Test
Music Class 3
Este test tiene tipos de pregunta que se abren en el reproductor de siempre.
Preguntas del test (19)
1[blank_start]Rockabilly[blank_end]
Style is pioneered by [blank_start]Bill[blank_end] [blank_start]Haley[blank_end] and [blank_start]Elvis[blank_end] [blank_start]Presley[blank_end]
Original instrumentation included [blank_start]electric[blank_end] [blank_start]lead[blank_end] [blank_start]guitar[blank_end]; [blank_start]acoustic[blank_end] [blank_start]rhythm[blank_end] [blank_start]guitar[blank_end]; [blank_start]acoustic[blank_end] string [blank_start]bass[blank_end]- [blank_start]drums[blank_end] were added after the fact
Style is a mixture of [blank_start]country[blank_end] and [blank_start]western[blank_end] and [blank_start]r[blank_end]+[blank_start]b[blank_end]
Music was generally [blank_start]not[blank_end] written down
Primarily a “[blank_start]white[blank_end]” style of music – most (but not all) performers of this style were white and the audience tended to be primarily white as well
Relied more on [blank_start]backup[blank_end] singers and [blank_start]harmonized[blank_end] vocals- ARockabilly
- BHaley
- CBill
- DElvis
- EPresley
- Felectric
- Gguitar
- Hlead
- Iacoustic
- Jrhythm
- Kguitar
- Lacoustic
- Mbass
- Ndrums
- Ocountry
- Pwestern
- Qr
- Rb
- Snot
- Twhite
- Ubackup
- Vharmonized
2Rockabilly at [blank_start]Sun[blank_end] Records (post-Elvis)
[blank_start]Carl[blank_end] [blank_start]Perkins[blank_end]
Born to [blank_start]share[blank_end] crop parents
His [blank_start]guitar[blank_end] playing style became the cornerstone of rockabilly
Sent many demos to [blank_start]New[blank_end] [blank_start]York[blank_end] record companies – all [blank_start]rejected[blank_end], claiming there is nowhere for his music
After hearing [blank_start]Elvis[blank_end] on the radio in [blank_start]1954[blank_end], he headed to [blank_start]Sun[blank_end] Records for an audition
Once [blank_start]Elvis[blank_end] left for [blank_start]RCA[blank_end], Perkins was allowed to explore his [blank_start]rockabilly[blank_end] side
Though he produced both a [blank_start]country[blank_end] and [blank_start]rock[blank_end] version of [blank_start]Blue[blank_end] [blank_start]Suede[blank_end] [blank_start]Shoes[blank_end], [blank_start]Phillips[blank_end] chose to release the [blank_start]rockabilly[blank_end] version
[blank_start]Three[blank_end] months later, the song (which borrows stylistically from [blank_start]pop[blank_end], [blank_start]country[blank_end] and [blank_start]R[blank_end]&[blank_start]B[blank_end]) sat at the [blank_start]top[blank_end] of all [blank_start]three[blank_end] charts
The song also became Sun’s [blank_start]first[blank_end] [blank_start]million[blank_end]-unit seller- ASun
- BCarl
- CPerkins
- Dshare
- Eguitar
- Frejected
- GNew
- HYork
- IElvis
- J1954
- KSun
- LElvis
- MRCA
- Nrockabilly
- Ocountry
- Prock
- QBlue
- RSuede
- SShoes
- TPhillips
- Urockabilly
- VThree
- Wpop
- Xcountry
- YR
- ZB
- AAtop
- ABthree
- ACfirst
- ADmillion
3 Perkins and his band headed for New York to appear on the [blank_start]Perry[blank_end] [blank_start]Como[blank_end] Show
Perkins saw [blank_start]Elvis[blank_end] perform [blank_start]Blue[blank_end] [blank_start]Suede[blank_end] [blank_start]Shoes[blank_end] on TV
Though follow-up tunes were [blank_start]Superior[blank_end] to his initial hit, [blank_start]none[blank_end] of them did very well
A tour of [blank_start]England[blank_end] in [blank_start]1964[blank_end] saw Perkins experience a rejuvenation as he [blank_start]sold[blank_end] out show after show
Died in early [blank_start]1988[blank_end] after a long battle with Throat Cancer
His greatest influence lies in his [blank_start]guitar[blank_end] style and the [blank_start]numerous[blank_end] [blank_start]songs[blank_end] he [blank_start]wrote[blank_end], often for [blank_start]other[blank_end] performers- APerry
- BComo
- CElvis
- DBlue
- ESuede
- FShoes
- GSuperior
- Hnone
- IEngland
- J1964
- Ksold
- L1988
- Mguitar
- Nnumerous
- Osongs
- Pwrote
- Qother
4[blank_start]Johnny[blank_end] [blank_start]Cash[blank_end]
Though considered one of the most influential artists in post-WWII country music, [blank_start]Johnny[blank_end] [blank_start]Cash[blank_end] created his own unique sub-genre- [blank_start]blunt[blank_end] [blank_start]emotional[blank_end] [blank_start]honesty[blank_end] in [blank_start]folk[blank_end] [blank_start]music[blank_end], [blank_start]rebellion[blank_end] in [blank_start]rock[blank_end], [blank_start]story[blank_end] [blank_start]telling[blank_end] [blank_start]nature[blank_end] of [blank_start]western[blank_end]
His style encompassed traits of several [blank_start]genres[blank_end]
[blank_start]Cash[blank_end] secured an audition with [blank_start]Sam[blank_end] [blank_start]Phillips[blank_end] of [blank_start]Sun[blank_end] Records in [blank_start]1955[blank_end]
His early success led to a recurring spot on TV show - [blank_start]Louisiana[blank_end] [blank_start]Hayride[blank_end]
In early [blank_start]1955[blank_end], he released [blank_start]I[blank_end] [blank_start]Walk[blank_end] [blank_start]the[blank_end] [blank_start]Line[blank_end]- A1955
- BWalk
- CI
- Dthe
- ELine
- FJohnny
- GCash
- HCash
- IJohnny
- Jblunt
- Kemotional
- Lhonesty
- Mfolk
- Nmusic
- Orebellion
- Prock
- Qstory
- Rtelling
- Snature
- Twestern
- Ugenres
- VCash
- WSam
- XPhillips
- YSun
- Z1955
- AALouisiana
- ABHayride
5 In early [blank_start]1955[blank_end], he released [blank_start]I Walk the Line[blank_end]
The song is an excellent example of his unique style
It is a [blank_start]story[blank_end] song- [blank_start]crossover[blank_end] to [blank_start]pop[blank_end] charts
It employs an interesting “[blank_start]freight train[blank_end]” rhythm
It also showcases his amazing [blank_start]vocal[blank_end] range (how high or low someone sings)
Cash’s early rise to fame [blank_start]coincided[blank_end] with the birth of rock ‘n’ roll and his [blank_start]rebellious[blank_end] [blank_start]attitude[blank_end] and [blank_start]musical[blank_end] [blank_start]style[blank_end] were very similar to that genre
A [blank_start]deep[blank_end] [blank_start]sense[blank_end] of [blank_start]history[blank_end] has kept him tied to the [blank_start]country[blank_end] genre and he was one of [blank_start]country[blank_end] music’s biggest stars in the [blank_start]50[blank_end]s and [blank_start]60[blank_end]s- A1955
- BI Walk the Line
- Cstory
- Dcrossover
- Epop
- Ffreight train
- Gvocal
- Hcoincided
- Irebellious
- Jattitude
- Kmusical
- Lstyle
- Mdeep
- Nsense
- Ohistory
- P50
- Q60
- Rcountry
- Scountry
6[blank_start]Jerry[blank_end] [blank_start]Lee Lewis[blank_end]
The original “ [blank_start]wild man[blank_end]” of rock ‘n’ roll – he played [blank_start]piano[blank_end] and [blank_start]sang[blank_end] with wild abandon
He lived his [blank_start]life[blank_end] in a similar fashion
Nicknamed “[blank_start]killer[blank_end]” in high school due to his abuse of [blank_start]pianos[blank_end]
Like [blank_start]Little Richard[blank_end], Lewis (a cousin of Jimmy Swaggert) fought an ongoing battle between his ([blank_start]short[blank_end] but [blank_start]influential[blank_end]) rock ‘n’ roll career and his [blank_start]religious[blank_end] upbringing
Lewis’ [blank_start]rampant[blank_end] [blank_start]sexual[blank_end] activity brought an end to his R’n’R career
[blank_start]1956[blank_end] – Lewis goes to [blank_start]Memphis[blank_end] after hearing Elvis- inspired by his sound and success with Sun records
Released his first single, [blank_start]Crazy Arms[blank_end]- AJerry
- BLee Lewis
- Cwild man
- Dpiano
- Esang
- Flife
- Gkiller
- Hpianos
- ILittle Richard
- Jshort
- Kinfluential
- Lreligious
- Mrampant
- Nsexual
- O1956
- PMemphis
- QCrazy Arms
7Lewis developed a new [blank_start]stage[blank_end] style, prompting Phillips to invest heavily in his next single
Later that year, Lewis releases his biggest hit [blank_start]Great Balls of Fire[blank_end]
He almost [blank_start]didn’t[blank_end] record the song
Song is a good example of [blank_start]stop time[blank_end] and of Lewis’ very [blank_start]energetic[blank_end] [blank_start]piano[blank_end] style
Song’s success was aided by an appearance on The [blank_start]Steve Allen[blank_end] Show, where switchboards lit up after his performance- Astage
- BGreat Balls of Fire
- Cdidn’t
- Dstop time
- Eenergetic
- Fpiano
- GSteve Allen
8 Jerry Lee Lewis was the [blank_start]marrying[blank_end] type – he unfortunately wasn’t the divorcing type!
His marriage to his [blank_start]13[blank_end] yr old cousin started a wave of negative publicity during a tour of [blank_start]England[blank_end] – this followed him [blank_start]home[blank_end] to the U.S.
He came back in the late [blank_start]60[blank_end]s and early [blank_start]70[blank_end]s as a country artist for [blank_start]Smash[blank_end] Records- Amarrying
- B13
- CEngland
- Dhome
- E60
- F70
- GSmash
9[blank_start]Rockabilly[blank_end] on other Labels
[blank_start]Gene Vincent[blank_end]
[blank_start]Gene Vincen[blank_end]t’s irrepressible [blank_start]leather[blank_end] look, bad boy image became an icon for the [blank_start]early[blank_end] days of rock ‘n’ roll
His style has been described as [blank_start]spirited[blank_end] and [blank_start]savage[blank_end].
In [blank_start]1956[blank_end], Vincent and his group The [blank_start]Blue[blank_end] [blank_start]Caps[blank_end] signed with [blank_start]Capitol[blank_end] Records
That same year, he released his biggest hit [blank_start]Be[blank_end]-[blank_start]Bop[blank_end]-a-[blank_start]Lula[blank_end], a song that epitomized [blank_start]Rockabilly[blank_end] at its prime
The song is characterized by [blank_start]sharp[blank_end] [blank_start]guitar[blank_end] breaks, a strong emphasis on the [blank_start]snare[blank_end] [blank_start]drum[blank_end], the use of [blank_start]echo[blank_end] and [blank_start]Vincent[blank_end]’s [blank_start]breathless[blank_end], [blank_start]sexy[blank_end] [blank_start]vocals[blank_end]- ARockabilly
- BGene Vincent
- CGene Vincen
- Dleather
- Eearly
- Fspirited
- Gsavage
- H1956
- IBlue
- JCaps
- KCapitol
- LBe
- MBop
- NLula
- ORockabilly
- Psharp
- Qguitar
- Rsnare
- Sdrum
- Techo
- UVincent
- Vbreathless
- Wsexy
- Xvocals
10Gene Vincent
Follow-up songs [blank_start]never[blank_end] [blank_start]reached[blank_end] the same success
In [blank_start]1960[blank_end], while on tour in England, Vincent was injured in a car accident that claimed the life of fellow musician [blank_start]Eddie[blank_end] [blank_start]Cochran[blank_end]
After his contract with [blank_start]Capitol[blank_end] expired in [blank_start]1963[blank_end], Vincent recorded with several other labels in attempt to launch a comeback
He succumbed to his [blank_start]drinking[blank_end] problem and [blank_start]medical[blank_end] problems in [blank_start]1971[blank_end], becoming one of rock’s early mythic figures- of [blank_start]dying[blank_end] [blank_start]young[blank_end]- Anever
- Breached
- C1960
- DEddie
- ECochran
- FCapitol
- G1963
- Hdrinking
- Imedical
- J1971
- Kdying
- Lyoung
11[blank_start]Eddie Cochran[blank_end]
[blank_start]Eddie Cochran[blank_end] was known for his [blank_start]brash[blank_end], [blank_start]fat[blank_end] [blank_start]guitar[blank_end] sound that helped lay the groundwork for the [blank_start]power[blank_end] chord
He was a good [blank_start]songwriter[blank_end] and [blank_start]singer[blank_end], writing songs that celebrated [blank_start]teenage[blank_end] [blank_start]life[blank_end]
His only Top 10 hit echoed these attributes – [blank_start]1958[blank_end]’s [blank_start]Summertime Blues[blank_end]- AEddie Cochran
- BEddie Cochran
- Cbrash
- Dfat
- Eguitar
- Fpower
- Gsongwriter
- Hsinger
- Iteenage
- Jlife
- K1958
- LSummertime Blues
12 In the spring of [blank_start]1960[blank_end], he joined [blank_start]Gene[blank_end] [blank_start]Vincent[blank_end] on a tour of England
The duo, along with Cochran’s fiancée Sharon Sheeley, were involved in a severe car accident – Vincent and Sheeley survived, but Cochran succumbed to his injuries – he was [blank_start]21[blank_end]- A1960
- BGene
- CVincent
- D21
13[blank_start]Buddy Holly[blank_end]
[blank_start]Buddy Holly[blank_end]’s far-reaching influence is all the more impressive when one considers that his career spanned [blank_start]18[blank_end] months (short time, big influence), he was a figure that should be discussed.
Fit into roll of [blank_start]50[blank_end]’s [blank_start]polished[blank_end] performer, parents would [blank_start]approve[blank_end]
Holly changed many stereotypes in rock ‘n’ roll
[blank_start]1956[blank_end] – Forms a band called The [blank_start]Three[blank_end] [blank_start]Tunes[blank_end] – consisted of ([blank_start]bass[blank_end]) and ([blank_start]drums[blank_end])
A recording contract from [blank_start]Decca[blank_end] goes sour when their mostly [blank_start]country[blank_end] recordings fail to chart
[blank_start]1957[blank_end] – Montgomery is dropped from the band – he is replaced by Joe B. Maudlin (bass- ABuddy Holly
- BBuddy Holly
- C18
- D50
- Epolished
- Fapprove
- G1956
- HTunes
- IThree
- Jbass
- Kdrums
- LDecca
- Mcountry
- N1957
14[blank_start]Niki[blank_end] [blank_start]Sullivan[blank_end] ([blank_start]electric[blank_end] [blank_start]guitar[blank_end]) also joined at this time – the band was renamed [blank_start]The[blank_end] Crickets
Holly and his group the [blank_start]Crickets[blank_end] broke away from many of the [blank_start]stereotypes[blank_end] surrounding rock ‘n’ roll:
o Unlike many other bands, Holly and the Crickets relied on their [blank_start]original[blank_end] compositions rather than on [blank_start]covers[blank_end]
o Rather than being governed by the [blank_start]time[blank_end] [blank_start]tables[blank_end] and rules present at their label’s studio, they worked on their own time, take more liberty with recording schedules. Lots of time to [blank_start]experiment[blank_end] with their sound
o His image was not of teenage rebellion but rather as a more [blank_start]clean[blank_end]-[blank_start]cut[blank_end], [blank_start]boy[blank_end] next door respectable young man- ANiki
- BSullivan
- CThe
- Delectric
- Eguitar
- FCrickets
- Gstereotypes
- Horiginal
- Icovers
- Jtime
- Ktables
- Lexperiment
- Mclean
- Ncut
- Oboy
15o His band make up became the [blank_start]norm[blank_end]/standard for most [blank_start]60s[blank_end] rock ‘n’ roll groups – [blank_start]lead[blank_end] [blank_start]guitar[blank_end], [blank_start]rhythm[blank_end] [blank_start]guitar[blank_end], [blank_start]bass[blank_end] and [blank_start]drums[blank_end], [blank_start]4[blank_end]-man band with lots of [blank_start]followers[blank_end]
[blank_start]1957[blank_end] – [blank_start]Holly[blank_end] and the [blank_start]Crickets[blank_end] leave for New Mexico where they meet [blank_start]Norman[blank_end] Petty
Due to contractual obligations, the [blank_start]Brunswick[blank_end] label signs them as JUST The Crickets, not Buddy Holly and the Crickets, his name off the contract ends up with problems in the future
Their first hit, [blank_start]That’ll[blank_end] [blank_start]Be[blank_end] the [blank_start]Day[blank_end] comes out shortly after – it makes it to #[blank_start]2[blank_end] on the [blank_start]Pop[blank_end] Charts; #[blank_start]3[blank_end] on the [blank_start]R&B[blank_end] charts- Anorm
- B60s
- Clead
- Dguitar
- Erhythm
- Fguitar
- Gbass
- Hdrums
- I4
- Jfollowers
- K1957
- LHolly
- MCrickets
- NNorman
- OBrunswick
- PThat’ll
- QBe
- RDay
- S2
- T3
- UPop
- VR&B
16 Late in [blank_start]1958[blank_end], [blank_start]Holly[blank_end] decides to make some [blank_start]career[blank_end] changes, [blank_start]sound[blank_end] changes
Leaves his group
Moves towards a more [blank_start]pop[blank_end] -oriented style
Last hit is a song written for him by songwriting Canadian teen idol [blank_start]Paul[blank_end] [blank_start]Anka[blank_end]- A1958
- BHolly
- Ccareer
- Dsound
- Epop
- FPaul
- GAnka
17 Holly ended up in a [blank_start]legal[blank_end] [blank_start]battle[blank_end] with [blank_start]Norman[blank_end] [blank_start]Petty[blank_end] over the copyright to certain songs while working with him in New Mexico
Finances go frozen, goes on ridiculous concert tour
[blank_start]Feb[blank_end]. 3, [blank_start]1959[blank_end] – Holly, the [blank_start]Big Bopper[blank_end] (J.P. Richardson) and [blank_start]Ritchie[blank_end] Valens (17 yrs. old) boarded a plane on a [blank_start]stormy[blank_end] night – the plane crashed, killing all on board (3 plus the pilot)
Hired plane [blank_start]outside[blank_end] of the manager’s knowledge
Huge loss for Rock and Roll, [blank_start]Day[blank_end] that Music died
Holly’s unexpected death created a cult-like following and inspired the Don McLean song [blank_start]American[blank_end] [blank_start]Pie[blank_end]- Alegal
- Bbattle
- CNorman
- DPetty
- EBig Bopper
- FFeb
- G1959
- HRitchie
- Istormy
- Joutside
- KDay
- LAmerican
- MPie
18 Though it is impossible to state unequivocally that 1955 marks the beginning of rock ‘n’ roll as a genre, a number of facts do seem to point towards this:
o By [blank_start]1955[blank_end], [blank_start]R[blank_end]&[blank_start]B[blank_end] had a new name
o By 1955, [blank_start]crossover[blank_end] hits were becoming commonplace in the music industry
o A number of burgeoning R’n’R artists experienced their [blank_start]first[blank_end] Top [blank_start]10[blank_end] hits in 1955
o In 1955, the song [blank_start]Rock Around the Clock[blank_end] appeared in the movie [blank_start]Blackboard Jungle[blank_end]
o [blank_start]Colonel Tom Parker[blank_end] takes control of [blank_start]Elvis[blank_end]’ career, [blank_start]national distribution[blank_end]- A1955
- BR
- CB
- Dcrossover
- E10
- Ffirst
- GRock Around the Clock
- HBlackboard Jungle
- IColonel Tom Parker
- JElvis
- Knational distribution
19If [blank_start]1955[blank_end] marks the birth of r’n’r, then [blank_start]1958[blank_end]-[blank_start]59[blank_end] indicates a time when rock ‘n’ roll almost experienced its demise and almost dead
The first wave of rock ‘n’ roll was almost wiped out at the end of the 50s due to a number of circumstances
• [blank_start]Little[blank_end] [blank_start]Richard[blank_end] – plagued by [blank_start]guilt[blank_end], leaves to become [blank_start]minister[blank_end] in church
• [blank_start]Elvis[blank_end] – leaves and complies with [blank_start]draft[blank_end] and is sent to [blank_start]Germany[blank_end]
• [blank_start]Jerry[blank_end] [blank_start]Lee[blank_end] [blank_start]Lewis[blank_end] – setback with [blank_start]marrying[blank_end] his own [blank_start]13[blank_end] yr. old cousin
• [blank_start]Buddy[blank_end] [blank_start]Holly[blank_end] – [blank_start]plane[blank_end] [blank_start]crashes[blank_end] and he [blank_start]dies[blank_end]
• [blank_start]Chuck[blank_end] [blank_start]Berry[blank_end] - violates [blank_start]MANN[blank_end] act- A1955
- B1958
- C59
- DLittle
- ERichard
- FElvis
- GJerry
- HLee
- ILewis
- JBuddy
- KHolly
- LChuck
- MBerry
- NMANN
- Oplane
- Pdies
- Qcrashes
- R13
- Smarrying
- Tdraft
- UGermany
- Vguilt
- Wminister
Información
- Descripción
- Test sobre Music Class 3, creado por Yula Peppers el 29/09/2019.
- Autor
- Yula Peppers
- Idioma
- English
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