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Rag Desh

Sonika BAGCHI 7 preguntas

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Preguntas del test (7)

  1. 1What is the structure in the Live Version of the Rag Desh? (version 1)
    1. AAlap - Gat
    2. BAlap - Gat - Jhalla
    3. CAlap - Alap - Bhajan
    4. DAlap - Gat - Bhajan
  2. 2All three versions of the rag desh feature a [blank_start]tala[blank_end], or a rhythmic pattern. The first note of the tala is called a [blank_start]sam[blank_end], and this tala is typically played on the [blank_start]tabla[blank_end]. Sometimes, however, complex rhythms are independent of the beat, and these are called [blank_start]Bols[blank_end].
    Version 1 of the Rag Desh uses the [blank_start]Jhaptal[blank_end] (10) and the Tintal ([blank_start]16[blank_end]), version 2 uses the [blank_start]Keherwa[blank_end] (8), and version 3 uses the [blank_start]Rupak[blank_end] (7) and Ektal ([blank_start]12[blank_end]).
    1. Atala
    2. Bsam
    3. Ctabla
    4. Dbols
    5. EJhaptal
    6. F16
    7. GKeherwa
    8. HRupak
    9. I12
  3. 3Which of the following instruments are present in version 2?
    1. Asarod
    2. Bsarangi
    3. Cpakawaj
    4. Dtabla
    5. Esmall cymbals
    6. Fvoice
    7. Gbansuri
    8. Hshruti box
    9. Iesraj
    10. Jsitar
  4. 4Which of the following instruments are present in version 3?
    1. Abansuri
    2. Besraj
    3. Cshruti box
    4. Dtambura
    5. Etabla
    6. Fvoice
    7. Gsitar
    8. Hcymbals
  5. 5What can be said about the alap?
    1. AIt is improvised, and is the introduction section of the raga. All 3 versions feature an alap with no pulse (or free time) and melodies based on the rag.
    2. BIt is fast, is already composed and read off a piece of sheet music.
    3. CIt is slow, and based off the C major scale.
    4. DIt is in free time and typically the introduction section of the raga, however none of the three setworks have it.
  6. 6Every [blank_start]rag[blank_end] has a specific purpose, being played during some time of the day or during some [blank_start]season[blank_end]. The rag desh is typically played during the [blank_start]night[blank_end] and during [blank_start]monsoon[blank_end] season. The affection of rag desh is that of [blank_start]devotion[blank_end] and romance.
    1. Arag
    2. Bseason
    3. Cnight
    4. Dmonsoon
    5. Edevotion
  7. 7[blank_start]Meend[blank_end] is the sliding of notes in intervals of [blank_start]quarter tones[blank_end] or less.
    [blank_start]Tan[blank_end] are rapid scale flourishes done on the sitar or sarangi.
    1. AMeend
    2. BTan
    3. CBols
    4. DTala
    5. Equarter tones
    6. Fhalf tones
    7. Gsemitones
    8. HTan
    9. IMeend
    10. JTabla
    11. KRag

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Rag Desh
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