Critics Turn of the Screw

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A Levels English (Turn of the Screw) Flashcards on Critics Turn of the Screw, created by rlshindmarsh on 22/04/2013.
rlshindmarsh
Flashcards by rlshindmarsh, updated more than 1 year ago
rlshindmarsh
Created by rlshindmarsh about 11 years ago
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Question Answer
Droch review in life magazine 1898 'seldom does he make a direct assertion, but qualifies and negatives and double negative, then throws in a handful of adverbs until the image floats away upon a verbal smoke'
review from the New York Times 'The very breath of hell seems to pervade some of its chapters'
Leon Edel Henry James foremost critic
James wants to "catch out" the reader "shameless potboiler" "fairy tale" "amusette", away from realism refuses to give closure or reveal the nature of the ghosts - Protomodernist, away from aristotelian beginning middle and end
Schrero not ambiguous, ghost are real their servant status and sordid sexuality + corruption of the children reflects current anxiety The governess is RELIABLE The Master is IRRESPONSIBLE
Costello Governess is RELIABLE the reader can tell this by the clear structure of each account of the ghostly encounters: FORETELLING - INCIDENT - PLAN - RESPONSE
Tuveson The governess is reliable, the story comes from James connection to the psychic society (brother) the Governess is an UNKNOWING MEDIUM Quint's spirit uses her to kill miles
Williams Governess NOT reliable believes critics thus far take the story to seriously, not verisimilitude. FAIRYTALE can tell this from the narrative form and group listening in prologue
Wilson Governess is NOT reliable she suffers from "psychosexual delusion" Freudian slips everywhere - textual proof Lacuna - Gap in the text/narrative ambiguity
Bontly Governess is NOT reliable Fruedian, she projects sexuality onto ghosts, they alone are A-sexual wants to destroy/doesn't understand the innocence of the children the reader finds in the ghosts demons that haunt them personally
Jones cannot be sure even of Douglas, too ambiguous to interpret. Governess is "Inexperienced, bewildered, frightened" but HONEST - just saying what she sees
Lyndenburg guilty of the "sin of pride" the children are “mere pawns which she must protect and can use, but for which she has no real concern”
Cargill Freudian reading, sites James as a "Freudian pioneer"
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