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Flashcards

World Music Final

taylor.mitchell8 English 90 cards

World Music Final

Cards in this deck (90)

  1. 1Haiti ColonizationSpanish, then French colony in 1697 and in 1804 became 1st independent nation in CaribbeanHaiti Colonization
  2. 2Carib & Arawakindigenous groups of HaitiCarib & Arawak
  3. 3Vodou Ritualis the syncretic religion that emerged out of the folk cultures from West African Vodun, and incorporation of catholic elements into Vodun.
    Drumming/dancing/song are "calls" to the Lwa to enter the ceremony
    Vodou Ritual
  4. 4Rada Rite = older, more African "cooler"Addressed to certain deities (loa). Legs (guardian of crossroads opens gates to ceremony), Ogoun (god of iron depicted with a sword, fierce, active).
    Petwo-Kongo = developed in independence struggle, more militaristic and "fiery"
    Rada Rite = older, more African "cooler"
  5. 5Lwathought to live in Ginen (mythologized african homeland) invited into a Vodou ceremony to possess initiatesLwa
  6. 6Syncretic Religionthe blending of two religionsSyncretic Religion
  7. 7Jamaica Colonization1494 Columbus + British colony 1655 + Independence 1962Jamaica Colonization
  8. 8RastafarianismMovement/cult/religion: where the goal was repatriation to Africa (Blacks would gain what was taken away from them by whites)Rastafarianism
  9. 9Haile Selassie IKing of Ethiopia, is regarded by Rastafarians as the Black Messiah and is a figure of salvation.Haile Selassie I
  10. 10Marcus GarveyAnti-colonialism in Africa and people from African diaspora to return to continent.Marcus Garvey
  11. 11Mento + Rumba Box 1940sJamaican folk music, lyrics often humorous & sexual innuendos. Rhythm, off beat accents. instrumentation: Rumba box (lamellaphone/plucked strings)Mento + Rumba Box 1940s
  12. 12Ska 1960sNeed for faster and more electric
    dance music, Combines “mento” with American swing (brass instrumentation)
    Ska 1960s
  13. 13Rocksteady Summer 1966Too hot to dance to fast ska/mento rhythms. STEADY, SLOWER rhythms that kept characteristics of ska/mento.
    Popular with lower class youth, “Rude Boys”. Songs in rocksteady became about social protest
    Rocksteady Summer 1966
  14. 14Dancehall 1950s & 60sDancehalls for lower-class. DJs operating systems, providing improvised commentary on songs, characterized by rhyming and attention getting verbal sounds, and vocables & multiple dialects called toasting + dubbing (mixing various songs together)Dancehall 1950s & 60s
  15. 15Reggae 1968Rastafarian culture latched onto
    musical culture, Two-chord guitar pahern, bass, drum
    Reggae 1968
  16. 16Trinidad and Tobago Colonization1797: The Caribs surrendered to British
    1962: Trinidad and Tobago gained independence from Britain
    1976: Officially became a republic
    Trinidad and Tobago Colonization
  17. 171962Trinidad and Tobago gained independence from Britain1962
  18. 18CarnivalA festival preceding Lent in the capital city, Port of Spain nonstop music/dance. Began as an upper class celebration that excluded the working classes BUT Was taken over by the, “rowdy classes” by mid 1800sCarnival
  19. 19Calypso“musical commentary” on current events, origins in west Africa as praise poetry, defiance of colonialism.
    Musically Calypso: duple meter, European derived harmonics and instruments, very rhythmic.
    Calypso
  20. 20Cuba ColonizationCuban revolution in 1959 led to Fidel Castro’s dictatorship. African slaves from 1522 allowed to preserve OG culture. Spanish American war = 1898…1902 independence from American control.Cuba Colonization
  21. 21Cuban SonAfro Cuban pop music, 1920 Cuban national identity, instrumentation includes: tres, clave, and maracas, polyphonic singing, trumpet plays main theme, cowbellCuban Son
  22. 22ClaveRhythm pattern: 5 beat rhythmic & highly syncopatedClave
  23. 23MarimbulaCuban instrument bass instrument that has 8 plucked metal strings. The marimbula is the Cuban instrument similar to the Rumba Box from JamaicaMarimbula
  24. 24Montunofinal section of many Cuban son pieces, improvised and has a faster tempoMontuno
  25. 25Dominican Republic - Rafael Leonidas Trujilo MolinaFormer dictator 1930-1961, instilled Hatian fear on his peopleDominican Republic - Rafael Leonidas Trujilo Molina
  26. 26Merengue dance movesFolk: derived from West Africa, side-step shuffle evokes chained feet of slaves, call and response. Ballroom: originally music of lower class, large orchestra, crooning vocalist tambura/guira rhythm.Merengue dance moves
  27. 27Instrument of Dominican Republic: Güiraa metal scraper (idiophone) from the Dominican Republic used as a percussion instrument in merengueInstrument of Dominican Republic: Güira
  28. 28Amazon Rainforest - Kayapo Xikrin Naming ritual(similar to a christening). Kayapo Xikrin is a ceremony to provide child with ancestral name, solidifies marriage, men & women choral musicAmazon Rainforest - Kayapo Xikrin Naming ritual
  29. 29Eagle cryopening to the listening exampleEagle cry
  30. 30Totemsa plant, animal or natural object used as an emblemTotems
  31. 31Listening example: Amazonian ChantChant = unison group singing, unaccompanied, few pitches, monophonic, male voices, syllabic, mostly consistent dynamic levelListening example: Amazonian Chant
  32. 32Peru Inca Empire?Peru Inca Empire
  33. 33Sikuri EnsembleSiku (panpipes), 52 musicians, repetitive melody, bombos (drums), sounds joyful, women dance in circle around men playing, performed during festivals and rites, communal activity for all, polyphonic (interlocking parts of the Siku express ideal of playing as one), communal response crucial for Sikuri performanceSikuri Ensemble
  34. 34Parallel Polyphonywhen 2 melodies follow roughly the same melodic contour, but start on different pitchesParallel Polyphony
  35. 35Instrument of Peru: Bombos & SikuBombos (drums) & Siku (panpipes, aerophone)Instrument of Peru: Bombos & Siku
  36. 36ArgentinaDance form derives from the Cuban habanera, the Argentine milonga, and candombe. Influenced by music from Europe especially the minuet Salon music.Argentina
  37. 37Tangosimple quadruple meter, social dance to accompany, derives from Cuban Habanera & Argentine MilongaTango
  38. 38Astor PiazollaInfluenced Tango music by combining fusion of jazz and classical. Piazolla also played bandoneon which is common characteristic of Tango music.Astor Piazolla
  39. 39Porteños (Port People)tango created by the porteños in 1880s, people from the slums around docks of Buenos Aires, disenfranchised immigrants, former soldiersPorteños (Port People)
  40. 40Instrument of Argentina: BandoneonBandoneon is crucial for tango sound, it is an aerophone (similar to an accordion)Instrument of Argentina: Bandoneon
  41. 41Brazil Colonization1889: Brazil becomes a republicBrazil Colonization
  42. 42Maxixe"Brazilian tango" w/ Portuguese court and African based dance styles. Dance = A walking two-step movement that mimics the “polka” steps.Maxixe
  43. 43Escolas de Samba- Samba Schools: BateriaParticipants are known as sambistas. Schools consist of a variety of percussion
    instruments collectively known as bateria; Makes use of the habanera rhythmic matrix
    Escolas de Samba- Samba Schools: Bateria
  44. 44Instrumentation of Brazil: Choro "to cry"Small instrumental ensemble comprised of chordophones (guitar-like), and a lead aerophone (usually a flute or clarinet). Choro made use of extensive lyricism & Incorporated syncopated dance form of the maxixeInstrumentation of Brazil: Choro "to cry"
  45. 45SambaPolyrhythmic, ‘squeaking’ timbre if the cuica (friction drum), lead male soloist, very popular during Carnival season, from the meaning “belly bump”, originated in Rio known as “little Africa”,Samba
  46. 46Mexico ColonizationIndependence from Spain: Declared on September 16th, 1810
    Recognized eleven years later in 1821.
    Mexico Colonization
  47. 47Mariachi 1920s, 40sstarted as drunken men in a plaza gambling/dancing/screaming. Instruments: guitar, trumpet, singers, violin.
    By 1775, these three genres: European, Indigenous, and African, blended and became: Mestizo (mixed) Music
    Mariachi 1920s, 40s
  48. 48Instrumentation of Mexico: Vihuela & GuitarronVihuela is small guitar that’s five stringed with high pitch. Guitarron is a larger, lower version of the vihuela and is utilized in place of the harp for a bass like accompanimentInstrumentation of Mexico: Vihuela & Guitarron
  49. 49Plaza GaribaldiCenter for Mariachi ensemble business affairs
    Plaza Garibaldi today: daily gathering of hundreds of mariachi musicians seeking clients and performance opportunities.
    Plaza Garibaldi
  50. 50The Singing Charro1936 film that established a new musical genre known as the singing charro (traditional Mexican cowboy). Mariachi association with Charro genre resulted in development of professional Mariachi attireThe Singing Charro
  51. 51Canada 1000 AD Viking SettlementL’Anse Aux Meadows, 1534 French presence along St. Lawrence RiverCanada 1000 AD Viking Settlement
  52. 52First Nationsethnocentric accounts by Europeans, assimilated musical expressions of immigrant settlers (abandonment of native traditions, Canadian gov passed ordinances against ceremonies, First Nations protest music of 20th century)First Nations
  53. 531609 Marc LescarbotFirst to transcribe First Nations music (Solfege syllables to notates)1609 Marc Lescarbot
  54. 54Buffy Sainte-MarieFirst Nations folk activist, sang song “My Country ‘Tis of Thy People You’re Dying”, which uses the concept of intertextuality, known for provocative language, part of Plains Cree tribe in Saskatchewan.Buffy Sainte-Marie
  55. 55Cape Breton Fiddlingstrong Celtic presence, the ceilidh, the fiddle, Scottish step dancing (Peurt a Beul).Cape Breton Fiddling
  56. 56Intertextualitytaking text of one thing and putting it into another text, creating a new meaningIntertextuality
  57. 57Buddy MacMaster (fiddler in Cape Breton listening example)brought Cape Breton fiddling to a wider world stage, worked on Canadial national railway and fiddled on the side, at 65 recorded his first album, opened for White Stripes with McIsaac in 2007.Buddy MacMaster (fiddler in Cape Breton listening example)
  58. 58Peurt A BeulVocal dance accompaniment in abscense of instruments; complex rhythms, traditional form of Scottish songs native to Cape Breton Island.Peurt A Beul
  59. 59Anglo-American Ballad "Barbara Allen"Ballad about a dying man falling in love with Barbara Allen. She refuses his love but after he dies, she dies as wellAnglo-American Ballad "Barbara Allen"
  60. 60Francis James Child 1825-1896Harvard's first English Professor. 1898 published Ballads book, compiling the verses not music of over 1000 ballads. not from live singersFrancis James Child 1825-1896
  61. 61Cecil J Sharp 1859-1924Revealed that America and Canada already had a living oral ballad tradition from Britain. 1917, english folk songs from the Southern Appalachians was published based on his collection of folk songs (again, not music)Cecil J Sharp 1859-1924
  62. 62Old Regular Baptist Lined Hymn: 18701870: the old regular Baptists were officially founded out of earlier Baptist groups in eastern KentuckyOld Regular Baptist Lined Hymn: 1870
  63. 63Calvinismreformed theology; comes from French theologian John Calvin, who influenced the idea that psalms could be sung in churchCalvinism
  64. 64"Lining Out"a performance practice in which a leader gave out the line of text before the rest sings along.
    - heterophonic texture (simultaneous variation of a single melodic line), unmetered, unaccompanied voices
    "Lining Out"
  65. 65Shape Note Music OriginsShifted away from the old way of singing by end of 1600s to go towards regular singing (needed to establish musical notation system so people could understand the music)Shape Note Music Origins
  66. 66Solfege System?Solfege System
  67. 671802William Smith & William Little developed "shape notes"1802
  68. 68The Sacred HarpCollection of shape note tunes complied in Georgia in 1844. Sacred Harp singings held 1 weekend/month in rural baptist churches. Annual conventions & arrangement of pewsThe Sacred Harp
  69. 69Arrangement of PewsThe Sacred Harp: church setting was set up like thisArrangement of PewsArrangement of Pews
  70. 70FugingForm: AB (both sung in solfege) AB (actual syllables). "Fuging" in the B section...melodic imitation in parts. Basses begin the melody then the other parts join in imitation.Fuging
  71. 71Bill Monroe & Bluegrass BoysThe “father of bluegrass”. His group discarded the ‘hillbilly’ aspect of bluegrass & incorporated suits + cowboy hats.Bill Monroe & Bluegrass Boys
  72. 72“High Lonesome Sound”Learned mandolin (informally) as main instrument early on, "high lonesome" tenor sound.
    A tenor harmony over a lower baritone vocal melody, accompanied by string instruments (banjo, mandolin, violin, double bass)
    “High Lonesome Sound”
  73. 73Grand Ole OpryA well known radio program on Nashville radio. Monroe and Bluegrass Boys were prominent on this program as well as many others.Grand Ole Opry
  74. 741948 Stanley BrothersAnother popular bluegrass duo, recorded "Molly and Tenbrooks" in Bluegrass Boys style, defining the bluegrass style. Function of bluegrass: concert music, not sing along, represented rural america but on a stage1948 Stanley Brothers
  75. 75Double StopsPlaying 2 notes at once. Prominent in the violin solos (holding an open string while fingering a lower or higher neighboring string). Homophonic texture.Double Stops
  76. 76“Newgrass” or Progressive Bluegrass 1960s & 1970sThe newer spin on the more traditional & more popular bluegrass. Electric guitars, drums, piano, more "crossover", more varied chord progressions.“Newgrass” or Progressive Bluegrass 1960s & 1970s
  77. 77African-American Spirituals 1801Richard Allen founded first independent African Methodist episcopal Church (1794). In 1801 Allen created collection of fave hymns he’s taught during worship.African-American Spirituals 1801
  78. 78Ring Ritualform of expression through singing and dancing that began early 1700s, call and response singing, spirituality, dance in counterclockwise fashion and utilizes whole body with emphasis on rhythm.Ring Ritual
  79. 79Content of Lyricscall and response, expressions of great pain/sorrow/hope, portrayed triumph of ordinarily lowly people over the powerful (underdog seeking victory), lyrics pertaining old and new testament; revolving around masters and obedience, lyrics ultimately illustrated hope.Content of Lyrics
  80. 80Signal Songs/Map Songs (Coded Messages)slaves were able to used coded messages to communicate to each other and outsmart their masters. Signal songs contained phrases that were about escaping to freedom, map songs contained elements of a map that directed people to safety.Signal Songs/Map Songs (Coded Messages)
  81. 81Fisk Jubilee SingersAfrican American a capella ensemble organized in 1871, goal was to introduce the world to Spirituals that their African American slave decedents have been singing for years. The OG singers toured across the world including along the Underground Railroad.Fisk Jubilee Singers
  82. 82Paul RobesonRobeson (1898-1976) considered the most famous singers of the Spirituals and performed concerts playing them.Paul Robeson
  83. 83Native American Plains Indian dance songmale vocals, double sided frame drum, this song and dance would be performed at a Powwow or other ceremonies.Native American Plains Indian dance song
  84. 84VocablesNon-lexical text used in music to create rhythm, patterns, and tempos in a song.Vocables
  85. 85Powwowone of the gatherings where song and dance would be performedPowwow
  86. 86Native American Instrumentation: Native American Flutetraditional instrument that was second only to the drum held in front of the player, instrument plays like a recorderNative American Instrumentation: Native American Flute
  87. 87Country Blues/Folk Blues Chord Progressionsolo style, ambiguous tonality, raspy growls for vocal timbre, folk instruments (guitar), emphasis on improvisation, basic patterns emerge: 12-Bar blues form and AAB lyric form.Country Blues/Folk Blues Chord Progression
  88. 88Robert Johnson 1911-1938"musical hobo" in the south, wild and nomadic. MOST influential blues guitarist through his recordings (no commercial success from 11 recordings he made in his lifetime)Robert Johnson 1911-1938
  89. 89Recognize Listening Example: Nuyorican SalsasRecognize Listening Example: Nuyorican Salsa
  90. 90Recognize Listening Example: Cajun MusicsRecognize Listening Example: Cajun Music

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Haiti, Jamaica, Trinidad and Tobago, Cuba, Dominican Republic, Amazon Rainforest, Peru, Argentina, Brazil, Mexico, Canada, U.S.
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