GoConqr hat ein neues Design! Sag uns, wie es dir gefällt.

Mindmap

ART HISTORY EXAM 2

Autumn Lamb Englisch

ART HISTORY EXAM 2

Inhalt der Mindmap

ART HISTORY EXAM 2

  1. ETRUSCANS

    • Temples/ Temple Sculpture
      • None survived because they were made of Terracotta (fired clay)
        • Based on Greek plan
          • set of central stairs/ overhanging pediment/ Greek gods on top
    • Porta Augusta
      • Etruscans knew about the advantages of the arch and passed it to the Romans
        • Arch Diagram
    • 500
  2. ROME

    • REPUBLIC
      • Aqueducts
        • Creates channels that carry water large distances
    • TEMPLES
      • Based on combination of Etruscan and Greek structures
        • Ionic orders
        • Engaged colums
    • IMPERIAL
      • Anything associated with Emperors, single rulers of large terrirories
        • Emperors sponsored artwork
    • PRIMAPORTA AUGUSTUS
      • Proportions based on Doryphoros (high classical/ Demonstrates ideal proportions)
        • Cupid figure = Augustus is divine
        • marble
        • Doryphoros
      • MAUSOLEUM
        • Centrally planned sturcture
          • where Augustus was buried
            • devine/ eternally ruling in heaven
        • EVERY EMPEROR AFTER AUGUSTUS WAS BURID IN A MAUSOLEUM TOO
    • ARA PACIS
      • Imperial processions on the two long sides face towards one of the entrances
        • 1st appearance of Atmospheric Perspective in sculpture
        • High priests are present (veils): appears to be a ritual art the altar that takes place of eternity
      • Altar of Peace
        • Marble Altar dedicated to Pax (Roman goddess of peace)
      • panel flanking entrace
        • earliest allegories (surface and hidden meaning)
      • Celestial Clock with Obelisk
        • 1. Augustus is Devine : controlled time/ universe
          • 2. Changes in calendar year 10-12 months
            • 3. Pointed to Ara Pacis on Augustus' birthday
    • COMPLEX IN THE CAMPUS MARTIUS
      • A large stretch of fields
    • PAINTINGS OF POMPEII
      • STYLE 1: LARGELY ABSTRACTED FRESCOS
      • STYLE 2: FIGURATIVE (USUALLY Aginst flat background)
      • STYLE 3: ILLUSIONISTIC
      • STYLE 4: EVEN MORE ILLUSIONISTIC (mythological subjects popular)
      • House of Mysteries - 50 BC
        • dado level - illusionistic stone acts like stage for painted figures
          • Pompeiian RED
      • House of Publius Fannius Synistor
        • bedroom; no windows originally
          • garden scene
            • Trompe l'oeil cloumns: fooling the eye
    • 100
    • COLLOSSEUM
      • 1. Ampetheater
        • 2. stage for bood sports
      • Arcade: rows of arches
        • all three orders D/I/C
    • Forum of Trajan
      • open space flanked by buildings
        • public suare for community gatherings (court/ libraries/ etc)
      • Column of Trajan
        • logest narrative produced up to this point
          • copied frequently
    • Pantheon
      • temple dedicated to all of the gods
        • centrally planned
          • Sponsered by Hadrian (117-138)
            • largest dome until Reinissance
              • OCULUS
      • Basilica
        • throne hal/ court
          • apse, transpet, nave, aisles, narthex, atrium
    • Equestrian Statue of Marcus Aurelius
      • guy on a horse
        • horse: powerful... controls horse = even more POWER
    • Triumphal Arch of Constantine
      • pieced together from other imperial monuments
        • fake geneology to show that he is the real Emperor of ROME
    • Arch of Titus
      • communicate victory: NIKE
        • divided sacred road
  3. early christian I (313 - b/f edict of milan)

    • Catacombs
      • ALL ROMANS WERE BURIED IN CATACOMBS
        • UNDERGROUND BURIAL STRUCTURES
          • loculi: passageways with slits in walls
            • cubiculum: housed families in small room
              • Wall art
    • Good Sheppard Ceiling
      • Visual prayer for deacesed
        • orant figures
          • Christ in center
            • lunettes
    • Multivalent images
      • many meanings determined by Christian viewer
        • fish and anchor in catacombs
          • fish in bible and Christ
            • first Miltivalent image
    • Funerary
  4. EARLY CHRISITAN II (AFTER EDICT OF MILAN)

    • St. Peter and Marcellinus Catacomb, Christ between Peter and Paul
      • Purple Robe: Imperial Attributes
        • A royal color
    • Edict of Milan: Toleration of religion in Roman Empire created by Constantine
    • The Holy Sepulcher
      • constantine built Basilica
        • In Jerusalem Where Christ was buried
          • CENTER of Christian world
    • Imperial attributes
  5. Byzantine

    • The Mausoleum of Galla Placidia
      • Mosaics
        • centrally planned
          • the cross links the Calla Placidia with Constatine to legitimize her power
    • San Vitale
      • sponsered by Jusitinian (526-47)
        • mosaics all function in harmony with actions at the altar
          • Imperial pannels
            • purple robe/ devine nature
            • Participating in rituals at altar forever
    • Hagia Sophia
      • Dome has a clerestory
        • looks like the dome is floating on a ring of light
    • Icons
      • Facilitate communication between heaven and earth
        • moral mirrors
          • capture a bit of the person represented
    • Iconoclasm
      • Destruction/ prohibition of icons
        • fear of false worship
          • worshipping pictures instead of holy people
            • icons were personally owned and the church felt like it took away their power
        • Icons were somehow trapped the person represented/ sympatheic magic... confuse picture with real thing
      • 726-843
    • chludov Psalter
      • Iconoclasts
        • people that destroyed Jesus on the cross
        • killed Christs human nature
      • link between Christ's humanity ad images
        • those that destroyed Chirst are the same as those who destroyed the images of him
    • Hodegetria
      • Virgin and Child
        • Mary always points to Christ
    • MIDDLE BYZANTINE
      • PLAN OF DAPHNI
        • Christ as Pantocrator
          • SQUINCHES
            • arch set into the corner where two piers meet
        • MOSAICS
          • Cross and Circle plan
            • Cross asserys Christ's humanity in the foundation of the church
      • 1000
      • Church Decoration
        • 1. Image of Virgin and Christ in the apse
          • 2. New features: Squinches
            • viewer turns around and dome floats above
              • dome is the universe turning above us
                • scenes on all 4 squinches
              • akward transition on purpose
            • hierarical scale
        • Depth/ interactivity/ squinch mosaics
      • Komnenian Dynasty
        • Iconostasis
          • physical barrier on which icons were hung and blocked the rituals at the altar from the faithful
        • 12 cen
        • St. Pantaleimon, Nerezi - Lamentation
          • A lot of emotional scenes
            • lamentation (crying) over Christ's body
        • Paleologian
          • reverse perspective to create depth
            • inspired the first use of depth in Italy
          • Lunette, Life of the Virgin, St. Savior in Chora
            • Use of the reverse perspective (lines meet ouside of painting boarder)
              • virgin is the vessel that carried Jesus
                • church vessel carries the faith
          • 1300
          • Byzantium and italian renaissance
            • Cimabue 1290
              • virgin and Child sat on altar
                • visual depth and illusion
                  • drapery makes the devine
            • Giotto 1305
              • Lamentation of Christ
                • use of landscape to represent religious history
                • emotional
            • Masaccio
              • Trinity
                • 1st known use of Linear Perspective
                  • creating illusion of depth though parralel lines
  6. ISLAM

    • Dome of the Rock
      • built on the site of the second Jewish Temple
        • not a ritual building
          • Ambulatory: a continuous walkway
            • centrally planned
        • important to all 3 religions
      • 1. place where God created the world and Adam
        • 2. Where Abraham prepared to sacrafice Isaac
          • 3. Solomon built his temple housing jewish ritual objects
            • 4. place where Muhammad ascended to heaven
              • 5. The place where God Manifests his presence
    • Kaaba, Mecca
      • Holiest site in Islam
        • focus of Hajj, houses the black stone
          • meeting place between heaven and earth
          • pilgrimage
        • cube structure drapped in silk and cotton veil
    • Bowl with Kufic Border
      • Inscription is a meditative device
        • satisfying the soul rather than bodies
          • God's language is calligraphy
      • 9th cen
    • Mosques
      • Mihrab points to Mecca... ornamental reach
        • dome marks the Niche
          • 8: paradise
          • 6: faith supporting paradise
          • first crossed arch dome
      • Great mosque, Cordoba Spain
      • Islamic place of worshop, prayers, weddings, funerals, religious teachings
      • Sacred Geometry
        • mathematical tessalations/ complex patterns - evoke eternity = God's capacity to create
      • Arabesque
        • Complex patterns
      • Minaret
        • prayer tower

Bilder und Dateien der Mindmap

  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2
  • ART HISTORY EXAM 2

Informationen

Beschreibung
Mindmap am ART HISTORY EXAM 2, erstellt von Autumn Lamb am 05/11/2019.
Erstellt von
Autumn Lamb
Aufrufe
1
Bewertung

Mehr zu Etruscan and Roman Art

Feedback

Worum geht es?

Wie gefällt dir das neue Design?

Dein Eindruck