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Musical terms and notation: tempo and dynamics

Rhienna Tannisha Inglés 176 fichas

accent

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  1. 1accelerando, accel.becoming quicker
  2. 2accenta stressed note
  3. 3adagioslow
  4. 4allegrofast
  5. 5allegrettofairly fast (slower than allegro)
  6. 6andantemoderately slow; walking pace
  7. 7andantinoa little faster than andante
  8. 8a temporeturn to the original tempo
  9. 9cantabilein a singing style
  10. 10crescendo, cresc.becoming louder
  11. 11da capo, D.C.from the beginning
  12. 12dal segno, D.S.from the sign
  13. 13D.C. al Finerepeat from the beginning and end at Fine
  14. 14decrescendo, decresc.becoming softer
  15. 15diminuendo, dim.becoming softer
  16. 16dolcesweet, gentle
  17. 17espressivo, espress.expressive, with expression
  18. 18finethe end
  19. 19forteloud
  20. 20fortissimovery loud
  21. 21graziosograceful
  22. 22larghettofairly slow, but not as slow as largo
  23. 23largovery slow
  24. 24legatosmooth
  25. 25leggierolight, nimble, quick
  26. 26lentoslow
  27. 27maestosomajestic
  28. 28mano destra, m.d.right hand
  29. 29mano sinistra, m.s.left hand
  30. 30marcatomarked or stressed
  31. 31mezzo fortemoderately loud
  32. 32mezzo pianomoderately soft
  33. 33moderatoat a moderate tempo
  34. 34moltomuch, very
  35. 35ottava, 8vathe interval of an octave
  36. 36pedale, ped.pedal
  37. 37pianissimovery soft
  38. 38pianosoft
  39. 39pocolittle
  40. 40prestissimoas fast as possible
  41. 41prestovery fast
  42. 42ritardando, rit.slowing down gradually
  43. 43rallentando, rall.slowing down
  44. 44rubatowith some freedom of tempo to enhance musical expression
  45. 45spiritosospirited
  46. 46staccatodetached style
  47. 47tempospeed at which music is performed
  48. 48tempo primo (tempo 1)return to the original tempo
  49. 49tranquilloquiet, tranquil
  50. 50vivacelively, brisk
  51. 51breath marktake a breath, or a slight pause/lift
  52. 52common time4/4
  53. 53cut time2/2
  54. 54double bar lineindicates end of the piece
  55. 55down bowon a bowed string instrument play the note while drawing the bow downward
  56. 56fermatahold the note or rest longer than its written value
  57. 57repeat signrepeat the music within the two signs/ between the sign and the beginning of the piece
  58. 58slurplay the notes legato
  59. 59tenutoheld/sustained
  60. 60tiehold for the combined value of the tied notes
  61. 61up bowplay the noted while drawing the bow upward on a bowed instrument
  62. 62the signgo back to there for D.S.
  63. 63capoplay until there then go back to the beginning (D.C.)
  64. 64—accentaccent
  65. 65—the signthe sign
  66. 66—codacoda
  67. 67—crescendocrescendo
  68. 68—descrescendodescrescendo
  69. 69—forteforte
  70. 70—fortissimfortissim
  71. 71—mezzo fortemezzo forte
  72. 72—mezzo pianomezzo piano
  73. 73—ottava, 8vaottava, 8va
  74. 74—pianissimopianissimo
  75. 75—pianopiano
  76. 76—breath markbreath mark
  77. 77—common time, 4/4 timecommon time, 4/4 time
  78. 78—cut time, 2/2 timecut time, 2/2 time
  79. 79—double bar linedouble bar line
  80. 80—down bowdown bow
  81. 81—fermatafermata
  82. 82—pedal markingpedal marking
  83. 83—pedal markingpedal marking
  84. 84—repeat signrepeat sign
  85. 85—slurslur
  86. 86—staccatostaccato
  87. 87—tenutotenuto
  88. 88—tietie
  89. 89—up bowup bow
  90. 90—grand staffgrand staff
  91. 91ledger linesextends the range of pitch on bass and treble clef staffledger lines
  92. 92half stepsmallest distance between two notes, also called semitoneshalf step
  93. 93whole stepsmade up of two half stepswhole steps
  94. 94accidentalraises or lowers the pitch of a note, effective until the end of a measureaccidental
  95. 95natural signcancels out the accidental
  96. 96chromatic half stephalf step written by using the same letter. Ex. F & F#chromatic half step
  97. 97diatonic half stepuses two different letter names for half step notes. Ex. C & Dbdiatonic half step
  98. 98enharmonic equivalentnotes different name but same sounds. Ex. Gb & F#enharmonic equivalent
  99. 99stem directionbelow B, upwards ; B+ downwards
  100. 100—whole note (4 beats)whole note (4 beats)
  101. 101—half note (2 beats)half note (2 beats)
  102. 102—quarter note (1 beat)quarter note (1 beat)
  103. 103—eighth note (1/2 beat)eighth note (1/2 beat)
  104. 104—sixteenth note (1/4 beats)sixteenth note (1/4 beats)
  105. 105—whole rest (4 beats)whole rest (4 beats)
  106. 106—half rest (2 beats)half rest (2 beats)
  107. 107—quarter rest (1 beat)quarter rest (1 beat)
  108. 108—eighth rest (1/2 beat)eighth rest (1/2 beat)
  109. 109—sixteenth rest (1/4 beat)sixteenth rest (1/4 beat)
  110. 110—dotted eighth note (1 1/2 eighth note)dotted eighth note (1 1/2 eighth note)
  111. 111—dotted quarter note (1 1/2 quarter note)dotted quarter note (1 1/2 quarter note)
  112. 112—dotted half note ( 3 beats)dotted half note ( 3 beats)
  113. 113—dotted eighth rest (1 1/2 eighth notes)dotted eighth rest (1 1/2 eighth notes)
  114. 114—dotted quarter rest (1 1/2 quarter note)dotted quarter rest (1 1/2 quarter note)
  115. 115—dotted half rest (3 beats)dotted half rest (3 beats)
  116. 116—quarter note triplet - half notequarter note triplet - half note
  117. 117—eighth note triple - quarter noteeighth note triple - quarter note
  118. 118—sixteenth note triplet - eighth notesixteenth note triplet - eighth note
  119. 119breve8 beatsbreve
  120. 120dotted whole notes6 beatsdotted whole notes
  121. 121dotted whole rest6 beatsdotted whole rest
  122. 122breve rest8 beatsbreve rest
  123. 1233/4 measure rests1+1+1=3
    2+1=3
    NOT 1+2=3
  124. 124order of sharpsfather charles goes down and ends battle
  125. 125order of flatsbattle ends and down goes father charles
  126. 126circle of fifthsused to show relationships of minor and major scale patternscircle of fifths
  127. 127C major A majornone
  128. 128G major E minorF#
  129. 129D major B minorF#, C#
  130. 130A major F# minorF#, C#, G#
  131. 131E major C# minorF#, C#, G#, D#
  132. 132F major D minorBb
  133. 133Bb major G minorBb, Eb
  134. 134Eb major C minorBb, Eb, Ab
  135. 135Ab major F minorBb, Eb, Ab, Db
  136. 136tonicfirst notetonic
  137. 137subdominant subtonicfourth note
    seventh degree of a natural minor    subdominant subtonic
  138. 138dominantfifth notedominant
  139. 139leading toneraised seventh noteleading tone
  140. 140tetrachordset of four notes in a scaletetrachord
  141. 141harmonic melodic naturalraised 7th up and down
    raised 6th/7th up, natural down
    no raised/lowered notes
  142. 142parallel keysscales that start with the same tonic note ex. C major & C minorparallel keys
  143. 143motivesshort rhythmic ideas used to build a piece
  144. 144phrasesmusical sentence
  145. 145melodic motionconsists of repeated notes, steps, skips, leapsmelodic motion
  146. 146stablephrase ends with a 1^/3^
  147. 147unstablephrase ends with 2^/7^
  148. 148periodstwo four measure phrases
  149. 149antecendentends with unstable scale degree
  150. 150consequentends with a stable scale degree
  151. 151perfect intervalsper 1, per 4, per 5, per 8
  152. 152major/minor2, 3, 6, 7
  153. 153—major 3rd,
    minor 3rd    major 3rd, minor 3rd
  154. 154messiah/Hallelujah Chorus (7)-george frideric handel
    -hallelujah chorus
    -oratorio
    -ressurection of Jesus Christ
    -SATB and orchestra
    -drawn from New Testament of Bible
    -majestic/expansive/lyrical/dramatic
  155. 155george frideric handel (4)-baroque era
    -german and british
    -italian operas and english oratorios
    -messiah written in 1742
  156. 156oratorio (4)-large scale of choral work
    -based on biblical stories
    -overture/arias/choruses/recitatives
    -concert setting (no set)
  157. 157chorus (2)-vocal composition
    -Soprano (fem, high)
    Alto (fem, low)
    Tenor (masc. high)
    Bass (masc. low)
  158. 158The Magic Flute/Queen of the Night Aria (6)-Wolfgang Amadeus Mozart
    -Queen of the Night Aria
    -opera & aria
    -princess, priest, queen, prince
    -coloratura soprano (elaborate)
    -dramatic, vengeful, expansive
  159. 159opera (4)/aria (1)-play set to music
    -soloists, chorus,orchestra
    -scenery, costumes, lighting
    -solo song in opera/oratorio
  160. 160Harold Arlen-over the rainbow
    -broadway/hollywood music
  161. 161over the rainbow-solo song,
    -chorus-verse,
    -from wizard of oz
    -innocent, lyrical, tranquil
  162. 162triad formtop note is called fifth
    middle note is third
    bottom note is root    triad form
  163. 163major triadmajor triad
  164. 164minor triadminor triad
  165. 165parallel triadsmajor and minor triads built on the same rootparallel triads
  166. 166primary triadstonic, subdominant, dominant
  167. 167tonic triadminor third and fifth above roottonic triad
  168. 168subdominant triadminor third and fifth above the rootsubdominant triad
  169. 169dominant triadmajor third and fifth above rootdominant triad
  170. 170functional chord symbolsroman numerals to show scale degree
    upper case-major triad
    lowercase-minor triad    functional chord symbols
  171. 171root /quality chord symbolscapital letter is root of triad, followed by m indicated minor, written above staff ex. Gm (g minor) , G (g major)root /quality chord symbols
  172. 172inversionsroot, first, secondinversions
  173. 173dominant 7th chordadd seventh above root to create four note triaddominant 7th chord
  174. 174dominant seventh formmajor third, perfect 5th, minor seventh, root
  175. 175dominant 7th accidentalparallel major and minor keys have same chord
    minor keys accidental raises leading tone ( in c major dominant 7th b is the leading tone)
  176. 176labeling of dominant seventh chord in musiclabeling of dominant seventh chord in music

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Fichas sobre Sin título, creado por Rhienna Tannisha el 05/05/2018.
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