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Flowchart

Davionne's Opening Research

Samson Adeola English

Davionne's Opening Research

Flowchart content

  1. LOVE AND BASKETBALL

    INTRO

  2. When

    text appeared the screen was back and text was white. No text was shown in the

    rest of the opening. The use of the date in the text shows that the opening

    will be a back story. Text is used to set the time of the film.

  3. The

    cuts throughout the opening are of slow pace and the shots are mostly tracking

    shots. This creates a calm atmosphere and audience can assume that film will

    not be intense.

  4. Starts with an establishing shot of people

    moving in to a house then switches to children playing a basketball game in a

    park.

  5. Davionne's Opening Research
  6. Beings

    with text saying ‘first quarter 1981’. This clearly demonstrates that the movie

    is about basketball, as basketball matches are measured in four quarters. The

    text has a clear connection to the narrative of the movie.

  7. FRUITVALE STATION

  8. The

    movie is based in a real story. So the movie begins with the actual footage of

    Oscar Grant and his friends being detained by the BART Police at the Fruitvale

    BART station.

    On January 1, 2009 in Oakland California

    at 2:15 am before the killing. The gives the audience the bases of the story’s

    narrative.

  9. There is no text what's so ever in the

    opening.

  10. There is an establishing shot of a train

    passing. Which connects nicely with the narrative of the film as it is based on

    an event in a station.

  11. Davionne's Opening Research
  12. Gone

    Girl

  13. Davionne's Opening Research
  14. The opening begins with the only credit

    being the directors name.

  15. We

    hear soft piano music and a voice over of a man. While we hear this we see a

    long recording of a man caressing a women's hair.

  16. There is a mid close-up which allows the

    audience to see her facial expression. She looks innocent and slightly

    confused. The audience shares her confusion as we are unaware of who she his or

    who the narrator is.

  17. Opening ends with a fast cut to black. This

    takes always the calm essence that has been created through the softness of the

    mans voice and the long cut of the women's face.

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Flowchart on Davionne's Opening Research , created by Samson Adeola on 14/12/2016.
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