Flashcards
Art History 252 Midterm 1

Cards in this deck (173)
- 1—Annibale Carracci 1560-1609
Self portrait with other figures, c. 1593
Milan, Pinacoteca di Brera
- 2—Annibale Carracci 1560-1609
Boy Drinking, c. 1582-83
Cleveland, Museum of Art
- 3—Annibale Carracci 1560-1609
Bean Eater 1584-85
Rome, Galleria Colonna
- 4—Annibale Carracci 1560-1609
Butcher's Shop, c. 1580-82
Oxford, Christ Church
- 5—Annibale Carracci 1560-1609
Butcher's Shop, c. early 1580s
Fort Worth, Kimbell Art Museum
- 6—Annibale Carracci 1560-1609
Crucifixion with Saints, c. 1583
Bologna, Santa Maria della Carita
- 7—Annibale Carracci 1560-1609
Assumption of the Virgin, c. 1587
Madrid, Prado
- 8—Annibale Carracci 1560-1609
The San Ludovico Alter (Madonna and Child in Glory), c. 1590-92
Bologna, Pinacoteca Nazionale
- 9—Annibale Carracci 1560-1609
Pieta with Saints, c. 1585
Parma, Pinacoteca
- 10—Annibale Carracci 1560-1609
Venus with Adorded Graces, c. 1590-95
Washington, National Gallery
- 11—Ludovico Carracci 1555-1619
Conversion of St. Paul, c. 1587-89
Bologna, Pinacoteca Nazionale
- 12—Ludovico Carracci 1555-1619
The Flagellation, c. 1589
Douai, Musee de la Chartreuse
- 13—Comparison Piece
Adoration of the Sheapherds
- 14—Comparison Piece
Adoration of the Magi
- 15leccatamannerist strokes/style
- 16Palazzo FavaIn Bologna, where Carraccis were comissioned by Filippo Fava
- 17Gabriele PaleottiBishop of Bologna, wrote Discorso intorno alle imagini sacre e profane, 1582, what artists should do (study nature to appeal to the ignorant, naturalist)
- 18Ulisse AldrovandiNaturalist at the University of Bologna
- 19pastositamany impasto (thick, with lots of paint) strokes
- 20viva carneliving in flesh, how Annibale made the Butcher's Shop look
- 21—Palazzo Farnese, Rome

- 22—Galleria Farnese Ceiling, 1597-1600

- 23—Annibale Carracci 1560-1609
Triumph of Bacchus and Ariadne
- 24—Annibale Carracci 1560-1609
Pan and Diane
- 25—Annibale Carracci 1560-1609
Mercury and Paris
- 26—Annibale Carracci 1560-1609
Polyphemus wooing Galatea
- 27—Annibale Carracci 1560-1609
Polyphemus slaying Acis
- 28—Annibale Carracci 1560-1609
Cephalus and Aurora
- 29—Annibale Carracci 1560-1609
Venus and Triton
- 30—Annibale Carracci 1560-1609
Juno and Jupiter
- 31—Annibale Carracci 1560-1609
Hercules and Iole
- 32—Annibale Carracci 1560-1609
Diana and Endymion
- 33—Annibale Carracci 1560-1609
Venus and Anchises
- 34—Annibale Carracci 1560-1609
The Dead Christ Mourned, c. 1603-04
London, National Gallery
- 35—Michelangelo
Pieta, c. 1599/1601
Naples, Museo de Capodimonte
- 36illusionismartistic tradition in which artists create a work of art that appears to share the physical space with the viewer
- 37Quadro Riportatopainting moved (normal perspective)
- 38di sotto in sufrom the ground looking up (upward perspective like domes with clouds) - Mantegna, Andrea: Oculus in the Camera degli Sposi
- 39paragonereferring to other artists in dialogue
- 40—Caravaggio 1571-1610
Self-Portrait as Bacchus, c. 1593-94
Rome, Galleria Borghese
- 41—Caravaggio 1571-1610
Boy with Basket of Fruit, c, 1593-94
Rome, Galleria Borghese
- 42—Caravaggio 1571-1610
Still life with a Basket of Fruit, c. 1601
Milan, Pinacoteca Ambrosiana
- 43—Caravaggio 1571-1610
The Musicians, c. 1595
New York, the MET
- 44—Caravaggio 1571-1610
The Lute Player, c. 1595-96
St. Petersburg, The Hermitage
- 45—Caravaggio 1571-1610
Saint Francis of Assisi in Ecstasy, c. 1595-96
Hartford, The Wadsworth Atheneum
- 46—Caravaggio 1571-1610
Crucifixion of St. Peter, c. 1600-01
Rome, Cerasi Chapel, Santa Maria del Popolo
- 47—Caravaggio 1571-1610
Conversion of St. Paul, c. 1600-01
Rome, Cerasi Chapel, Santa Maria del Popolo
- 48—Caravaggio 1571-1610
Supper at Emmaus, c. 1601
London, National Gallery
- 49—Caravaggio 1571-1610
Supper at Emmaus, c. 1606
Milan, Brera
- 50—Caravaggio 1571-1610
The Seven Works of Mercy, c. 1606-07
Naples, Pio Monte della Misericordia
- 51—Caravaggio (1571-1610)
Flagellation, c. 1607
Naples, Capodimonte
- 52—Caravaggio 1571-1610
The Beheading of St. John the Baptist, c. 1608
Valetta, Co-Cathedral of St. John
- 53—Caravaggio 1571-1610
The Burial of St. Lucy, c. 1608
Syracuse, Museo di Palazzo Bellomo
- 54—Caravaggio 1571-1610
David with Head of Goliath, c. 1606-10
Rome, Galleria Borghese
- 55tenebrismlight and dark shadowing to create a dramatic illumination
- 56chiaroscurochiaro-light
scuro-dark
shadowing that creates a 3D effect - 57—Caravaggio 1571-1610
Boy Bitten by a Lizard, c. 1595-96
London, National Gallery
- 58—Caravaggio 1571-1610
Head of Medusa, c. 1598
Florence, Uffizi
- 59—Caravaggio 1571-1610
Bacchus, c. 1597
Florence, Uffizi
- 60—Caravaggio 1571-1610
The Card Sharps, c. 1594-95
Fort Worth, Kimball Art Museum
- 61—Caravaggio 1571-1610
The Fortune Teller, c. 1598-99
Paris, Louvre
- 62—Caravaggio 1571-1610
Judith and Holofernes, c. 1599
Rome, Galleria Nazionale d'Arte Antica
- 63—Caravaggio 1571-1610
St. John with a Ram, c. 1602
Rome, Capitoline Museum
- 64—Caravaggio 1571-1610
Entombment, c. 1602-04
Rome, PInacoteca Vaticana
- 65—Caravaggio 1571-1610
Madonna di Loreto, c. 1603-06
Rome. S. Agostino
- 66—The Contarelli Chapel 1599-1602
San Luigi dei Francesi, Rome
Domenichino 1581-1641

- 67—Caravaggio 1571-1610
The Calling of St. Matthew, c. 1599-1600
Rome, Contarelli Chapel
- 68—Caravaggio 1571-1610
The Martyrdom of St. Matthew, c. 1599-1600
Rome, Contarelli Chapel
- 69—Caravaggio 1571-1610
The Inspiration of St. Matthew, c. 1602-03
Rome, Contarelli Chapel
- 70—Caravaggio 1571-1610
The Inspiration of St. Matthew (First version destroyed), c. 1602
- 71—Santa Maria del Popolo
1600-1601
Cerasi Chapel (Caravaggio + Annibale)
- 72—Caravaggio 1571-1610
Crucifixion of St. Peter, c. 1600-01
Rome, Cerasi Chapel
- 73—Caravaggio 1571-1610
Conversion of St. Paul, c. 1600-01
Rome, Cerasi Chapel
- 74—Annibale Carracci 1560-1609
Assumption of the Virgin, c. 1600
Rome, Cerasi Chapel
- 75—Caravaggio 1571-1610
Death of the Virgin, c. 1601-03
Paris, Louvre
- 76decorumappropriateness in artwork literacy
- 77Matthieu CointerelBecame Pope Gregory XIII 1584-1585
- 78Tiberio Cerasicommissioned Caravaggio and Annibale Carracci for the Cerasi Chapel
- 79—Giovanni Battista Caracciolo 1578-1635
The Liberation of Peter, c. 1615
Pio Monte della Misericordia, Naples
- 80—Bartolomeo Manfredi 1582-1622
The Fortuneteller, c. 1616-17
Michigan, Detroit Institute of Arts
- 81—Simone Vouet 1590-1649
The Fortuneteller, c. 1620
Ottawa, National Gallery
- 82—Georges de la Tour 1593-1652
The Fortuneteller, c. 1630s
New York, The MET
- 83—Valentin de Boulogne 1594-1632
The Cardsharps, c. 1615-19
Dresden
- 84—Valentin De Boulogne 1594-1632
Judith and Holofernes, c. 1626
Valetta, National Museum
- 85—Orazio Gentileschi 1563-1639
The Lute Player, c. 1612
Washington DC, The National Gallery
- 86—Orazio Gentileschi 1563-1639
Danaë, c. 1623
Cleveland Museum
- 87—Orazio Gentileschi 1563-1639
Lot and His Daughters, c. 1622
LA, The J. Paul Getty Museum
- 88—Artemisia Gentileschi 1593-1652/53
Self Portrait as La Pittura, c. 1638
London, St. James Palace
- 89—Artemisia Gentileschi 1593-1653/53
Susanna and the Elders, 1610
Pommersfelden
- 90—Artemisia Gentileschi 1593-1652/53
Judith and Holofernes, c. 1611-12
Naples, Capodimonte
- 91—Artemisia Gentileschi 1593-1652/53
Judith and Holofernes, c. 1618-19
Florence, Palazzo Pitti
- 92—Artemisia Gentileschi 1593-1652/53
Judith and her Maid, c. 1625-27
Detroit, Institute of Arts
- 93—Bernini 1598-1680
Pope Paul V, c. 1618
Rome, Galleria Borghese
- 94Pope Paul V1605-1621
Bestie with Bernini - 95—Bernini 1598-1680
Cardinal Scipione Borghese, c. 1632
Rome, Galleria Borghese
- 96—Carlo Maderno
St. Peter's Basilica
facade and nave, c. 1608-12
- 97—Guido Reni 1575-1642
Crucifixion of St. Peter, c. 1604-05
Rome Pinacoteca Vaticana
- 98—Guido Reni 1572-1642
David with Head of Goliath, c. 1605-1606
Paris, Louvre
- 99—Guido Reni 1575-1642
St. Andrew Adoring his Cross, c. 1609
Oratory of St. Andrew, San Gregorio Magno, Rome
- 100—Domenichino 1581-1641
Flagellation of St. Andrew, 1609
Oratory of St. Andrew, San Gregorio Magno, Rome
- 101—Guido Reni 1575-1642
Ceiling fresco of Aurora, c. 1613
Casino of Aurora, Palazzo Rospigliosi-Pallavicini, Rome
- 102—Stefano Maderno 1576-1636
St. Cecilia, c. 1600
Rome, St. Cecilia
- 103—Domenichino 1581-1641
S. Cecilia Distributing her Clothes to the Poor
Cappella Polet, San Luigi dei Francesi, Rome, 1611-14
- 104—Domenichino 1581-1641
The Condemnation of S. Cecilia
Cappella Polet, San Luigi dei Francesi, Rome, 1611-14
- 105—Domenichino 1581-1641
The Martyrdom of S. Cecilia
Cappella Polet, San Luigi dei Francesi, Rome, 1611-14
- 106—Domenichino 1581-1641
S. Cecilia in Glory
Cappella Polet, San Luigi dei Francesi, Rome, 1611-14
- 107quadro riportatonormal perspective (can be moved to ceiling) carried painting
- 108affettidisplaying human emotion through gestures and movements
- 109—Domenichino 1581-1641
Last Communion of St. Jerome, c. 1611-14
Rome, Pinacoteca Vaticana
- 110—Agostino Carracci
Last Communion of St. Jerome, c. 1594
Bologna, Pinacoteca Nazionale
- 111Pope Gregory XV Ludovisi1621-1623
- 112—Domenichino 1581-1641
S. Cecilia, c. 1617
Paris, Louvre
- 113—Domenichino 1581-1641
The Hunt of Diana, c. 1617
Rome, Galleria Borghese
- 114—Guido Reni 1575-1642
Massacre of the Innocents, c. 1611-12
Bologna, Pinacoteca Nazionale
- 115—Guido Reni 1575-1642
Atalanta and Hippomenes, c. 1618-19
Madrid, The Prado Museum
- 116—Domenichino 1581-1641
Sant'Andrea della Valle
apse, pendentives, c. 1623-28
- 117—Lanfranco
Sant'Andrea della Valle, Rome
dome, c. 1625-27
- 118—Francesco Barbieri "Il Guercino" 1591-1666
Samson Seized by Philistines, c. 1619
New York, The MET
- 119—Domenichino 1581-1641
Portrait of Giambattista Agucchi, c. 1620
York City Art Gallery
- 120GuercinoFrancesco Barbieri
Naturalism
Squinty eye - 121—Guercino (Barbieri) 1591-1666
Aurora Day Night Allegory of Fame, c. 1621-22
Villa Ludovisi, Rome
Quadro tura
- 122—Guercino 1591-1666
Samson and the Honeycomb, c. 1657
San Francisco, Museum of Art
- 123—Guercino 1591-1666
Susanna and the Elders, c. 1617
Madrid, Prado Museum
- 124—Guercino 1591-1666
Susanna and the Elders, c. 1644-50
Parma, National Gallery
- 125—Guercino 1591-1666
Martyrdom of St. Peter, 1618-19
Moden, Galleria Estense
- 126—Guercino 1591-1666
St. Luke Displaying the Painting of the Madonna, c. 1652-53
Kansas City, Nelson-Atkins Museum
- 127—Guercino 1591-1666
Gregory XV Ludovisi, c. 1622-23
LA, J. Paul Getty Museum
- 128—Guercino 1591-1666
St. Petronilla, c. 1621-23
Rome, Capitoline Museums
- 129—Ludovivo Carracci 1555-1619
Madonna and Child with St. Francis and St. Joseph, c. 1591
Cento, Pinacoteca e Galleria d'Arte Moderna
- 130—Guercino 1591-1666
St. Petronilla, c. 1621-23
Rome, Capitoline Museums
- 131—Guercino 1591-1666
Elijah Fed by Ravens, c. 1620
Berlin-Dahlem, Staatliche Museum
- 132—Guercino 1591-1666
St. Sebastian Tended by Irene, c. 1619
Bologna, Pinacoteca Nazionale
- 133—Guercino 1591-1666
Angel Appears to Hagar and Ishmael, c. 1652-53
London, National Gallery
- 134—Guercino 1591-1655
Cumaean Sibyl, c. 1651
London, National Gallery
- 135—Guido Reni 1575-1642
Portrait of a Widow, c. 1620
- 136—Guido Reni 1575-1642
St. Michael the Archangel, c. 1635
Rome, Santa Maria della Concezione
- 137—Guido Reni 1575-1642
St. Sebastian, c. 1615-16
Genoa, Galleria di Palazzo Rosso
- 138—Guido Reni 1575-1642
St. Sebastian, c. 1640
Bologna, Pinacoteca Nazionale
- 139—Guido Reni 1575-1642
The Holy Family with St. John the Baptist and Elizabeth, c. 1640-42
New York, Private Collection
- 140Urban VIII1623-44
- 141—Bernini 1598-1680
The Goat Amalthea with the infant Jupiter and a faun, c. 1615
Rome, Galleria Borghese
- 142—Bernini 1598-1680
Damned Soul, c. 1619
Rome Palazzo di Spagna
- 143—Bernini 1598-1680
Blessed Soul, c. 1619
Rome, Palazzo di Spagna
- 144—Bernini 1598-1680
Martyrdom of St. Lawrence, c. 1615-16
Florence, Palazzo Pitti
- 145—Bernini 1598-1680
Aeneas and Anchises, c. 1619
Rome, Galleria Borghese
- 146—Bernini 1598-1680
David, c. 1623-24
Rome, Galleria Borghese
- 147—Bernini 1598-1680
Apollo and Daphne, c, 1622-25
Rome, Galleria Borghese
- 148—Bernini 1598-1680
Pluto and Persephone, c. 1621-22
Rome, Galleria Borghese
- 149paragoneconversations across mediums
- 150decorumtreatment of the subject
- 151concettowitty, acuteness
- 152—Bernini 1598-1680
The Baldachin, c. 1623-33
Rome, St. Peter's
- 153escutcheonshield/code of arms
- 154—Andrea Bolgi
St. Helena, c. 1629
Rome, St. Peter's
- 155—Bernini 1598-1680
St. Longinus, c. 1629-38
Rome, St. Peter's
- 156—Francois Duquesnoy
St. Andrew, c. 1629-38
Rome, St. Peter's
- 157—Francesco Mochi
St. Veronica, c. 1628-38
Rome, St. Peter's
- 158—Bernini 1598-1680
Cathedra Petri, c. 1657-66
Rome, St. Peter's
- 159chimeracomposed of many things (lion head, snake tail, etc.) fusion
- 160—Carlo Maderno, Bernini, Borromini, and Pietro da Cortona
Palazzo Barberini, c. 1625-33
Rome
- 161—Andrea Sacchi 1599-1661
Divine Wisdom, c. 1629-33
Rome, Palazzo Barberini
- 162—Pietro de Cortona 1596-1669
Divine Providence, c. 1633-39
Rome, Palazzo Barberini
- 163—Bernini 1598-1680
Antonio Coppola, c. 1612
Rome, S. Giovanni dei Fiorentini
- 164—Bernini 1598-1680
Gabriele Fonseca, c. 1665
Rome, S. Lorenzo in Lucina
- 165—Bernini 1598-1680
Pedro de Foix Montoya, c. 1622-23
Rome, S. Maria di Monserrato
- 166—Bernini 1598-1680
Costanza Piccolomini, c. 1636-37
Florence, Bargello Museum
- 167—Bernini 1598-1680
Caricature of Scipione Borghese, c. 1632
- 168—Bernini 1598-1680
Caricature of Innocent XI, c. 1680
- 169—Bernini 1598-1680
Bust of Louis XIV, c. 1665
Versailles
- 170—Alessandro Algardi 1598-1654
Cardinal Laudivio Zacchia, c. 1626
Berlin, State Museum
- 171—Alessandro Algardi 1598-1654
Donna Olimpia Pamphili, c. 1646-47
Rome, Galleria Doria-Pamphili
- 172—Giuliano Finelli
Cardinal Scipione Borghese, c. 1631-32
New York, The MET
- 173—Giuliano Finelli
Francesco Bracciolini, c. 1630-31
London, Victoria and Albert Museum
Information
- Description
- Undergraduate Art History 252 Flashcards on Art History 252 Midterm 1, created by Payton Malone on 05/10/2021.
- Created by
- Payton Malone
- Views
- 4
- Rating