Flashcards
History of Graphic Expressions Image Flashcards #2
Cards in this deck (36)
- 1—Flippo Marinetti, book cover, 1910 Italy
Anarchistic values expressed in fragmented
Typography - 2—V. Paladini, Diono Terra, photomontage, 1920 Italy
- 3—Fortunato Depero, Noise-graphism (Writing of noises), 1910
- 4—Fortunato Depero, Dinamo, advertisement, 1930 Italy
- 5—Fortunato Depero, Poster for the "Plastic Ballets" 1910 Italy
- 6—Fortunato Depero, The Motor-cyclist (Solid in speed ) 1920
- 7—Fortunato Depero, Poster for "Cordial Campari" 1920 Italy
- 8—Wyndham Lewis, Blast cover, 1910 English. Founded magazine, co-founder of Vorticist “Vortex” movement in art- Cubism. Wrote Manifesto
- 9—E. McKnight Kauffer,
Flight of Birds poster, 1910 America. Vorticism
- 10—El Lissitzky, Beat the Whites with the Red Wedge,
poster, 1920. Russia. Constructivism
- 11—El Lissitzky, Of Two Squares, 1922. Russia
The square as “the source of all creative expression”
A children’s book!
- 12—El Lissitzky, exhibition poster, 1920. Russia
El Lissitzky created a poster for a Constructivist exhibition in Zurich
An original approach to photography
A visual metaphor for social and gender equality
- 13—Alexander Rodchenko, Soviet stockholder poster, 1920
Rodchenko began to take a more pragmatic approach
A materialist view of culture Emphasis on production and utility
- 14—Alexander Rodchenko, poster promoting pacifiers, 1920 Russia
Thought traditional media such as painting and sculpture would die away
- 15—Alexander Rodchenko, poster for Leningrad State Publishers, 1920, USSR
She shouts ‘books’
- 16—Stenberg Brothers, movie poster, 1920
Cinema and graphic arts as “agitational tool”
Cinema art entirely different from rest of world. Uniquely Russian/Soviet
- 17—Vilmos Huszar, De Stijl, magazine cover, 1910. Hungary
The title of a journal and style. Abstract, geometric. Dynamic Balance
- 18—Piet Zwart, logos, 1920. Dutch
Used sans serif type Balanced asymmetry of form (dynamic equilibrium)
Paves the way for the “New Typography”
- 19—Joost Schmidt, exhibition poster, 1920 German
Master at the Bauhaus
- 20—Herbert Bayer, exhibition Postcard, 1920 Austria
Bauhaus student and teacher
- 21—Herbert Bayer, Universal Alphabet, 1920 Austria
Application of Constructivist design And photomechanical processes
Rejected capital letters. Simplicity
- 22—Herbert Bayer, exhibition poster, 1920 Austria
- 23—Laszlo Moholy-Nagy, Prospectus for Bauhaus, 1920. Hungary
Influenced by Constructivism, but rejected
Bolshevik ideology and practice
- 24—Moholy-Nagy, Book jacket, 1920. Hungary
Application of new technologies: photogram, Photomontage, typophoto
- 25—Jan Tschichold, magazine cover, 1920. German
Conservative typographic
- 26—Jan Tschichold Film poster, Casanova, 1920. German
- 27—Rene Vincent, auto poster, 1923. French
Emphasized fashion and style in commercial ads
- 28—Rene Vincent, Package design, 1920, Italy
- 29—Cassandre, newspaper poster, 1920. Italy
Art deco, gradient designs
- 30—Cassandre, poster, 1920. French
Roots in sachplakat- object poster
- 31—Jean Carlu, record poster, 1920. French
Advocate of new technology
- 32—Edouardo Bonito, Vogue Cover 1920 Spain
Fashion illustration
- 33—Schulz-Neudmann, film poster, 1920. German
- 34—Otto Baumberger, motor poster, 1930. Swiss
Travel, technology, speed
- 35—Noel Fontanet, Swiss auto exhibition poster, 1930
- 36—Julius Klinger, Spessl poster, 1920 Austrian
