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Media A2 film analysis Skyfall
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Media A2 film analysis Skyfall
Directed by Sam Mendes
- Produced by Metro-Goldwyn-Mayer, Eon Productions, Sony Pictures Entertainment
- Cost $200,000,000 to make, grossed $980,000,000
- Produced by Metro-Goldwyn-Mayer, Eon Productions, Sony Pictures Entertainment
Genre: Action, Adventure, Crime, Thriller
Propp's character roles fit perfectly with Skyfall.
- Narrative: Standalone film. Linear structure- Opening scene establishes action genre. Plot situations associate with the genre such as car chase
- Setting: British codes, opening in Istanbul takes us to an exotic location, Silva's hideout on an island in Japan. London has iconic landmarks.
- Technical and Audio codes: Fast paced editing and rapid cuts are conventional for the action genre
- Lighting during the fighting in China makes it dramatic and tense
- The use of the bond theme highlights the advent of action at key points in the film, the use of special effects demonstrate the high production value.
- Technical and Audio codes: Fast paced editing and rapid cuts are conventional for the action genre
- Setting: British codes, opening in Istanbul takes us to an exotic location, Silva's hideout on an island in Japan. London has iconic landmarks.
- Narrative: Standalone film. Linear structure- Opening scene establishes action genre. Plot situations associate with the genre such as car chase
NARRATIVE
- Equilibrium is unbalanced at the start with the shooting of bond (which is unexpected), the next second disruption is the cyber crime by Silvia. Reflects sociological context of the time
- The quest is for Bond to return to active service and stop Silva from killing any more agents, the climax is done in a stereotypical action genre style with high drama and lots of effects. Equilibrium is restored at the end even with the death of M
- It has a flexi-narrative structure due to Bond not necessarily always being the hero as he is flawed. The narrative is far more complex
- The quest is for Bond to return to active service and stop Silva from killing any more agents, the climax is done in a stereotypical action genre style with high drama and lots of effects. Equilibrium is restored at the end even with the death of M
- Equilibrium is unbalanced at the start with the shooting of bond (which is unexpected), the next second disruption is the cyber crime by Silvia. Reflects sociological context of the time
Representation: The Role of Bond previously was a representation of masculinity
- We watch Bond's arc of transformation throughout the film. At the start he's hiding,drinking and gambling, as the film progresses he overcomes his physical decline and proves himself
- We emphasise with bond as he tackles old age, especially with the close ups of him with a tired expression and wrinkles. He has trouble shooting accurately and is reminded of his ageing throughout.
- Bond's relationship with Silva (and particularly the "interrogation" scene)
- Silva's unbuttoning of Bond's shirt was done to make Bond feel uncomfortable however Bond approaches it with a comedic sense.
- We watch Bond's arc of transformation throughout the film. At the start he's hiding,drinking and gambling, as the film progresses he overcomes his physical decline and proves himself
SILVA'S REPRESENTATION:
- Binary opposites theory LEVI STRAUSS shows bond and silva are opposites (hero and villain). But we have a villain who was once a hero (but feels betrayed)
- WOMEN REPRESENTATION
- Bond films traditionally portray women in a negative way.
- M- Represented as powerful- not defined by her body image. Her control over bond shows her power. However her weakness of old age shows through (especially in Skyfall)
- Severine- She is seduced by Bond, then Bond uses her to get the villain. Traditional of Bond films
- Eve- shoots Bond, not only has a relationship with Bond briefly but also shown to be at the same level as Bond. Represents a modern twist on Bond women
- British Codes- The coffins draped in the flags and the blowing up of MI6 shows the weakness of Britain- Bond's power, M's bulldog, and London shows the power of Britain
- Eve- shoots Bond, not only has a relationship with Bond briefly but also shown to be at the same level as Bond. Represents a modern twist on Bond women
- Severine- She is seduced by Bond, then Bond uses her to get the villain. Traditional of Bond films
- M- Represented as powerful- not defined by her body image. Her control over bond shows her power. However her weakness of old age shows through (especially in Skyfall)
- Bond films traditionally portray women in a negative way.
- WOMEN REPRESENTATION
- Binary opposites theory LEVI STRAUSS shows bond and silva are opposites (hero and villain). But we have a villain who was once a hero (but feels betrayed)
Audience- Fans of Bond films, Fans of Action, Fans of Daniel Craig, Ranges of ages, Women (strong representation of women)
- Sam Mendes is a well known director - Uses and gratification theory - Its a high concept film - Challenging narrative
Marketing- Promotional tie ins such as the Heineken advert - Daniel Craig at the olympics - Posts/websites - Adele song
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- Mind Map on Media A2 film analysis Skyfall, created by James Burns on 06/06/2015.
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- James Burns
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