84879
Hotter than that
- Recorded 13th December, 1927 Okeh Studios, Chicago
- Louis Armstrong, Cornet and vocals
- Introduction introduces main ideas of piece, cornet solo
accompanied by Trombone, Clarinet and Piano and
banjo comping chords. Tailgate style in trombone.
- Chorus 1 has no clarinet and trombone, piano and banjo still comping chords, runs, decorated melody
- Chorus 3 has vocals and guitar. Split in 2 sections.
- 1st section - long phrases, scat singing
- 2nd section - short phrases, disjointed, percussive
- 1st section - long phrases, scat singing
- Chorus 4 is just vocals and guitar, slower phrases with a call and response between vocals and guitar,
guitar imitates what voice does, piano re-enters with octave Eb and Bb (tonic and dominant).
- Chorus 6 has cornet solo, higher range and repeated notes, clarinet counter melody with full band
accompanying
- Introduction introduces main ideas of piece, cornet solo
accompanied by Trombone, Clarinet and Piano and
banjo comping chords. Tailgate style in trombone.
- Johnny Dods, Clarinet
- Plays counter melody in introduction and last chorus
- Chorus 2 clarinet solo, playing in higher range of clarinet. use of glissandos and
blues notes. Repeated notes to link between chorus'
- Plays counter melody in introduction and last chorus
- Lonnie Johnson, guitar
- Kid Ory
- Chorus 5 has trombone solo and is the first time trombone is heard since introduction. Shortest and least
complicated solo. Makes use of tailgate style, accompanied by piano and banjo comping chords.
- Chorus 5 has trombone solo and is the first time trombone is heard since introduction. Shortest and least
complicated solo. Makes use of tailgate style, accompanied by piano and banjo comping chords.
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