Test
Conventions of tragedy in drama
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Preguntas del test (11)
1The three main aspects of tragedy are:
1. [blank_start]Suffering[blank_end]: Which is what a [blank_start]main character[blank_end] has to endure.
2. [blank_start]Chaos[blank_end]: In which the [blank_start]main character[blank_end] or [blank_start]society[blank_end] can break down. In many tragedy's, it occurs to both and this leads to death.
3. [blank_start]Finish[blank_end]: At the play, the audience are left with reality of [blank_start]death[blank_end] and its [blank_start]consequences[blank_end].- ASuffering
- BChaos
- CFinish
- Dmain character
- Esociety
- Fmain character
- Gdeath
- Hconsequences
2Tragedy is an extreme case of [blank_start]sadness[blank_end] and [blank_start]despair[blank_end] and connotes the loss of something or [blank_start]someone[blank_end] (metaphorical or physical). It always relates to [blank_start]death[blank_end]. In drama, it is defined by literature that ends with the [blank_start]death of a main character[blank_end].
- Asadness
- Bdespair
- Csomeone
- Ddeath
- Edeath of a main character
3There are 2 main styles of tragedy:
1. [blank_start]Classic[blank_end] or [blank_start]Epic[blank_end] Tragedy: This sees terrible [blank_start]chaos[blank_end] and the breakdown of [blank_start]society[blank_end].
2. [blank_start]Modern[blank_end] or [blank_start]Domestic[blank_end] Tragedy: This sees the breakdown of a [blank_start]family[blank_end] to show the [blank_start]corruption[blank_end] and chaos that lurks beneath the surface of the family.- AClassic
- BEpic
- Cchaos
- Dsociety
- EModern
- FDomestic
- Gfamily
- Hcorruption
4Tragedies offer a [blank_start]bleak[blank_end] version of life in focusing on failure, [blank_start]conflict[blank_end] and disaster. The 3 main aspects are emphasised: [blank_start]suffering[blank_end], [blank_start]chaos[blank_end] and [blank_start]death[blank_end].
- Ableak
- Bconflict
- Csuffering
- Dchaos
- Edeath
5Tragedy's work to convey [blank_start]deception[blank_end] and redemption, [blank_start]conflict[blank_end] and the fall of a [blank_start]main character[blank_end]. Aristotle tried to define how they work in '[blank_start]Poetics[blank_end]'-his own work.
- Adeception
- Bconflict
- Cmain character
- DPoetics
6Aristotle wrote 'Poetics between 384-322 B.C.E?
- AVerdadero
- BFalso
7Before Aristotle wrote 'Poetics' he:
- AWas sent to Athens
- BStudied under Sophocles
- CTutored Alexander the Great
- DStudied under Plato
- EWas sent to Greece
8Aristotle said tragedy is a form of drama that excites "[blank_start]pity and fear[blank_end]." Its action should be "[blank_start]single[blank_end]" and "[blank_start]complete[blank_end]" to present a reversal of "[blank_start]fortune[blank_end]" involving persons "who are held in [blank_start]great esteem[blank_end]." He believed tragedy was superior and was where real truths about [blank_start]human life[blank_end] were revealed. Comedy, for example, was for [blank_start]entertainment[blank_end] only.
- Apity and fear
- Bfear and chaos
- Cpity and destruction
- Dsingle
- Ewhole
- Fsingular
- Gcomplete
- Hchaotic
- Icatastrophic
- Jdevastating
- Kfortune
- Lgood nature
- Mcharacter
- Nnobility
- Ogreat esteem
- Phigh status
- Qthe audience's good nature
- Rhuman life
- Sdictators
- Tgreed
- Uthe selfishness of humans
- Vthe dangers of ambition
- Wentertainment
- Xthe bantz
- Ydeath
- Zcrazy timez
- AAGOOD ONES
9What are the six components of tragedy?
- APlot, Character, dictionary, reasoning (to justice a case being staged), spectacle, Lyric poetry (where dramatist expresses personal response to experience on stage)
- BPlot, Character, diction, reasoning (to justice a case being staged), spectacles, Lyric poetry (where dramatist expresses personal response to experience on stage)
- CPlot, Character, diction, reasoning (to justice a case being staged), spectacle, Lyric poetry (where dramatist expresses personal response to experience on stage)
10The 3 Unities: Every tragedy has [blank_start]action[blank_end], which revolves around the plot in a tight [blank_start]timescale[blank_end] and in the same [blank_start]place[blank_end]. [blank_start]Shakespeare[blank_end] used the three unities and tweaked them slightly. They are useful in creating [blank_start]catharsis[blank_end].
- Aaction
- Btimescale
- Cplace
- DShakespeare
- Ecatharsis
11Aristotelian tragedy definitions:
Catharsis: When an audience's [blank_start]strong emotions[blank_end] are released and [blank_start]calm[blank_end] can be restored. It allows [blank_start]purification[blank_end] of body and soul and was essential to [blank_start]teach[blank_end] audience on how to behave and run their lives-which could only occur once their [blank_start]pity and fear[blank_end] from death was released.
Hamartia: A [blank_start]fatal flaw[blank_end] leading to the [blank_start]downfall of a hero or heroine[blank_end]. It helps a tragic ending occur due to a mistake and arouses [blank_start]emotion[blank_end] because a character must have [blank_start]humanity[blank_end] for this to occur and this allows the audience to [blank_start]identify with them[blank_end].
Hubris: Excessive [blank_start]pride[blank_end] or [blank_start]self-confidence[blank_end] and is around due to [blank_start]hamartia[blank_end]. Creates more [blank_start]pity[blank_end] is character was more noble than others.
Peripeteia: A dramatic change in circumstances or a reversal of fortune. It is used to enhance catharsis, with the realisation of the events.
Anagnorisis: Moment in play when a character makes a [blank_start]critical[blank_end] discovery that can lead to realising [blank_start]what caused their downfall.[blank_end]- Astrong emotions
- Bcalm
- Cpurification
- Dteach
- Epity and fear
- Ffatal flaw
- Gdownfall of a hero or heroine
- Hemotion
- Ihumanity
- Jidentify with them
- Kpride
- Lself-confidence
- Mhamartia
- Npity
- Ocritical
- Pwhat caused their downfall.
Información
- Descripción
- Test sobre Sin título, creado por Iz Cardy el 11/12/2017.
- Autor
- Iz Cardy
- Idioma
- English
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