KEAT'S ODES.

KEAT'S ODES.

1. CONTEXT.

   • In his short life, John Keats wrote some of the most beautiful and enduring poems in the English language. Among his greatest achievements is his sequence of six lyric odes, written between March and September 1819—astonishingly, when Keats was only twenty-four years old. Keats’s poetic achievement is made all the more miraculous by the age at which it ended: He died barely a year after finishing the ode “To Autumn,” in February 1821.
   • Keats was born in 1795 to a lower-middle-class family in London. When he was still young, he lost both his parents
   • In Hampstead, he fell in love with a young girl named Fanny Brawne. During this time, Keats began to experience the extraordinary creative inspiration that enabled him to write, at a frantic rate, all his best poems in the time before he died.

2. THEMES, MOTIFS AND SYMBOLS.

   • The Inevitability of Death.
     • Even before his diagnosis of terminal tuberculosis, Keats focused on death and its inevitability in his work. For Keats, small, slow acts of death occurred every day, and he chronicled these small mortal occurrences. The end of a lover’s embrace, the images on an ancient urn, the reaping of grain in autumn—all of these are not only symbols of death, but instances of it. Examples of great beauty and art also caused Keats to ponder mortality, as in “On Seeing the Elgin Marbles” (1817).
   • The Contemplation of Beauty.
     • In his poetry, Keats proposed the contemplation of beauty as a way of delaying the inevitability of death. Although we must die eventually, we can choose to spend our time alive in aesthetic revelry, looking at beautiful objects and landscapes. Keats’s speakers contemplate urns (“Ode on a Grecian Urn”), books (“On First Looking into Chapman’s Homer” [1816], “On Sitting Down to Read King Lear Once Again” [1818]), birds (“Ode to a Nightingale”), and stars (“Bright star, would I were stedfast as thou art” [1819]). Unlike mortal beings, beautiful things will never die but will keep demonstrating their beauty for all time. Keats explores this idea in the first book of Endymion (1818). The speaker in “Ode on a Grecian Urn” envies the immortality of the lute players and trees inscribed on the ancient vessel because they shall never cease playing their songs, nor will they ever shed their leaves. He reassures young lovers by telling them that even though they shall never catch their mistresses
   • THEMES.