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Karteikarten

13- Suburbs, pop, postmodernism, deconstructivism 1970- present

rosvain History of American Architecture Englisch 48 Karten

13- Suburbs, pop, postmodernism, deconstructivism 1970- present

Karten in diesem Stapel (48)

  1. 1Riverside is arguably the first planned community in the United StatesFrederick Law Olmsted
    Plan for Riverside, IL
    1868
  2. 2—Frederick Law Olmsted
    Plan for Riverside, IL
    1868
    Frederick Law Olmsted Plan for Riverside, IL 1868
  3. 3unrealised project designed by the French-Swiss architect Le Corbusier in 1922Le Corbusier
    Ville Radieuse
    "Radiant City"
    Plan for Paris
    1922
  4. 4—unrealised project designed by the French-Swiss architect Le Corbusier in 1924.unrealised project designed by the French-Swiss architect Le Corbusier in 1924.
  5. 5Radburn was explicitly designed to separate traffic by mode, with a pedestrian path system that does not cross any major roads at grade. Radburn introduced the largely residential "superblock" and is credited with incorporating some of the earliest culs-de-sac in the United States.Stein & Wright
    Plan of Radburn
    New Jersey
    1928
  6. 6founded in 1928 as "a town for the motor age"Stein & Wright
    Plan of Radburn
    New Jersey
    1928
  7. 7—Stein & Wright
    Plan of Radburn
    New Jersey
    1928
    Stein & Wright Plan of Radburn New Jersey 1928
  8. 8—Robert Venturi
    Mother's House
    Chestnut Hill PA
    1962
    Robert Venturi Mother's House Chestnut Hill PA 1962
  9. 9Architects can no longer afford to be intimidated by the puritanically moral language of orthodox Modern architecture. I like elements which are hybrid rather than "pure," compromising rather than "clear," distorted rather than "straightforward." ... I am for messy vitality over obvious unity. I include the non sequitur and proclaim duality.Robert Venturi
    Mother's House
    Chestnut Hill, PA
    1962
  10. 10"Less is a bore"Robert Venturi
    Post- modern Maxim
  11. 11The "gentle manifesto" The book demonstrated, through countless examples, an approach to understanding architectural composition and complexity, and the resulting richness and interest.Robert Venturi
    "Complexity and Contradiction in Architecture"
    1966
  12. 12A criticism of the functionalist and symbolically vacuous architecture of corporate modernism during the 1950sRobert Venturi
    "Complexity and Contradiction in Architecture"
    1966
  13. 13second manifesto-even more stinging rebuke to orthodox modernism and elite architectural tastes.Robert Venturi
    Learning from Las Vegas
    1972
  14. 14—Robert Venturi
    Art Museum Addition
    Oberlin College
    Oberlin, OH
    1973
    Robert Venturi Art Museum Addition Oberlin College Oberlin, OH 1973
  15. 15—Robert Venturi
    Art Museum Addition
    Oberlin College
    Oberlin, OH
    1973
    Robert Venturi Art Museum Addition Oberlin College Oberlin, OH 1973
  16. 16—Robert Venturi
    LEWIS THOMAS LABORATORIES
    PRINCETON UNIVERSITY
    Princeton, NJ
    1983
    Robert Venturi LEWIS THOMAS LABORATORIES PRINCETON UNIVERSITY Princeton, NJ 1983
  17. 17—Robert Venturi
    LEWIS THOMAS LABORATORIES
    PRINCETON UNIVERSITY
    Princeton, NJ
    1983
    Robert Venturi LEWIS THOMAS LABORATORIES PRINCETON UNIVERSITY Princeton, NJ 1983
  18. 18—Charles Moore
    Kresge College
    University of California
    Santa Cruz, CA
    1973
    Charles Moore Kresge College University of California Santa Cruz, CA 1973
  19. 19—Charles Moore
    Sea Ranch Condominiums
    Sea Ranch, CA
    1964
    Charles Moore Sea Ranch Condominiums Sea Ranch, CA 1964
  20. 20—Charles Moore
    Sea Ranch Condominiums
    Sea Ranch, CA
    1964
    Charles Moore Sea Ranch Condominiums Sea Ranch, CA 1964
  21. 21The authors establish the basis for good building by examining houses. These examples demonstrate how individual houses can express the care, energies, and dreams of the people who live in them, and can contribute to a larger sense of place.Charles Moore
    "The Place of Houses"
    1974
  22. 22—Charles Moore
    Kresge College
    University of California
    Santa Cruz, CA
    1973
    Charles Moore Kresge College University of California Santa Cruz, CA 1973
  23. 23—Charles Moore
    Kresge College
    University of California
    Santa Cruz, CA
    1973
    Charles Moore Kresge College University of California Santa Cruz, CA 1973
  24. 24It became immediately controversial for its ornamental top , but enjoyed for its spectacular arched entranceway, measuring about seven stories in height. With these ornamental additions, the building challenged architectural modernism's demand for stark functionalism and purely efficient design. For this it is considered by many critics to be a prime exemplar of postmodern architecture.Philip Johnson
    AT&T corporate Headquarters
    New York, NY
    1978
  25. 25—Philip Johnson
    AT&T corporate Headquarters
    New York, NY
    1978
    Philip Johnson AT&T corporate Headquarters New York, NY 1978
  26. 26—Philip Johnson
    AT&T corporate Headquarters
    New York, NY
    1978
    Philip Johnson AT&T corporate Headquarters New York, NY 1978
  27. 27"the crown jewel in Pittsburgh's skyline," "the towering success of downtown Pittsburgh,"Philip Johnson
    PPG Corporate Headquarters
    Pittsburgh, PA
    1982
  28. 28—Philip Johnson
    PPG Corporate Headquarters
    Pittsburgh, PA
    1982
    Philip Johnson PPG Corporate Headquarters Pittsburgh, PA 1982
  29. 29—Philip Johnson
    PPG Corporate Headquarters
    Pittsburgh, PA
    1982
    Philip Johnson PPG Corporate Headquarters Pittsburgh, PA 1982
  30. 30—Philip Johnson
    PPG Corporate Headquarters
    Pittsburgh, PA
    1982
    Philip Johnson PPG Corporate Headquarters Pittsburgh, PA 1982
  31. 31—Louis L. Kahn
    Library, Phillips Academy
    Exeter NH
    1967
    (exterior)
    Louis L. Kahn Library, Phillips Academy Exeter NH 1967 (exterior)
  32. 32—Louis L. Kahn
    Library, Phillips Academy
    Exeter NH
    1967
    (atrium)
    Louis L. Kahn Library, Phillips Academy Exeter NH 1967 (atrium)
  33. 33created a style that was monumental and monolithic; his heavy buildings do not hide their weight, their materials, or the way they are assembled.Louis Kahn
  34. 34monumental beyond modernism. Famous for his meticulously built works, his provocative unbuilt proposals, and his teaching, one of the most influential architects of the 20th century.Louis Kahn
  35. 35use of a variety of surface materials and colors, small windows, and inclusion of prominent decorative flourishes, was in stark contrast to the architectural style most commonly used for large office buildings at the time, and made the building an icon of postmodern architecture. It is the first major postmodern building,Michael Graves
    State Office Building
    Portland OR
    1981
  36. 36—Michael Graves
    State Office Building
    Portland OR
    1981
    Michael Graves State Office Building Portland OR 1981
  37. 37—Michael Graves
    State Office Building
    Portland OR
    1981
    Michael Graves State Office Building Portland OR 1981
  38. 38—Michael Graves
    Humana Corporate Headquarters
    Louisville KY
    1985
    Michael Graves Humana Corporate Headquarters Louisville KY 1985
  39. 39—Richard Meier
    Athenaeum
    New Harmony, IN
    1975
    Richard Meier Athenaeum New Harmony, IN 1975
  40. 40—Richard Meier
    Athenaeum
    New Harmony, IN
    1975
    Richard Meier Athenaeum New Harmony, IN 1975
  41. 41—Richard Meier
    Athenaeum
    New Harmony, IN
    1975
    Richard Meier Athenaeum New Harmony, IN 1975
  42. 42american abstract artist and architect, whose geometric designs make prominent use of the color white.Richard Meier
    Athenaeum -1975
    Getty Museum- 1997
  43. 43—Richard Meier
    J Paul Getty Museum
    Los Angeles, CA
    1997
    Richard Meier J Paul Getty Museum Los Angeles, CA 1997
  44. 44—Richard Meier
    J Paul Getty Museum
    Los Angeles, CA
    1997
    Richard Meier J Paul Getty Museum Los Angeles, CA 1997
  45. 45—Frank Gehry
    Guggenhiem Museum
    Bilbao Spain
    1997
    Frank Gehry Guggenhiem Museum Bilbao Spain 1997
  46. 46—Frank Gehry
    Stata Center MIT
    Cambridge MA
    2004
    Frank Gehry Stata Center MIT Cambridge MA 2004
  47. 47—Frank Gehry
    Stata Center MIT
    Cambridge MA
    2004
    Frank Gehry Stata Center MIT Cambridge MA 2004
  48. 48—Frank Gehry
    Disney Hall
    Los Angeles CA
    2005
    Frank Gehry Disney Hall Los Angeles CA 2005

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Beschreibung
History of American Architecture Karteikarten am 13- Suburbs, pop, postmodernism, deconstructivism 1970- present, erstellt von rosvain am 03/12/2014.
Erstellt von
rosvain
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