CAPERCAILLIE: 'Skye Waulking Song'

Alex C
Flashcards by Alex C, updated more than 1 year ago
Alex C
Created by Alex C over 5 years ago
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Description

Edexcel GCSE Music flashcards for Capercaillie

Resource summary

Question Answer
Dynamics Dynamics drop in v. 7, creating intimate vocal sound. Contrasted by full texture in v.8 making dynamics louder overall.
Dynamics gradually fades out at end
Rhythm/Metre 12/8, but ambiguous metre to begin with: hi-hat suggests 3/4 (simple) bass in 12/8 (compound) Bouzouki & Wurlitzer combined suggesting 6/8 (compound)
Rhythm/Metre at b.25, the sense of 12/8 is reinforced by bass drum/snare playing on each dotted crotchet beat bass guitar also reinforces 12/8
Structure strophic verse structure (AAA) with a short refrain at the end of each verse
Structure Vocal line 'call and response' - alternates between 4 melodic phrases (each 1 bar). Call always in Gaelic & refrain (the response) in vocables.
Melody vocal melody uses small no. of notes, using the pentatonic scale - this creates a modal sound
Melody noticeably low in female alto's range (8vb)
Melody In instrumental breaks, instrumentalists play short motifs and countermelodies mainly based on vocal phrases
Instrumentation/Timbre combination of folk & rock instruments, creating the genre 'folk fusion'
Instrumentation/Timbre synth 'with modulation' = modulation effect applied making pitch fluctuate slightly
Instrumentation/Timbre violin: tremolo effect at beginning in background 1st break, plays staccato A's crush notes, less vibrato -focuses mainly on effects
Texture in intro, there's a layered texture, with 2-part counterpoint between the Wurlitzer and Bouzouki
Texture 'NC' = no chords; acc. drops out, creating a monophonic texture for 1 bar Acts as a link between opening section & next section, and prepares for change in chord pattern.
Harmony/Tonality E minor/G major - begins with an Em cluster chord
Harmony/Tonality Sounds modal - no use of B chord (dominant of Em) or D chord (when piece sounds like it's in Gmaj)
Harmony/Tonality in outro, it alternates between G and C chord - series of plagal cadences in Gmaj
Harmony/Tonality overall, it is entirely diatonic
Word setting/painting the words are in Gaelic in the verses, amd also use vocables (nonsense syllables) in the refrains
Word setting/painting set mainly syllabically - little melismatic writing
Context -from album 'Nadurra' -released in 2000 -other musicians: Jethro Tull -other pieces by CC: Michael's Matches, Hope Springs Eternal
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