¡GoConqr estrena diseño! Cuéntanos qué te parece.

Fichas

FUCK U

Caroline DeVito Inglés 30 fichas

Fichas del conjunto (30)

  1. 1Motifsomething repeated throughout a film but does not draw too much attention to itself nor does it need to be explained
  2. 2Symbols(ex: steaming pot between actors in Lost of Translation)
  3. 3Metaphorfiguratively impossible but is used in film to make a comparison between two things that otherwise are not part of the same frame of meaning (ex: red rose petals American Beauty)
  4. 4Allegorya suggestive resemblance or correspondence between a visible event or character in a film with other more significant or abstract meanings outside the film
  5. 5Allusiondirect or indirect reference through image or dialogue to some kind of well known work of art or cultural idea
  6. 6Mise en sceneThe arrangement of all visual elements within the frame as well as their movements and how these are captured photographically;
    subtle or ouvert
  7. 7Elements for creating rich Mise en sceneframe, composition, movement
  8. 8framing: rule of thirdsbalance of components of the overall image;
    9 sections, 4 focal points
  9. 9Tight framingclose up
  10. 10loose framingfarther away
  11. 11composition and design–The Set
    –Actors
    Placement, size,
    significance
    Full-frontal, quarter turn, profile, three---quarter turn, rear
  12. 12Composition and Design: dominant contrastwhat immediately attracts our attention
  13. 13composition and design: subsidiary contrastcounter balancing devices
  14. 14composition and design: compositionmovement, rule of thirds, top vs. boQom, edges
  15. 15all movies and tv shows have..mise en scene
  16. 1616 elements of mise en scenes1. dominant contrast
    2. lighting key
    3. proxemics and spatial design (in relation to action)
    4. angle and shot 5. color values
    6. lens/filter
    7. subsidiary contrasts
    8. density (detail of information)
    9. composition (organizaWon of the design) 10. frame (aspect ratio)
    11. framing (open vs. closed form)
    12. depth of focus
    13. character placement (in the frame: top, bottom, center, edge?) 14. acting positions (profile, full front?)
    15. Space
    16. Camera movement
  17. 17territory-Exterior/Interior
    --Real/Fictional
    -Authentic/Manipulated
  18. 18Proxemic Patterns: Sociologicalhow we are distanced or place based on social circumstances
    ELS - public
    LS - social
    MS - personal
    CSU- intimate
  19. 19Proxemic Patterns: Position in Relation to the CameraActors can be photographed in any of five basic positions, each conveying different psychological undertones:
    -Full front
    -Quarter turn
    -Profile
    -Three--quarter turn
    -Back to camera
  20. 20open formmore looking through window, looking out of a window into situation
    Framed nicely, ambiguous moment
    Participatory gaze
    Lines objects, and people spilling out of frame
  21. 21closed formtwo main characters forward, perfect balance
    Framed by elements in the frame as well
    Just watching them
    Characters contained by elements within the frame
  22. 22Set Design/Art Direction into two categorical styles:Realism
    Expressionism
  23. 23Realismtries to convince us of the realism of the setting (actual or studio): poetic, studio, documentary
  24. 24Realism: poeticusing actual locations on a specific time of day, dressing up location to make more aesthetically pleasing (ex: Lawrence of Arabia, Midnight in Paris)
  25. 25Realism: documentaryusing actual location with minimal changes, no art direction, sparse (ex: Precious)
  26. 26Realism: studiocreating a believable reality in the studio
  27. 27expressionismevocative rather than supportive to the characters and scenario, sense of something internal, psychological, or spiritual state
    Ex: Brazil
    Tim Burton
  28. 28Analyzing Art Design1. exterior or interior (and what is role of nature)
    2. studio or location
    3. style
    4. period
    5. class
    6. size
    7. decoration
    8. symbolic function (does it add up to more than its parts?)
  29. 29Effect of Costumes1. Period
    2. Class
    3. Sex(uality)
    4. Age (appropriateness to the character)
    5. Silhouette(form)
    6. Fabric
    7. Accessories
    8. Color
    9. Bodyexposure
    10. Function
    11. Body attitude (how costume affects actor’s body)
    12. Image (overall impression)
  30. 30—

Información

Descripción
Fichas sobre FUCK U, creado por Caroline DeVito el 01/11/2016.
Creado por
Caroline DeVito
Visitas
4
Valoración

Más sobre Mise-en-scène

Escríbenos

¿Sobre qué es tu mensaje?

¿Qué te parece el nuevo diseño?

¿Te gusta?