AOS 4 - World Music

tobyloomis
Mind Map by tobyloomis, updated more than 1 year ago
tobyloomis
Created by tobyloomis almost 4 years ago
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Mind Map on AOS 4 - World Music, created by tobyloomis on 04/10/2016.

Resource summary

AOS 4 - World Music
1 Skye Waulking Song
1.1 Instrumentation
1.1.1 Folk Instruments
1.1.1.1 Violin
1.1.1.1.1 Tremolo in Intro
1.1.1.2 Accordion
1.1.1.3 Uillean Pipes
1.1.1.4 Bouzouki
1.1.2 Modern Instruments
1.1.2.1 Drum Kit
1.1.2.2 Bass Guitar
1.1.2.3 Wurlitzer Piano
1.1.2.4 Synthesiser
1.2 Structure
1.2.1 Section 1
1.2.1.1 Focus on Singer
1.2.1.2 Traditional, Simple Beat
1.2.1.3 E Minor, Alternating Between Em and G
1.2.1.4 Quiet, Calm, Subdued
1.2.2 Section 2
1.2.2.1 Harmonised Backing Vocals
1.2.2.2 Pipe Solo - Heterophonic
1.2.2.3 Full Rhythm Section
1.2.2.4 Louder
1.2.2.5 In G major, Relative Major of Em
1.3 Chord Sequences
1.3.1 Intro to Verse 3
1.3.1.1 Em - G
1.3.2 Verse4 to 7
1.3.2.1 C - G - Em - G
1.3.3 Verse 7 Only, then Back to Previous
1.3.3.1 Am7 - Em - Em - G
1.3.4 Outro
1.3.4.1 C - G
1.4 Lyrics
1.4.1 Scots Gaelic
1.4.2 Nonsense Lyrics
1.4.3 Words Taken from a Lament
1.5 Features
1.5.1 12/8 Time Signature
1.5.1.1 Compound Time
1.5.2 Gaelic Language
2 Rag Desh
2.1 Instrumentation
2.1.1 Anoushka Shankar
2.1.1.1 Melody
2.1.1.1.1 Sitar
2.1.1.2 Tala
2.1.1.2.1 Tabla
2.1.2 Steve Gorn and Benjy Wertheimer
2.1.2.1 Melody
2.1.2.1.1 Bansuri
2.1.2.1.2 Esraj
2.1.2.2 Drone
2.1.2.2.1 Tambura
2.1.2.3 Tala
2.1.2.3.1 Tabla
2.1.3 Chiranji Lal Tanwar
2.1.3.1 Melody
2.1.3.1.1 Male Voice
2.1.3.1.2 Sarangi
2.1.3.1.3 Sarod
2.1.3.2 Drone
2.1.3.2.1 Tambura
2.1.3.3 Tala
2.1.3.3.1 Pakhawaj
2.1.3.3.2 Cymbals
2.1.3.3.3 Tabla
2.2 Use of Rag
2.2.1 Rag Desh
2.2.1.1 Late Evening, Associated with Monsoon Season
2.2.2 Raga
2.2.2.1 Name of Overall Performance
2.2.3 Rasa
2.2.3.1 The Mood Created by the Rag
2.2.4 Oral Tradition
2.3 Melody, Drone and Tala
2.3.1 Melody
2.3.1.1 Improvised from Notes of the Rag
2.3.2 Drone
2.3.2.1 Usually Played by Tambura, Keeps Sense of Tuning for Melody
2.3.3 Tala
2.3.3.1 Rhythmic Cycle
2.3.3.2 First Beat Called the Sam
2.4 Playing Devices
2.4.1 Meend
2.4.1.1 The Sliding Effect Between Notes
2.4.2 Tan
2.4.2.1 Rapid Scalic Flourishes
2.4.3 Tihai
2.4.3.1 Short Passage of Music Repeated 3 Times at the End of a Phrase
2.5 Structure
2.5.1 Anoushka Shankar
2.5.1.1 1) Alap
2.5.1.2 2) Gat
2.5.1.3 3) Jhalla
2.5.2 Chiranji Lal Tanwar
2.5.2.1 1) Alap
2.5.2.2 2) Bhajan
2.5.3 Steve Gorn and Benjy Wertheimer
2.5.3.1 1) Alap
2.5.3.2 2) Gat 1
2.5.3.3 3) Gat 2
3 Yiri
3.1 West Africa
3.1.1 Burkino Faso
3.2 Features of African Music
3.2.1 Cyclic Structure
3.2.1.1 Large Sections Repeated
3.2.2 Improvisation
3.2.2.1 Unwritten
3.2.2.2 Made up on spot
3.2.3 Call and Response
3.2.3.1 Solo followed by group
3.2.4 Repetition, Ostinato
3.2.4.1 Built up of Short repeating Patterns
3.2.5 Oral Tradition
3.2.5.1 Unwritten
3.2.5.2 Passed on Verbally
3.2.6 Master Drummer
3.2.6.1 Leads the Ensemble
3.2.6.2 Gives instructions during Performance
3.2.7 Pentatonic Scale
3.3 Rhythmic Features Included
3.3.1 Syncopation
3.3.1.1 Notes off Beat
3.3.2 Cross-Rhythms
3.3.2.1 Cross the Usual Pattern of Accented Beats
3.3.3 Polyrhythmic Texture
3.3.3.1 Many Different Parts Playing Together
3.3.4 Triplets
3.3.4.1 Three Notes in the Same Time as Two
3.3.5 Steady Pulse/Tempo
3.3.5.1 After Free Tempo Start
3.4 Instrumentation
3.4.1 2 Balafons
3.4.1.1 Play in Octaves
3.4.1.2 Provide Balafon Breaks
3.4.2 Solo Male Voice
3.4.2.1 Provides Calls
3.4.3 Djembe, LargeTalking Drum and Small Talking Drum
3.4.3.1 Play obstinate rhythms
3.4.3.1.1 Create resultant rhythms.
3.4.4 Choir
3.4.4.1 Sing in Unison
3.4.4.1.1 Provides Responses
3.4.5 Bell
3.4.5.1 Heard Only Once at End
3.5 Structure
3.5.1 1) Solo Introduction, Balafon
3.5.2 2) Alternating Chorus, Vocal and Balafon Breaks
3.5.3 3) Call and Response
3.5.4 4) Coda (Ending)
3.6 Oral Tradition
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