"You can think of me as
a faithless slut if you like.
I've taken a new lover, He
can give me what you
cannot."
The boy has
never seen
cows or fish
The reader
becomes more
aware that the
man is dying as
the novel
progresses.
In the night he woke in the
cold dark coughing and he
coughed till his chest was
raw.... He knelt there
wheezing softly, his hands
on his knees. I am going to
die, he said. Tell me how I
am to do that"
Evidenced by the his
worsening cough and the
increasing amounts of
blood that he spits out.
Even descriptions with
vivid colours and
textures are a reminder
of death.
He considers the
dreams of his wife to
be a calling from
death.
Paternal Love
The theme is
ubiquitous given the
relationship of the two
protagonists
the man's thirst for
survival is fueled by the
love for his son
"the boy was all that
stood between him
and death"
the man does not wish to "save" his
son from civilization's destruction,
rape, murder, and cannibalism by
killing him preemptively
"Can you do it?
When the time
comes can you do
it?"
he leaves the pistol with
the boy whenever he
explores a new and
potentially unsafe location
alone.
unflinching
decision to shoot
and kill the man
who threatens
the boy's life
"If you look
at him again
I'll shoot
you"
As the man lays dying, he tells his son to eat his
share of food, instead of keeping it for himself in
hopes of regaining his health. These small gifts and
sacrifices are strong examples of his paternal love.
The Good Guys vs. The Bad Guys
The man never once crosses the line of
cannibalism. This can be considered the ultimate
end to humanity, as it begins to devour itself.
To the father, they are the "good guys," even
though the father commits a murder for the sake of
his son.
Are we carrying the fire?
He feels that the stories his father tells of their heroic
survival are not truthful. Perhaps worst of all, the boy
cannot agree with his father that the right thing to do is
to refuse to help others who are in dire need,
especially when they have not shown any evidence of
being dangerous.
The reader (if not also the boy) perceives that in such a
difficult world, the distinction between good and evil is rather
nuanced; people's actions taken at face value are far from
enough to determine whether someone is a "good guy" or a
"bad guy."
Trust
On the surface it is
expressed through
conflict with other people
on the road
In response to "Are you a
dr.?" Do I look like an
imbecile to you?
Only the boy trusts
others, for example
Ely and the thief.
Just help
him, papa.
Just help
him
Though he often seeks reassurance, the
boy also realizes that his father may not
always be truthful about their chances of
survival. The boy admits that he thinks his
father might lie to him about dying.
"Okay. I might.
But we're not
dying"
In this respect
the son's trust in
his father is
forged out of
necessity
"I always believe
you.... Yes I do. I
have to"
Faith and Doubt
the father's quest south to ensure
his son's survival is carried out
with religious fervor
"The child was his warrant.If
he is not the word of God God
never spoke"
the man treats his son as an individual
above all others, with a devoutness that
arguably surpasses the usual sentiments
of paternal love, affection, and
protection.
"What if I said that he's a god?" (145)
the man expresses
doubt about the
presence of a higher
power.
Then he just knelt
in the ashes. He
raised his face to
the palling day. Are
you there? he
whispered. Will I
see you at the
last?
Ely denies the possibility of God's
existence in such a destructive
place as earth
"There is no God and we are
his prophets"
Where men cant live
gods fare no better.
You'll see"
Survival and Resilience
McCarthy tends to focus on
the unusual behavior required
in such circumstances, for
example of the marauders or
cannibals
The man also attempts to steel himself
for the possibility that he may have to
shield his son from unspeakable evil by
killing the boy himself.
"Can you do it? When the time comes?
When the time comes there will be no time ...
Could you crush that beloved skull with a
rock?"
we see the beginnings of a new
society arising from a state of
nature, one where the security of the
group is the key binding motivation.
"Behind them came wagons drawn
by slaves in harness and piled with
goods of war and after that the
women, perhaps a dozen in number,
some of them pregnant, and lastly a
supplementary consort of catamites
..."
In the face of the atrocities they witness, the boy
and the man retain a purity of hope and strength of
vision that fuel them forward in their journey
across the desolate land.
Naming and the Authority of Memory
The Road incorporates significant themes
regarding memory and narration. These themes
are often difficult to grasp through McCarthy's
obscure language or references and almost
impenetrable prose
Storytelling and naming,
accordingly, are forms of
authenticity and power,
lending reality to those
objects or concepts which
are described or named.
"Make a list. Recite a
litany. Remember"
Though the man attempts to reject his
dreams as death's lure away from the
sobering reality of his impending end,
these dreams in some way validate the
existence of his previous life.
"things no longer known in
the world.... He thought
each memory recalled
must do some violence to
its origins.... What you alter
in the remembering has
yet a reality, known or not
This passage also demonstrates the significance
of memory for a person; the mind remembers and
thus The passage also validates phenomena which
may no longer exist. Failing to remember and to
name these phenomena render them forever lost.