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Literary Terms

Lucy Cerys English Literature Year 11 Englisch 122 Karten

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  1. 1AllegoryNarrative where characters/events symbolise underlying moral/ethical ideas or concepts.
  2. 2AlliterationNoticeable repetition of consonant sound at beginning of words.
  3. 3AllusionReference to aspects outside a text (such as legends, other books, biblical stories) to illustrate key points.
  4. 4AnachronismInclusion of object/allusion to something more modern than period text is set.
  5. 5AndrogynousNot pertaining to either make or female gender.
  6. 6AntagonistNegative character in text (against protagonist).
  7. 7ArchetypeCharacter/symbol/theme which recurs in literature texts.
  8. 8AtmosohereMood created by language of text.
  9. 9AudiencePerson (reader/listener/spectator) responding to text.
  10. 10Ascribed RolesTraditional gender influenced roles of characters.
  11. 11AssonanceRepeating same vowel sounds followed by different consonant sounds.
  12. 12Avant-GardeNew/experimental ideas/methods in art/music/literature
  13. 13BathosExcessively sentimental writing sometimes for comic relief.
  14. 14Binary OppositionPair of polar opposite words/ideas.
  15. 15BurlesqueComedy type which uses exaggeration and parody to ridicule it's subject.
  16. 16Black ComedyDrama where humanity presented in state of disillusion, negatively or without hope.
  17. 17Blank VerseFlexible form of poetry without rhyming but with regular metre (usually iambic pentameter).
  18. 18CaesuraDefinite pause in line of verse (shown with punctuation).
  19. 19CanonA list of works of art of great value to society (E.g. Bible, Koran, Shakespeare's works).
  20. 20CarnivalesqueWriter/producer engages imagination and ideological positions to shape texts
  21. 21CatharsisRelease of emotion experienced by audience towards end of a tragedy.
  22. 22ChorusGroup of people in ancient Greek plays sho provide background info/plot through song/dance.
  23. 23CinquainPoem/stanza of five lines with particular form: first word names object of poem whilst second line consists of two adjectives which describe the subject etc.
  24. 24Class StructueWay of identifying social stratification (hierarchical structure).
  25. 25Classical DramaPlays originating in ancient Greek/Roman societies which saw a revival in 16th century.
  26. 26ClichesOverused expressions which often provide tone of dullness (can add humour).
  27. 27ClimaxMain point of interest in narratives where conflict peaks.
  28. 28ColloquialInformal language/jargon used for effect.
  29. 29CoupletTwo successive lines in poetry with similar length and rhyme.
  30. 30ConflictPoint of contention in texts (internal/external/environmental).
  31. 31ConnotationAdditional meaning implied; secondary meaning.
  32. 32ConstructionHow texts created; aspects which collectively contribute to shaping author's thesis.
  33. 33ConsonancePoetic device of recurring/simular sounds in words to create pleasing/harsh effect.
  34. 34Context of ProductionTime in history, social, political and economic situation in which a text is created.
  35. 35Cultural IdentityDistinguishes cultures from one another, defining their practices/beliefs/values.
  36. 36DeconstructionMeaning made from texts; readers identify construction techniques applying different theoretical positions and personal context to determine meaning.
  37. 37DenoumentResolution following climax of plot.
  38. 38Deus Ex MachinaUnexpected solution saving a seemingly hopeless situation, especially as a contrived plot device.
  39. 39DiscourseWays of speaking adopted by particular group, implying attitudes/values/beliefs.
  40. 40Dramatic IronyAudience has greater awareness of situation portrayed on stage than characters.
  41. 41Dramatic MonologueRecited by one person, it reveals character's innermost thought (can be poetry/prose).
  42. 42DystopiaSetting presenting characters suffering due to lack of human rights/ totalitarian government.
  43. 43EledgyPoem/dramatic monologue/prose expressing grief over someone's death.
  44. 44EmpathyAbility to understand/ share feelings of another.
  45. 45EnjambementRun-on lines in a poem.
  46. 46EnlightenmentSeen in 17th/18th century Europe characterised by conviction of reading/knowledge leading humankind to glorious future.
  47. 47EpicLong story (poem/novel/film) produced on elaborate scale.
  48. 48EpiphanyMoment of revelation/insight; often marks turning point in plot.
  49. 49EpitaphWords to be inscribed on tomb/headstone.
  50. 50EpithetName/title describing characteristics of person.
  51. 51ExpositionBeginning of text where characters/setting/conflict introduced.
  52. 52FarceComedy using exaggeration, slapstick and absurd situations.
  53. 53Figurative LanguageLanguage that exceeds literal meaning of word to achieve certain effect (includes metaphors, similes, analogies amd cliches).
  54. 54Free VersePoetry does not adhere to strict conventions of rhythm or rhyme.
  55. 55GapsPlaces where readers expected to make connections using own knowledge.
  56. 56SilencesNot said by text; reader NOT invited to examine.
  57. 57GenderCultural construct defining ideas of masculinity/femininity.
  58. 58GothicTexts presenting gloomy/mysterious/horrific atmospheres (characters shaped by supernatural beings, women controlled/imprisoned, settings threatened).
  59. 59HegemonyGroup/s coming together to wield power over others.
  60. 60HubrisPride causing downfall of tragic hero.
  61. 61HumanismPhilosophy that emphasises basic goodness of humankind.
  62. 62Iambic PentametrePoem's lines consist of five feet (two syllables per foot) with an emphasis on each second syllable.
  63. 63IdentitySense of self.
  64. 64IdeologySet of values/thoughts/beliefs which underpin behaviour of social groups.
  65. 65IllusionFalse impression created through range of stylistic devices.
  66. 66ImageryUse of figurative language to develop understanding and position audience to respond emotionally.
  67. 67IronyForm of criticism by saying opposite of what is meant.
  68. 68JuxtopositionTwo different things presented for audience to compare.
  69. 69MarginaliseDisempowering/exclusion of certain groups based on factors denoting difference from mainstream society.
  70. 70MarxistPolitical position suggesting working class are marginalised by capitalist class.
  71. 71MetaphorOne thing described as another.
  72. 72MetonymyName of one thing substituted for name of something else it is commonly associated with (eg: crown for monarchy).
  73. 73ModernismEarly 20th century writing challenging conventions/experimenting with literary forms.
  74. 74MotifElement/idea/theme recurring frequently.
  75. 75MisogynistCharacter demonstrating hatred of female characters.
  76. 76Narrator's positionPoint of view of text.
  77. 77NaturaliseMake idea/principle seem natural/obvious.
  78. 78OnomatopeiaWords representing sound.
  79. 79OdeLyric poem using varied/irregular metre, typically addressing certain subject.
  80. 80OxymoronTwo opposites combined for striking effect (eg: cruel kindness).
  81. 81PasticheCombination/imitation of different styles/texts/subjects.
  82. 82PatriarchySocial structure tracing power through male lineage.
  83. 83PeripeteiaReversal of fortunes as in a tragedy where the hero is plunged into misfortune/misery.
  84. 84PersonaPersonality/mask adopted by writers.
  85. 85PersonificationGives inanimate objects human qualities.
  86. 86PhallocentricCebtred on the Phallus; social order with power in domain of men.
  87. 87PicarequeNovel telling tale of a rogue; usually satirises society in which they live.
  88. 88PplyphonicMulti-voiced narration.
  89. 89Post ModernLate 20th century - current writing characterised by self-consciousness of writing process/experience of it/products of process.
  90. 90PrivilegeAdvantage over others.
  91. 91ProtagonistMain character in a text (morally good).
  92. 92Reader PositioningWay text manipulates reader to look at something with particular attitude.
  93. 93RealismAttempt to represent real world in text.
  94. 94RepresentationConstruction in text that tries to reflect part of real world.
  95. 95ResolutionConflict resolved.
  96. 96RhetoricArt of persuasive speaking.
  97. 97RomanceFiction in which imagination is unrestricted; originally narrative dealing with love.
  98. 98RomanticismLate 18th century literature movement encouraging revolt against tradition.
  99. 99SatireCritical tone which ridicules events/public figures (often used in political cartoons).
  100. 100Science FictionSet in future speculating on scientific development.
  101. 101SettingPlace/historical time/context in which text is set.
  102. 102SimileOne thing described as being like another (comparison).
  103. 103SoliloquyMonologue spoken when character is alone, revealing thoughts to audience but not to other characters.
  104. 104Sonnet(Love) poem of fourteen lines using iambic pentameter.
  105. 105Stream of ConciousnessInterior monologue; narration capturing character's flow of thoughts/mental process.
  106. 106StructureWay of organising text:
    - chapters/parts
    - Acts/Scenes
    - forms/couplets/stanzas
  107. 107StructualismMethod of readimg texts focussimg on structural elements.
  108. 108StyleWay language used (tone/imagery/diction).
  109. 109SurrealismMovement popular between two world wars; creative potential of unconscious mind.
  110. 110Suspension of DisbeliefProcess by which audience willingly enters into aesthetic experience of text.
  111. 111AestheticConcerned with beauty (or
    set of principles underlying work of particular artist/ artistic movement).
  112. 112SymbolObject standing for something else.
  113. 113SynergyCooperative actions of characters in workplace environment.
  114. 114Theatre of The AbsurdPlays presenting characters that talk at cross purposes; often inert/powerless.
  115. 115ThemeMain message/point in text.
  116. 116Theoretical PositionPosition from which different meaning can be derived from particular reading of same text.
  117. 117ThesisEncompassing statement summarising main argument in essay.
  118. 118Tragic HeroCharacterised by doomed future.
  119. 119TragedyPlay dealing with tragic events, having unhappy ending, especially one concerning the downfall of the main character.
  120. 120UniversalityQualities of text transcending setting/style/cultural context.
  121. 121VoicePresentation of character through speech/first person narration.
  122. 122VoltaTransition between octave and sestet in sonnet; pause between new thought of second stanza.

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Beschreibung
Flash cards to help learn key literary terms to improve English discourse.
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Lucy Cerys
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