3389010
Description
Flashcards by soph45aitken, updated more than 1 year ago
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Created by soph45aitken
over 8 years ago
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| Question | Answer |
| Name one thing the examiner will look for in the ankle rhythm combination | Active use of ankles, well controlled ankles, relaxed knees, use of light and shade |
| What type of rhythm will we hear in the pick ups and step ball heel step | Steady rhythm |
| How is the body held | Knees well relaxed and body height maintained |
| What is an alternating wing | A wing that changes fete after the inward and outward scrapes |
| Where did the Maxie originate | Named after maxie ford, born 1880, vaudeville dancer, one of four dancing fords |
| Name one of the various name for this step | Maxie, maxie ford, jacknife |
| Is this step performed on the spot or does it travel | On the spot |
| In the break turns where do you face when executing ball change in second position and ball dig in first parallel | Front |
| What type of turn is executed in the break turns | Inward |
| Where is the working foot held during the turn | Pointed and secured to the ankle of the supporting leg |
| What must be used in the break turns | Good use of abdominal muscles and core centre of body |
| What type of rhythm used in cross rhythm shuffle | Syncopated cross rhythm |
| How does a stamp pick up heel time differ from previous year | Starts with stamp, pickup instead of shuffle, heel instead of hop |
| What is a pick up on one foot | Standing on one foot, pick up and land on same foot and finish with heel drop |
| Does this step travel slightly | Yes |
| In which direction | Backwards, diagonally backwards |
| Where does the pick up occur | Directly under centre of body with controlled use of thigh |
| Does the upper body assist with the movement | No it is held upright |
| How many sound do we hear | There with good separation |
| What will assist with the clarity of beats in pick up | Good use of elevation and controlled landing |
| In the fall over step from side to side are there different directional changes | Yes after second spring to face opposite corner |
| In the ball heel roll deboules list some requirements for correct execution | Spotting, relaxed knees, good use of head and arms, use of core centre of body for balance and control |
| What are the counts for a three beat walk | 1&2 |
| What does a three beat walk consist of | Forward beat, heel dig, ball drop on same foot |
| What are the counts for a four beat walk | &1&2 |
| What does a four beat walk consist of | Forward beat, heel scuff, heel dig, ball drop on same foot |
| What are the counts for a five beat walk | &1&a2 |
| What does a five beat walk consist of | R Forward beat, R heel scuff, L heel drop, R heel dig, R ball drop |
| Is the forward beat in the three four and five beat walks a brush through or digging movement | Brush through movement |
| What are the counts for a six beat walk | &a1&a2 |
| What does a six beat walk consist of | R Forward beat, R heel scuff, L heel drop, R heel dig, R ball drop, R heel drop |
| In a heel drop what must be avoided | Shunting of the beat |
| With syncopated rhythms what is most necessary to achieve | Effective light and shade |
| Name one thing the examiner will look for in medley dance | Change of personality to coincide with change of music, change of style, change of tempo of beats and suitable steps to compliment the music, presentation |
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