Fichas
Art Hist 202: FINAL
Fichas del conjunto (58)
- 1—Antoine Watteau
Pilgrimage to Cythera
1717.
Oil on canvas
Rococo (bright greens of landscapes, merging brushstrokes, Aristocratic subjects) - 2—Jean-Honoré Fragonard
La Gimblette
1760
Rococo (round, luscious brushstrokes, Colors leak from her dress into her bed, aristocratic everyday scene)
- 3—Elizabeth Vigee Lebrun
Marie Antoinette and her Children
1787
Rococo
- 4—Jacques-Louis David
Death of Marat
1793
oil on canvas
Neoclassicism (idealized death; hypermasculine, tragic, dramatic; Marat was a revolutionary aka political figure)
- 5—Anne-Louis Girodet
Portrait of Citizen Belley, Ex-representative of the Colonies
1797
Oil on canvas
Exemplum virtutis (example of virtue)
- 6—Jacques-Louis David
Napoleon Crossing the Saint-Bernard
1800-1801
Oil on canvas
Neoclassicism (Hannibal's name on bottom; relates to Greek/Roman influence)
- 7—Jean-Auguste-Dominique Ingres
Grande Odalisque
1814
Oil on canvas
Romanticism (note the use of color and unique subjectivity)
- 8—Francisco Goya
Third of May 1808, 1814-15
Oil on canvas
Romanticism (almost grotesque, more about emotion)
- 9—Joseph Mallard William Turner
The Slave Ship
1840
Oil on canvas
Romanticism (shift from neoclassical lines (perpendicular) to color and its ability to produce effect)
- 10—Alexandre Cabanel
The Birth of Venus
c. 1864
Oil on canvas
Realism
- 11—Gustave Courbet
The Burial at Ornans
1849
Oil on canvas
Realism (depicts a real life event and not trying to change it; it’s just a burial, an event of life)
- 12—Jean-François Millet
The Gleaners
1857
Oil on canvas
Realism (rural country life, realistic subject matter)
- 13—Thomas Eakins
The Gross Clinic
1875
Oil on canvas
Realism
- 14—John Singer Sargent
Portrait of Madame X
1884
Oil on canvas
Realism
- 15—Henry Ossawa Tanner
The Banjo Lesson
1893
Oil on canvas
Realism (loose brushstroke and style even though he is depicting a very real, realistic subject)
- 16—Edmonia Lewis
Forever Free
1867
Marble
Realism
- 17—Louis Daguerre
Still Life in Studio
1837
Daguerreotype
- 18—Timothy O’Sullivan
A Harvest of Death, Gettysburg, PA (July)
1863
Photography negative
- 19—Eadweard Muybridge
The Horse in Motion
1878
- 20—Édouard Manet
Luncheon on the Grass
1863
Oil on canvas
Impressionism (Shows outdoor light; interest in light/effects of light are important in impressionism)
- 21—Édouard Manet
Olympia
1863
Oil on canvas
Impressionism (background is too dark and foreground is too bright; his color usage makes image look flat)
- 22—Claude Monet
Impression: Sunrise
1872
oil on canvas
Impressionism (momentary glance; focus on creating a visual experience not on accuracy)
- 23—Pierre-Auguste Renoir
Le Moulin de la Galette
1876
Oil on canvas
Impressionism (a moment in time, use of color)
- 24—Berthe Morisot
Summer’s Day
1879
Oil on canvas
Impressionism (short brushstrokes, joy of life, everyday scene)
- 25—Édouard Manet
A Bar at le Folies-Bergère
1882
Oil on canvas
Impressionism
- 26—Mary Cassatt
Woman in a Loge
1879
Oil on canvas
Impressionism (interested in seeing and being seen)
- 27—Edgar Degas
The Tub
1886
Pastel
Impressionism (Rushed strokes to create a woman who is bathing)
- 28—Georges Seurat
A Sunday on La Grande Jatte
1884-86
Oil on canvas
Post-Impressionist/Pointillism (like impressionism, this is a leisure subject; afternoon at a park)
- 29—Vincent van Gogh
Japonaiserie: Flowering Plum Tree
1887
Oil on canvas
Post-Impressionism
- 30—Vincent van Gogh
Self-Portrait with Bandaged Ear
1889
Oil on canvas
Post-impressionism/Impasto (thick paint)
- 31—Paul Gauguin
Spirit of the Dead Watching
1892
Oil on burlap mounted on canvas
Post-impressionism (large fields of color, handles space differently)
- 32—Paul Cézanne
Mont Sainte-Victoire
1902-04
Oil on canvas
Post-impressionism (Color and line evoking mood; more important than depicting it realistically)
- 33—James Abbott McNeill Whistler
The Falling Rocket
ca. 1875.
Oil on canvas
Post-Impressionism
- 34—Henri de Toulouse-Lautrece
At the Moulin Rouge
1892-95.
Oil on canvas.
Post-Impressionism
- 35—Edvard Munch
The Scream
1893.
Tempera and pastels on cardboard
Symbolism (Mood, line, and color are more important than what it would actually look like)
- 36—Auguste Rodin
Burghers of Calais
1884-1889
Bronze.
Not really a symbolist; Liked to make things look human, but very, very rough
Subject: a war between English and French
- 37—Henri Matisse
The Woman with the Hat
1905
Oil on canvas
Expressionism (focus is on color)
- 38—Pablo Picasso
The Young Ladies of Avignon
1907
Oil on canvas
Cubism
- 39—Pablo Picasso
Ma Jolie
1911-12
Oil on canvas
Cubism (Subject is a women playing a stringed instrument… but we can’t really see her at all)
- 40—Marcel Duchamp
Nude Descending a Staircase, No. 2
1912
Oil on canvas.
Cubism (Underlying geometry of the human form)
- 41—Egon Schiele
Self-Portrait Nude
1911
Gouache and pencil on paper
German Expressionism (distortion of form, ragged outlines, agitated brushstrokes)
- 42—Marcel Duchamp
Fountain
1917
Porcelain plumbing fixture w/ enamel paint
Dada (Irrational, intuitive, meant to be absurd; “ready-made”: takes an object out of context and changes it)
- 43—Alfred Stieglitz
The Steerage
1907
Photogravure
- 44—Marsden Hartley
Portrait of a German Officer
1914
Oil on canvas
- 45—George Bellows
Both Members of This Club
1909
Oil on canvas
- 46—Meret Oppenheim
Object (Luncheon in Fur)
1936.
Fur-covered cup, saucer and spoon.
Surrealism
- 47—Rene Magritte
The Treachery of Images
1928-29
Oil on canvas
Surrealism
- 48—Pablo Picasso
Guernica
1937
Oil on canvas.
Surrealism
- 49—Jacob Lawrence
The Migration Series, Panel no.1: During World War I There was a Great Migration North by Southern African Americans
1940-41
Tempera on masonite.
Harlem Rennaissance
- 50—Dorothea Lange
Migrant Mother, Nipomo, California, February 1936
Gelatin-silver print.
- 51—Grant Wood
American Gothic
1930
Oil on beaverboard
Regionalism
- 52—Frida Kahlo
The Two Fridas
1939
Oil on canvas
- 53—Jackson Pollock
Autumn Rhythm
1950.
Oil, enamel and aluminum paint on canvas
Abstract Expressionism
- 54—Willem de Kooning
Woman I
1950-52
Oil on canvas
Abstract Expressionism
- 55—Robert Frank
Trolley, New Orleans
1955-56
Gelatin-silver print.
- 56—Roy Lichtenstein
Hopeless
1963
Oil on canvas
Pop Art
- 57—Joseph Kosuth
One and Three Chairs
1965
Wood folding chair, photograph of a chair, and photographic enlargement of dictionary definition of chair.
Conceptual Art
- 58—Judy Chicago
The Dinner Party
1974-79
Installation
Feminist Art
Información
- Descripción
- Fichas sobre Art Hist 202: FINAL, creado por FRANCESCA ACCIARDO el 01/12/2017.
- Creado por
- FRANCESCA ACCIARDO
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