Fichas
Mozart setwork notes
Fichas del conjunto (12)
- 1Bars 1-37 A1 Section (Rondo Theme)• Up-beat, Repeated Pitches &
Triadic, lower auxiliary note
• Eb Major 6/8 Time Signature
• Horn in Eb (solo concerto)
• Accompanied by Strings (cellos & basses share staff)
• 8-bar phrasing balanced - ends in Dominant (Bb Major) first 4
bars - ends in Tonic (Eb major) with perfect (V7-I)
• Detached Strings on each beat
• Descending Semiquaver Scale in Lower Strings
• A1 Section (Rondo Theme) repeated Tutti (Oboes, Horns &
Strings in 8ves) at a louder dynamic (forte rather piano)
• Detached Lower Strings continue - 2Bars 1-37 A2 Section (Rondo Theme)• more triadic
• String accompaniment is now repetitive notes - 3Bars 1-37 2-Bar Phrasing Section⁃ Horn descending sequence and upper auxiliary motif
(inversion of bar 3)
⁃ Parallel 3rds in violins and violas
⁃ C minor - Bb major
⁃ Imitation between horn and strings
⁃ Repetition in Solo Horn F major
⁃ Ends with descending sequence almost unison using
auxiliary note motif - 4Bars 38-67 B Section (episode 1)•Bb major Triadic, rising & falling scale
• Sustained strings accompany solo Horn
• Imitation of the five-bar melody in Violins
• Counter melody in Horns - 5Bars 38-67 Four-detached chords Section⁃ Played forte and tutti
⁃ Answered in horns by
rising arpeggio & falling scale
⁃ Answered in horns by
extension: repetition & fragmentation - 6Bars 38-67 Feeling of anticipation⁃ An 8-bar dominant pedal
(Bb) in cellos, basses later violas
⁃ A two bar ascending sequence 1st violins imitated by 2nds
⁃ Descending chromatic
scale & Ascending sequence in horn - 7Bars 68-83• A1 Section (Rondo Theme)
back to Eb major
• Same detached string accompaniment
• Tutti same as before - 8DEVELOPMENT Bars 84-120• C Section (episode 2): C minor three repeated pitches & triadic
• String Accompaniment repetitive notes (based on A2 Section Rondo Theme)
• Ends with an imperfect cadence
• Second phrase modulates to Ab major
• 2-Bar Phrasing Section
⁃ Like before imitation between horns and strings
⁃ ascending sequence this time, and upper auxiliary motif
⁃ But now transposed to Ab and developed as an
⁃ Like before Parallel 3rds in violins and violas
⁃ lower auxiliary motif returns
⁃ Ascending sequence in Strings in Octaves
⁃ Modulates to G minor ends in a perfect cadence
• Imitation between strings & horn perfect cadences treated as
descending sequences D-Gmin C-Fmin Bb-Eb - 9RECAPITULATION Bars 121-153• A1 Section (Rondo Theme) and Tutti same as before
• A2 Section (Rondo Theme) this time has different harmony
⁃ new chromatic harmony (Eb minor!)
⁃ modulates to Bb major modulate based on 2-bar Phrasing
Section from bars 32-37 - 10Bars 154-178• B Section (Episode 1): Eb major this time, still triadic but
different inversions (compare with above)
• Imitation in Violins with pedal in lower strings
• Hunting horn fanfare this time
• Four-detached chords Section
⁃ Played tutti
⁃ Answered in horns by descending chromatic scale this time (twice)
⁃ Answered by chordal texture with rests to initiate tutti pause
• Dramatic tutti pause on V7 chord (usually indicates to soloist
to improvise short cadenza) - 11Bars 179-205• A1 Section (Rondo Theme) as before
• Orchestra tutti (unison throughout strings & oboe) interrupts
before A1 can finish but extends the theme upwards using
ascending sequence ending on unexpected F7 chord
• 4-bar segment (5-8) of A1 Section (Rondo Theme) played
twice, which includes unusual interrupted cadence then
perfect cadence. - 12CODA Bars 205-213• Fragmentation of A1 (Rondo Theme) in violins call and response with horns
• Tonic pedal in lower strings
• Descending arpeggio in horn demonstrates full range of instrument
• Accompaniment mostly broken arpeggios using tonic and
dominant harmonies
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- GCSE Music Fichas sobre Mozart setwork notes, creado por Cara Hilley el 10/01/2024.
- Creado por
- Cara Hilley
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