Baroque Studies Listenings

1. 1Giulio Caccini

   1. AHistoria di Jephte conclusion: ‘Plorate colles’
   2. BSaul, was verfolgst du mich SWV 415
   3. CVedrò ‘l mio sol
   4. DHippolyte et Aricie end of Act IV: ‘Quel bruit!’
2. 2Tomás de Torrejón y Velasco

   1. ALa púrpura de la rosa excerpt: ‘Y bien, qué es loque adviertes?’
   2. BArmide – Ouverture, Act II scene 5: ‘Enfin il est en ma puissance’
   3. CSaul excerpt: ‘The Time at length is come’, ‘Where is the Son of Jesse?’, ‘O fatal consequence of rage’
   4. DVingt-cinquième ordre excerpts: ‘La visionaire’, ‘La muse victorieuse’
3. 3Georg Frideric Handel

   1. ATrio Sonata Op.3 No.2
   2. BGiulio Cesare Act II scenes 1-2: ‘E seguiste’, ‘Da Cleopatra apprenda – V’adoro, pupille’
   3. CLagrime mie
   4. DNun komm, der Heiden Heiland BWV 62 excerpts: ‘Nun komm’, ‘So geht – Streite, siege’, ‘Lob sei Gott’
4. 4Claudio Monteverdi

   1. APrelude and Fugue in A minor BWV 543
   2. BConcerto for violin in A minor Op.3 No.6
   3. CSuite No.3 in A minor excerpts: Prelude, Allemande, Courante, Sarabande, Gigue, Chaconne
   4. DL’Orfeo excerpt: ‘Ahi caso acerbo’
5. 5Dieterich Buxtehude
   

   1. APraeludium in E major BuxWV 141
   2. BDido and Aeneas conclusion: ‘Thy hand Belinda – When I am laid in earth’, ‘With drooping wings’
   3. COrontea excerpt: ‘E che si fa? – Intorno all’idol mio’
   4. DSonata IV
6. 6JS Bach

   1. AHistoria di Jephte conclusion: ‘Plorate colles’
   2. BNun komm, der Heiden Heiland BWV 62 excerpts: ‘Nun komm’, ‘So geht – Streite, siege’, ‘Lob sei Gott’
   3. COrontea excerpt: ‘E che si fa? – Intorno all’idol mio’
   4. DVingt-cinquième ordre excerpts: ‘La visionaire’, ‘La muse victorieuse’
7. 7Heinrich Schütz
   

   1. AConcerto for violin in A minor Op.3 No.6
   2. BClori vezzosa, e bella, conclusion: ‘Vivo penando’
   3. CSuite No.3 in A minor excerpts: Prelude, Allemande, Courante, Sarabande, Gigue, Chaconne
   4. DSaul, was verfolgst du mich SWV 415
8. 8Henry Purcell
   

   1. ADido and Aeneas conclusion: ‘Thy hand Belinda – When I am laid in earth’, ‘With drooping wings’
   2. B‘The Time at length is come’, ‘Where is the Son of Jesse?’, ‘O fatal consequence of rage’
   3. CTrio Sonata Op.3 No.2
   4. DArmide – Ouverture, Act II scene 5: ‘Enfin il est en ma puissance’
9. 9Johann Sebastian Bach

   1. ASuite No.3 in A minor excerpts: Prelude, Allemande, Courante, Sarabande, Gigue, Chaconne
   2. BLa púrpura de la rosa excerpt: ‘Y bien, qué es loque adviertes?’
   3. CPrelude and Fugue in A minor BWV 543
   4. DHippolyte et Aricie end of Act IV: ‘Quel bruit!’
10. 10Antonio Cesti

    1. AGiulio Cesare Act II scenes 1-2: ‘E seguiste’, ‘Da Cleopatra apprenda – V’adoro, pupille’
    2. BPraeludium in E major BuxWV 141
    3. CClori vezzosa, e bella, conclusion: ‘Vivo penando’
    4. DOrontea excerpt: ‘E che si fa? – Intorno all’idol mio’

11. 11Elisabeth-Claude Jacquet de la Guerre
    

    1. ANun komm, der Heiden Heiland BWV 62 excerpts: ‘Nun komm’, ‘So geht – Streite, siege’, ‘Lob sei Gott’
    2. BSuite No.3 in A minor excerpts: Prelude, Allemande, Courante, Sarabande, Gigue, Chaconne
    3. CVedrò ‘l mio sol
    4. DSonata IV
12. 12Giacomo Carissimi

    1. AHistoria di Jephte conclusion: ‘Plorate colles’
    2. BLagrime mie
    3. CL’Orfeo excerpt: ‘Ahi caso acerbo’
    4. DHippolyte et Aricie end of Act IV: ‘Quel bruit!’
13. 13Antonio Vivaldi

    1. APraeludium in E major BuxWV 141
    2. BVingt-cinquième ordre excerpts: ‘La visionaire’, ‘La muse victorieuse’
    3. CConcerto for violin in A minor Op.3 No.6
    4. DSaul excerpt: ‘The Time at length is come’, ‘Where is the Son of Jesse?’, ‘O fatal consequence of rage’
14. 14Biagio Marini
    

    1. AArmide – Ouverture, Act II scene 5: ‘Enfin il est en ma puissance’
    2. BSonata IV
    3. CSaul, was verfolgst du mich SWV 415
    4. DClori vezzosa, e bella, conclusion: ‘Vivo penando’
15. 15Alessandro Scarlatti

    1. ANun komm, der Heiden Heiland BWV 62 excerpts: ‘Nun komm’, ‘So geht – Streite, siege’, ‘Lob sei Gott’
    2. BPrelude and Fugue in A minor BWV 543
    3. CTrio Sonata Op.3 No.2
    4. DClori vezzosa, e bella, conclusion: ‘Vivo penando’
16. 16Jean-Philippe Rameau

    1. AHippolyte et Aricie end of Act IV: ‘Quel bruit!’
    2. BLa púrpura de la rosa excerpt: ‘Y bien, qué es loque adviertes?’
    3. CDido and Aeneas conclusion: ‘Thy hand Belinda – When I am laid in earth’, ‘With drooping wings’
    4. DLagrime mie
17. 17Barbara Strozzi
    

    1. APraeludium in E major BuxWV 141
    2. BLagrime mie
    3. CVedrò ‘l mio sol
    4. DGiulio Cesare Act II scenes 1-2: ‘E seguiste’, ‘Da Cleopatra apprenda – V’adoro, pupille’
18. 18Georg Frideric Handel

    1. AOrontea excerpt: ‘E che si fa? – Intorno all’idol mio’
    2. BSaul excerpt: ‘The Time at length is come’, ‘Where is the Son of Jesse?’, ‘O fatal consequence of rage’
    3. CL’Orfeo excerpt: ‘Ahi caso acerbo’
    4. DNun komm, der Heiden Heiland BWV 62 excerpts: ‘Nun komm’, ‘So geht – Streite, siege’, ‘Lob sei Gott’
19. 19Arcangelo Corelli
    

    1. AThe Time at length is come’, ‘Where is the Son of Jesse?’, ‘O fatal consequence of rage’
    2. BPrelude and Fugue in A minor BWV 543
    3. CSonata IV
    4. DTrio Sonata Op.3 No.2
20. 20Lully

    1. AArmide – Ouverture, Act II scene 5: ‘Enfin il est en ma puissance’
    2. BHistoria di Jephte conclusion: ‘Plorate colles’
    3. CSuite No.3 in A minor excerpts: Prelude, Allemande, Courante, Sarabande, Gigue, Chaconne
    4. DTrio Sonata Op.3 No.2
21. 21François Couperin

    1. AVedrò ‘l mio sol
    2. BLa púrpura de la rosa excerpt: ‘Y bien, qué es loque adviertes?’
    3. CSuite No.3 in A minor excerpts: Prelude, Allemande, Courante, Sarabande, Gigue, Chaconne
    4. DVingt-cinquième ordre excerpts: ‘La visionaire’, ‘La muse victorieuse’

Descripción

Music Test sobre Baroque Studies Listenings , creado por Rawhinia Castle el 29/09/2017.

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Rawhinia Castle

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Creado el 29 sep 2017 · actualizado el 30 sep 2017

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