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Finale practice quiz
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Preguntas del test (28)
1Ambient Sound
- Athe ammount a film earned with taxes and deductions
- Bmusic; background noise
- Cinclude any mix of speech, music, and noise
- Dreflect social concerns about the breakup of Americans families ex: The Exorcist and Poltergeist
2Depth of Field
- ATo capture the momentary imperssions that filt through the characters mind
- B24 fps
- CThe measurements of the closest and farthest planes in front of the camera lens between which everything will be in sharp focus. A depth of field from 5 to 16 feet, for example, would mean everything closer than 5 feet and farther than 16 feet would be out of focus.
- Dfixed and linear
3Optical sound track
- Asome specific agent telling us the story
- Bthe percieved highness or lowness of the sound; helps the ear sort out the sounds
- Cthe first quarter or so of a film’s plot
- Dencodes sonic information in the form of patches of light and dark running along the frames; A sound track in which the sound record that takes the form of density, or area, variations in a photographic image.
4180 degree system
- AThe continuity approach to editing dictates that the camera should stay on one side of the action to ensure consistent left–right spatial relations between elements from shot to shot. The 180° line is the same as the axis of action. See also continuity editing, screen direction.
- Bhighly emotional moments, high point; the action is presented as having a narrow range of possible outcomes; lift viewer into a high degree of tension
- CSome of the actions that take place before the plot
- DA camera movement with the camera body turning to the right or left. On the screen, it produces a mobile framing that scans the space horizontally.
5Chains of action of the naratives of classical Hollywood films
- Ahighly emotional moments, high point; the action is presented as having a narrow range of possible outcomes; lift viewer into a high degree of tension
- BPsychological causes: decisions, choices and traits of the character
- Cpertains to the plot direct presentation of causes and effects
- DSome of the actions that take place before the plot
6Antagonist
- AThe measurements of the closest and farthest planes in front of the camera lens between which everything will be in sharp focus. A depth of field from 5 to 16 feet, for example, would mean everything closer than 5 feet and farther than 16 feet would be out of focus.
- BEditing that alternates shots of two or more lines of action occurring in different places, usually simultaneously.
- Cthe plot action centers on them, tends to be the character who is onscreen more often, whom we sympathize with, who changes the most, and who resolves the action
- DA character who opposes the protagonist; usually the villain or bad guy in media
7Aspect Ratio
- A24 fps
- BA camera movement with the camera body turning to the right or left. On the screen, it produces a mobile framing that scans the space horizontally.
- CThe relationship of the frame’s width to its height. The standard Academy ratio is currently 1.85:1.
- Dthat is, in the most convenient order for production—and put in proper order in the editing room. Because transporting equipment and personnel to a location is a major expense, producers usually prefer to shoot all the scenes taking place in one location at one time.
8Axis of Action
- Aoften center on plot patterns
- BAn opaque screen placed in the camera or printer that blocks part of the frame off and changes the shape of the photographed im- age, leaving part of the frame a solid color. As seen on the screen, most masks are black, although they can be white or colored.
- Cthe ammount a film earned with taxes and deductions
- DIn the continuity editing system, the imaginary line that passes through the main actors or the principal movement. The axis of action defines the spatial relations of all the elements of the scene as being to the right or left. The camera is not supposed to cross the axis at a cut and thus reverse those spatial relations. The axis of action is also called the 180° line. See also 180° system, screen direction.
9Bumpy camera movements
- ACreated by handheld camera, operator simply walks with camera braced on shoulder , became common in the late 1950's with the growth of cinema verite documentary trend
- Bdolly or body-worn camera helps follow actors up stairs and look not bumpy
- Cfixed and linear
- DThe repeated and salient uses of film techniques characteristic of a single film or a group of films (for example, a filmmaker’s work or a national movement
10Climax
- Areflect social concerns about the breakup of Americans families ex: The Exorcist and Poltergeist
- Bhighly emotional moments, high point; the action is presented as having a narrow range of possible outcomes; lift viewer into a high degree of tension
- C(1) At the beginning of one scene, the sound from the previous scene carries over briefly before the sound from the new scene begins. (2) At the end of one scene, the sound from the next scene is heard, leading into that scene.
- DSeries of color motion picture process. Helps film have bright colorful hues
11Smooth camera movement
- Away to label each take; on it has the production, scene, shot, and take; has a hinged arm that makes a claping sound
- Bthe commonly occurring elements within a certain genre of film
- Cdolly or body-worn camera helps follow actors up stairs and look not bumpy
- DCreated by handheld camera, operator simply walks with camera braced on shoulder , became common in the late 1950's with the growth of cinema verite documentary trend
12Causality
- Athe commonly occurring elements within a certain genre of film
- Bpertains to the plot direct presentation of causes and effects
- CThe measurements of the closest and farthest planes in front of the camera lens between which everything will be in sharp focus. A depth of field from 5 to 16 feet, for example, would mean everything closer than 5 feet and farther than 16 feet would be out of focus.
- DThe portion of the plot that lays out the backstory and the intail situation
13Camera Distance
- AThe aspect of framing ex: ext long shot, med long shot long shot, medium shot, medium close-up, close-up, ext close-up
- Bwithout effects; a thought to what iit could be
- Cthe camera moves above ground level; rises or descends, often thanks to a mechanical arm that lifts and lowers it.
- Da patch of relative brightness on a surface; provide important cues to the texture of the surface
14Backstory
- AIn editing a scene, arranging the cut so that a bit of dialogue coming from shot A is heard under a shot that shows another character or another element in the scene
- BThe chain of events linked by cause and effect and occurring in time and space; story
- CA type of filmic organization in which the parts relate to one another through a series of causally related events taking place in time and space.
- DSome of the actions that take place before the plot
15Contrast
- AA type of filmic organization in which the parts relate to one another through a series of causally related events taking place in time and space.
- Bcredits and films score and some titles
- CIn cinematography, the difference between the brightest and the darkest areas within the frame.
- Dsome specific agent telling us the story
16Chains of Action of the narratives of classical Hollywood films
- Acreate psychological reactions in the viewer, draw the attention to visual details, create an overarching tone, represent characters, and illustrate story arcs
- Bthe camera moves above ground level; rises or descends, often thanks to a mechanical arm that lifts and lowers it.
- CPsychological causes: decisions, choices and traits of the character
- DIllumination directed into the scene from a posi- tion near the camera.
17Clapperboard
- Athe ammount a film earned without taxes or deductions
- Bis an object actors use on stage or screen during a performance or screen production
- CCuts that repeat part or all of an action, thus expanding its viewing time and plot duration
- Dway to label each take; on it has the production, scene, shot, and take; has a hinged arm that makes a claping sound
18Convections
- Aoften center on plot patterns
- Bthe commonly occurring elements within a certain genre of film
- CA type of filmic organization in which the parts relate to one another through a series of causally related events taking place in time and space.
- DA lens with a focal length that can be changed during a shot. A shift toward the telephoto-lens range enlarges the image and flattens its planes together, giving an impression of magnifying the scene’s space; a shift toward the wide-angle range does the opposite
19Continuity Editing
- AA system of cutting to maintain continuous and clear narrative action. Continuity editing relies on matching screen direction, position, and temporal relations from shot to shot. For specific techniques of continuity editing, see axis of action, crosscutting, cut-in, establishing shot, eyeline match, match on action, reestablishing shot, screen direction, shot/reverse shot
- Bsuggestion made by the film
- CIn the three-point lighting system, the brightest illumination coming into the scene. See also backlighting, fill light, three-point lighting.
- DEditing that alternates shots of two or more lines of action occurring in different places, usually simultaneously.
20Color of light
- AIn cinematography, the difference between the brightest and the darkest areas within the frame.
- Bcreate psychological reactions in the viewer, draw the attention to visual details, create an overarching tone, represent characters, and illustrate story arcs
- CA camera movement with the camera body swiveling upward or downward on a stationary support. It produces a mobile framing that scans the space vertically
- Dthe relative intensity of the illumination
21Crane
- Aencodes sonic information in the form of patches of light and dark running along the frames; A sound track in which the sound record that takes the form of density, or area, variations in a photographic image.
- Bsuggestion made by the film
- CA camera support with wheels, used in making tracking shots.
- Dthe camera moves above ground level; rises or descends, often thanks to a mechanical arm that lifts and lowers it.
22Crosscutting
- APsychological causes: decisions, choices and traits of the character
- BThe relationship of the frame’s width to its height. The standard Academy ratio is currently 1.85:1.
- CEditing that alternates shots of two or more lines of action occurring in different places, usually simultaneously.
- DThe continuity approach to editing dictates that the camera should stay on one side of the action to ensure consistent left–right spatial relations between elements from shot to shot. The 180° line is the same as the axis of action. See also continuity editing, screen direction.
23Depth of Field
- AThe measurements of the closest and farthest planes in front of the camera lens between which everything will be in sharp focus. A depth of field from 5 to 16 feet, for example, would mean everything closer than 5 feet and farther than 16 feet would be out of focus.
- BIn a narrative film, all the events that are directly presented to us, including their causal relations, chronological order, duration, frequency, and spatial locations; opposed to story, which is the viewer’s imaginary construction of all the events in the narrative. See also duration, ellipsis, flashback, flashforward, frequency, order, viewing time.
- C24 fps
- Dthe percieved highness or lowness of the sound; helps the ear sort out the sounds
24Depth of Narration
- AThe portion of the plot that lays out the backstory and the intail situation
- BThe chain of events linked by cause and effect and occurring in time and space; story
- CA type of filmic organization in which the parts relate to one another through a series of causally related events taking place in time and space.
- DTo capture the momentary imperssions that filt through the characters mind
25Dialogue overlap
- AWhere the idea of film is all written out for actors to read off
- BIn editing a scene, arranging the cut so that a bit of dialogue coming from shot A is heard under a shot that shows another character or another element in the scene
- CA synopsis of action
- DIn a narrative film, all the events that we see and hear, plus all those that we infer or assume to have occurred, arranged in their presumed causal relations, chronological order, duration, frequency, and spatial locations; opposed to plot, which is the film’s actual presentation of events in the story. See also duration, ellipsis, frequency, order, space, viewing time.
26Dolly
- Athe camera moves above ground level; rises or descends, often thanks to a mechanical arm that lifts and lowers it.
- Bis an object actors use on stage or screen during a performance or screen production
- CA camera support with wheels, used in making tracking shots.
- DThe repeated and salient uses of film techniques characteristic of a single film or a group of films (for example, a filmmaker’s work or a national movement
27Dry Recording
- AAll of the elements placed in front of the camera to be photographed: the settings and props, lighting, costumes and makeup, and figure behavior
- Brecords the entire action and dialogue of the scene
- Cthe percieved highness or lowness of the sound; helps the ear sort out the sounds
- Dwithout effects; a thought to what iit could be
28Exposition
- AThe portion of the plot that lays out the backstory and the intail situation
- Blets us see the patterning that the filmmakers laid out and that we felt intuitively while watching the film
- CSeries of color motion picture process. Helps film have bright colorful hues
- Dthat is, in the most convenient order for produc- tion—and put in proper order in the editing room. Because transporting equipment and personnel to a location is a major expense, producers usually prefer to shoot all the scenes taking place in one location at one time.
Información
- Descripción
- Keystone Intro to Film Analysis Test sobre Finale practice quiz, creado por Castor Meyer el 07/05/2024.
- Autor
- Castor Meyer
- Idioma
- English
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- 2
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