Rag Desh
Folien in diesem Satz (7)
-
- Improvised apart from Gat
- Sliding
- between notes – meend
- Embellishments
- Fast scalic
- passages = tans
- V.1 Alap some embellishment to notes in
- melody.
- Gat 1: original composition is ornamented
- V.2 Alap: sarod then singer free melody
- based on rag which is a version of the chorus from the song.
- Bhajan: song in verse format, sarod then
- sarangi solos.
- V.3 Alap: Drone Sa & Pa. Bansuri
- short fragments based on rag, gradually more developed
- Gat 1:
- bansuri plays gat repeatedly which tabla improvises. At 3:32 they swap roles.
- Gat 2: bansuri plays melody with wide
- range of pitch, slides & tans
-
- Tala is repeating rhythmic cycle
- Each beat
- called matras
- First beat
- of the cycle called sam
- V.1 Gat 1 = Jhaptal 10 beats 2+3+2+3 3:55 Triplet improvisation chand
- Gat 2 = Teental 16 beats 4+4+4+4
- Ends with tihai & jhalla
- V.2 Keherwa
- 8 beats 2+2+2+2
- V.3 Gat 1 (part 2) = Rupak 7 beats 3+2+2
- Gat 2 (part 3) = Ektal 12 beats 2+2+2+2+2+2
- Bols rhythmic patterns played within the
- tala, often syncopated.
- Tihai short phrase played 3 times across the
- beat to mark end of improvisations. Finishes on sam.
- Jhalla –
- drone strings in sitar strummed in striking rhythmic effect.
-
- Rag Desh:
- Sa, re, ma, pa, Ni, sa Ni Dh, Pa, Ma,
- Ga, Re Sa
- Sa
- is principal drone note
-
- V.1 sitar & tabla
- V.2 voice, sarangi, sarod, pakhawaj,
- cymbals, tabla
- V.3 bansuri,
- esraj, tambura, tabla – Tambura drones on Sa & Pa
-
- Alap – slow, free time, improvises around
- notes of raga
- Jhor – steady, sense of regular pulse,
- becomes more elaborate, rhythmic and faster
- Jhalla – Fast – complex rhythms, high point
- in piece, virtuosic with advanced playing techniques
- Gat/Bandish – Moderate to fast, table introduce
- the tala, ‘fixed’ composition introduced, musical dialogue between
- instrumentalist (or singer) and table.
- V.1 Alap, Gat 1, Gat 2
- V.2 Alap, Bhajan (song)
- V.3 Alap,
- Gat 1 (slow) Gat 2 (fast)
-
- This rag
- played at night. Rag Desh translates as ‘country’ but also means a rainy season
- or monsoon raga.
- Primary
- moods are devotion, romance and longing = rasa
- Improvisation
- Oral
- tradition – gharana
- Northern
- India – Hindustani tradition
Informationen
- Beschreibung
- GCSE Music (Mine) Folienset am Rag Desh, erstellt von Joanna van Dyk am 28/12/2015.
- Erstellt von
- Joanna van Dyk · Dez 2015
- Aktualisiert
- 30 Dez 2016
- Aufrufe
- 4
- Bewertung