what is the name of this art piecechartres cathedral
- 3what is the name of this art piecearena (scrovegni) chapel
- 4what is the name of this art piecethe golden haggadah
- 5what is the name of this art piecethe alhambra
- 6what is the name of this art pieceannunciation triptych
- 7identifiers of this art piecerome,italy.
late-antique europe.
c. 200-400 ce.
excavated tufa and fresco - 8identifiers of this art piecechartres, france.
gothic europe.
c. 1145-1155 ce.
limestone and stained glass. - 9identifiers of this art piecepadua, italy.
giotto di bondone (artist).
chapel: 1303 ce. - fresco: 1305 ce.
brick and fresco. - 10identifiers of this art piecelate medieval spain (jewish)
c. 1320 ce.
pigment & old leaf of vellum (illuminated manuscript) - 11identifiers of this art piecegranada, spain.
nasrid dynasty.
c. 1354-1391 ce.
whitewashed adobe, stucco, wood, tile, paint, and gliding. - 12identifiers of this art pieceworkshop of robert campin.
c. 1427-1432 ce.
oil on wood. - 13visual / contextual evidence for catacomb of priscillacatacomb built for priscilla, her family, & martyrs. 40,000 sarcophagus. cubiculum room meant for rich family and their slave. loculi = deceased wrapped in shrewd. marble slab for rich and terracotta slab for poor. built near surface and continued building downward. holds earliest art of christianity (iconography). strong biblical symbolism; kyro = christ | bird = holy spirit | ancor = safe harbor.
- 14early gothic date and evidence in buildingsc. 1150-1250 ce.
small windows. more rounded arches. thick, strong walls bc vault pushed down and out. shallow archivolts. elongated, elegant, floating figures on walls. interdependence of architecture and sculpture. - 15high gothic date and evidence in buildings.c. 1250-1375 ce.
rose window. pierced everywhere and nonsense of masonry. pointed arches. - 16contextual evidence for chartres cathedral.part of a complex (including school & hospital). tunic of mary = what she wore when birthing christ. west facade is original church. jam figures = prophets & kings (simple). christ is largest than everyone in jam figures & in mandorla (full-body halo). basilica was influenced by romans. aisles = used by pilgrims to see tunic of mary & head of st. dan without interrupting mass.
- 17visual evidence for arena (scrovegni) chapel12.65 meters tall. narrative frescos on walls. star-studded blue ceiling. three registers: christ's grandparents, life of mary, & the passion. small private chapel. figure's drapery shows mass and volume. jesus shown in profile = noble. enrico scrovegni: (usury=sin) banker who commissioned chapel.
- 18contextual evidence for arena (scrovegni) chapelenrico on fresco (last judgement) handing chapel to 3 marys. right side = heaven. left side = hell. impetus seen at apex of triumphal arch on opposite wall. god calling gabriel. god on panel painting (more conservative, less earthy).
- 19visual evidence for annunciation triptych...
- 20contextual evidence for annunciation triptych…
- 21visual/contextual evidence for the alhambra - plan of the alhambra and generalife1730 meters of walls & thirty towers. four main gates. 3 distinct purposes: residence for ruler and family, the citadel (barracks for elite guards), and medina (city) where court officials lived. connected by paths, gardens, and gates. highly ornate interior space contrast plain exterior walls.
- 22visual/contextual evidence for the alhambra - generalifenasrid estate near alhambra. long, narrow patio with water channel and two rows of fountains. vegetable and ornamental gardens. used by rulers of granada.
- 23visual/contextual evidence for the alhambra - palace of the lionsindependent building. built by muhammad V. fountain with complex hydraulic system and 12 carved stone lions. north and south halls ends. one of oldest palace structures in complex.
- 24visual evidence for the golden haggadahminiatures illuminating stories of passover (56). includes prayers and readings. shows signs of use (wine, etc). influenced by dominant style of christian art. jewish and gothic art.
- 25contextual evidence for the golden haggadahfine work of art used to signal the wealth of its owners (jewish). haggadah was seen as educational rather than religious (graven images were forbidden in judaism). style of manuscript is similar to christian gothic manuscript.
Informationen
- Beschreibung
- 48, 60, 63, 64, 65, 66, 71, 72, 78
- Erstellt von
- stephanie perez
- Aufrufe
- 11
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