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Questions in this quiz (7)
1Haydn
- AMostly Melody dominated homophony
- BCounterpoint is used
- CMonophonic bars (e.g unison or solo)
- DOften there are only two parts doubled by all of the instruments
- EMostly Heterophonic
- FLarge sections of imitation
- G3 part texture at some points
- HFugal section
- IPedals stretch for several bars
- JNaffin
2Holborne
- A5 part polyphonic
- B6 part polyphonic
- CImitation used
- DHardly any part crossing
- ENot fugal even with the amount of imitation and polyphony
- FPart crossing only when a part plays the melody
- GImitation hardly used
- HFrequent pedals
- IClassed as a fugue with the amount of imitation and polyphony
3Brahms
- AMain theme of trio is melody dominated homophony
- B3rd theme of scherzo is homophonic and homorhythmic (chordal)
- CScherzo has fugal section 67-100
- DFree imitation between piano and strings b5-6
- EPedals used
- FNo pedals
- GTrio has fugal section 67-100
- HMain theme of trio is heterophonic
- IImitation is rarely used
- J5 part polyphony
4Shostakovich
- AThe prelude is a three part invention
- BThe prelude is a two part invention
- CThe prelude has occasional homophony
- DThere is no imitation in the prelude
- EThere is imitation e.g. b4-7 of 1-3 in the prelude
- FPedals in the prelude
- GThe fugue is contrapuntal
- HThe fugue starts off monophonic and the other parts enter bars later
- IThere are no pedals in the fugue
- JThe fugue has 4 parts
5Bach
- AThe sarabande is 2 parts and the gigue is 3 parts
- BThe sarabande is 3 parts and the gigue is 4 parts
- CIn the sarabande the RH has the melody and the left hand accompanies
- DIn the sarabande bar 2 is monophonic
- EIn the sarabande bar 1 is monophonic
- FIn the gigue its fugal/contrapuntal
- GIn the gigue bars 1-6 are monophonic
- HIn the sarabande the melodic interest is shared between both hands
- IThe gigue is homophonic/homorhythmic
- JThere is lots of imitation in the sarabande
6Duke Ellington
- AMelody dominated homophony
- BHomophony with interspersed solos (monophonic)
- CIntro and Coda Trumpet and sax in parallel 6ths
- DIntro and Coda trumpet and trombone in parallel 6th
- EChorus 4 has stride piano
- FSax solo has areas of monophony
- GTrumpet solo has areas of monophony
- HCoda is contrapuntal
- IImitation is used widely
7Miles Davis
- AMonophonic solo 1.1
- BHead has sax and bass in octaves
- CHead has sax and trumpet in octaves
- DTwo part when piano and sax drop out
- EMelody dominated homophony
- FThe sax solo has no backing making monophonic
- GThe trumpet plays chords occasionally
- HPedals are used
- IThe piano uses stride technique in its solo
Information
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- Quiz on Texture, created by Mark Burrell2532 on 10/06/2016.
- Author
- Mark Burrell2532
- Language
- English
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